安东来到法国南部的拉西奥塔小镇，参加一个暑期编剧工坊，他们将在知名作家奥莉维亚的帮助下写出一本犯罪悬疑小说。过程中需要大家去回忆感受小镇的工业历史，在这个跨种族的团队中，聪明且勇于发言的安东经常发表充满争议的言论，并与其他学员起冲突，和大家格格不入，奥莉维亚不得不将他赶出工作坊。奥莉维亚对于安东的暴力倾向既警觉又着迷，她该如何面对这个濒临崩解的集体创作，又该如何面对自己？ 　　电影在悬疑的氛围下，一来一往的辩论、逐渐升温的冲突，精彩反映了当代法国年轻人对于这个复杂社会的观点以及所面临的困境。影片入围第70届戛纳电影节一种关注单元。劳伦·冈泰再度与《每分钟120击》导演罗宾·坎皮略合作编剧，在拍摄地征选背景相异的非职业演员，将每个演员本身的个性注入角色中，以多台摄影机写实捕捉他们的演出。

安东来到法国南部的拉西奥塔小镇，参加一个暑期编剧工坊，他们将在知名作家奥莉维亚的帮助下写出一本犯罪悬疑小说。过程中需要大家去回忆感受小镇的工业历史，在这个跨种族的团队中，聪明且勇于发言的安东经常发表充满争议的言论，并与其他学员起冲突，和大家格格不入，奥莉维亚不得不将他赶出工作坊。奥莉维亚对于安东的暴力倾向既警觉又着迷，她该如何面对这个濒临崩解的集体创作，又该如何面对自己？ 　　电影在悬疑的氛围下，一来一往的辩论、逐渐升温的冲突，精彩反映了当代法国年轻人对于这个复杂社会的观点以及所面临的困境。影片入围第70届戛纳电影节一种关注单元。劳伦·冈泰再度与《每分钟120击》导演罗宾·坎皮略合作编剧，在拍摄地征选背景相异的非职业演员，将每个演员本身的个性注入角色中，以多台摄影机写实捕捉他们的演出。

IMDB：Joe, who is busy running an old roadside petrol station, decides to take a break and have a beer. His efforts at enjoying his beer fail because someone is robbing him right under his nose. 加油站大叔遇到失去了啤酒，获得了……

IMDB：Joe, who is busy running an old roadside petrol station, decides to take a break and have a beer. His efforts at enjoying his beer fail because someone is robbing him right under his nose. 加油站大叔遇到失去了啤酒，获得了……

This movie is located at the "Oktoberfest" (bigbig, legendary and well-known drinking fest for dumb white-bread idiots) in Munich/Germany. A man who is dissatisfied with his senseless existence in his family-life and social status steals the uniform of a policeman and then enters the "Oktoberfest". - Now he is somebody, he is important, he can help, people respect him, etc. His wife, other relatives and some friends start to follow him while he gets some new acquaintances. The craziness begins! Full ahead! You cannot really say what the sense of this movie is, maybe it's about senselessness of life in general and about the relativity of common values. Amateur actors philosophize about this and that - most of them unemotional as a stone. But this doesn't ruin the movie - it's quite the contrary and supports the absurdity of the scenes and texts. There's no real storyline, it's more like a collage of sketches and clips. And it's also funny that you never know if the protagonists are actors who know they play for the movie (but I guess they do not know WHAT KIND of movie this is!!) or if they are just visitors of the Oktoberfest who happen to fall victim to a crazy-genius movie-director by chance, you know, like hidden-camera or something. - You never know. - And sometimes people get really angry by being annoyed by our false policeman out of control - and I am very sure that he'd got some punches in the face without this uniform. Many of the mono- and dialogues are really funny as hell and also quite intelligent in a subtle and subversive meaning. This movie and with it it's director was a total find for me, I must recommend this a lot, 10 out of 10!

神秘机构、老板换身、员工逆袭、整顿职场、局面失控...一场啼笑皆非的换身大作战就此展开，前途未卜，二人能否共谋出路，实现惊天反转？

本剧主角森川行男是一名22岁的“末流大学”文学系四年级学生，他信奉“人生的丰盈取决于在自然中、蓝天下畅饮冰镇啤酒的次数”，是个成天沉浸于户外生活的自由人。有一天，同样22岁、正为求职而焦头烂额的同级生八木拓马找到了他。森川以“求职成功需在学生时代完成某项壮举”说服八木，提议两人乘坐“安全套制造商开发的橡皮艇”从河流上游划到入海口。他们还叫上了好友学弟松宫一朗太，三人在千叶深山的河滩搭起帐篷，炸溪蟹来填饱肚子，开启了充满野趣的露营。次日清晨，三人拼尽全力完成漂流后成就感满满，从此每周都找理由开启新的冒险，像为节省生活费挑战“纯靠自然食材生存的省钱露营”、堆砌天然石块体验“露天温泉露营”、讲究格调的“时尚露营”等。后来，向往户外生活的21岁女学生三条弥生也加入其中，闹出不少闹剧。旅途中他们还频繁碰到怪人，比如总爱显摆的冷酷模特级独行露营者大山千晶。四名大学生在这一次次的奇遇中，逐渐……

神秘机构、老板换身、员工逆袭、整顿职场、局面失控...一场啼笑皆非的换身大作战就此展开，前途未卜，二人能否共谋出路，实现惊天反转？

This movie is located at the "Oktoberfest" (bigbig, legendary and well-known drinking fest for dumb white-bread idiots) in Munich/Germany. A man who is dissatisfied with his senseless existence in his family-life and social status steals the uniform of a policeman and then enters the "Oktoberfest". - Now he is somebody, he is important, he can help, people respect him, etc. His wife, other relatives and some friends start to follow him while he gets some new acquaintances. The craziness begins! Full ahead! You cannot really say what the sense of this movie is, maybe it's about senselessness of life in general and about the relativity of common values. Amateur actors philosophize about this and that - most of them unemotional as a stone. But this doesn't ruin the movie - it's quite the contrary and supports the absurdity of the scenes and texts. There's no real storyline, it's more like a collage of sketches and clips. And it's also funny that you never know if the protagonists are actors who know they play for the movie (but I guess they do not know WHAT KIND of movie this is!!) or if they are just visitors of the Oktoberfest who happen to fall victim to a crazy-genius movie-director by chance, you know, like hidden-camera or something. - You never know. - And sometimes people get really angry by being annoyed by our false policeman out of control - and I am very sure that he'd got some punches in the face without this uniform. Many of the mono- and dialogues are really funny as hell and also quite intelligent in a subtle and subversive meaning. This movie and with it it's director was a total find for me, I must recommend this a lot, 10 out of 10!