系列纪录片《千万工程》全景展现20年来“千万工程”久久为功扎实推进，历史性重塑乡村生态、全面驱动乡村振兴、引领乡村精彩蝶变的非凡历程，彰显习近平总书记的深厚农民情结和真挚为民情怀，以非凡魄力开辟新路的远见卓识和战略眼光。在“浙”里看见美丽中国。该纪录片突出人文视角，展现“绿水青山就是金山银山”理念指引下浙江乡村各美其美、美美与共的画卷，呈现“千万工程”引领浙江农村更新发展理念、转变发展方式的过程，并透过“之江窗口”描绘践行生态文明、建设美丽中国的大美蓝图。

VISUAL STORYTELLING MEETS THE BIBLE Our Mission We are committed to helping the whole world see the Bible as one unified story that leads to Jesus. The Bible Project is a non-profit animation studio that produces short-form, fully animated videos to make the biblical story accessible to everyone, everywhere. We create 100% free videos, podcasts, and resources that explore the B...

VISUAL STORYTELLING MEETS THE BIBLE Our Mission We are committed to helping the whole world see the Bible as one unified story that leads to Jesus. The Bible Project is a non-profit animation studio that produces short-form, fully animated videos to make the biblical story accessible to everyone, everywhere. We create 100% free videos, podcasts, and resources that explore the Bible’s unified story. The Bible is a divine-human book that speaks God’s word to his people. We believe it ultimately points us to Jesus, who has the power to change individuals and whole communities when we let the biblical story speak for itself. Sadly, for so many, the Bible is used as a devotional grab bag or an instruction manual that fell out of the sky. Worse, for many more, it is an oppressive book of out-dated rules used to control people. We simply desire to help others understand the scriptures and all their complex themes in a way that is engaging, approachable, and transformative. We are committed followers of Jesus, but are not organizationally a part of any specific Christian denomination or tradition. We hope that people from all backgrounds will find value in this work, regardless of their religious or non-religious convictions.

成绩优异处事圆滑的高二学生·矢口八虎，每日与狐朋狗友们一起玩乐。 无论是谁都会觉得是个“现充”的八虎，实际上一直觉得有点空虚。 某日，在美术室见到的一副画作，夺走了八虎的心。 「绘画，是不同于文字的语言」 通过绘画第一次真实地表达自己情绪的八虎，发现了美术的有趣之处，冲动之下拿起了素描本。 然后，八虎的升学志向确定了下来。 「第一志愿，东京艺术大学」 距离录取比例200倍的东京艺术大学考试日期， 还有650天。

人气高中生矢口八虎觉得生活很无聊，在从一副绘画中找到灵感后，他纵身投入了美丽却又无情的艺术世界。

本片改编自同名漫画，讲述了一个空虚的高中生以一幅画为契机，认真挑战美术世界，以国内最难考的美术大学为目标奋斗的故事。既没有美术经验也没有才能的普通人主人公矢口八虎，面对拥有天才绘画能力的对手们，以及无法回答的艺术这一壁垒而苦恼，但他却以热情为武器，用压倒性的努力克服了困难。

本片改编自同名漫画，讲述了一个空虚的高中生以一幅画为契机，认真挑战美术世界，以国内最难考的美术大学为目标奋斗的故事。既没有美术经验也没有才能的普通人主人公矢口八虎，面对拥有天才绘画能力的对手们，以及无法回答的艺术这一壁垒而苦恼，但他却以热情为武器，用压倒性的努力克服了困难。

What are a few references among friends? But for Cal and his circle, it’s hardly a few. They barely conduct a single conversation that doesn’t revolve around architecture, literature, theology, history. Each set of ideas leads seamlessly into the next, until the flow they form is endless, there are always more footnotes, theoretical perspectives, cantos, translations to cite, so many ways of keeping everyday life at bay. When Cal, Evelyn, Chris et al. exchange all this absurdly specific knowledge, they do so with such earnest relentlessness that it’s hard to suppress a smile, although melancholy is never far away. Cal is frequently by himself, turning pages in silence in shadowy rooms, while Evelyn paces the streets of Philadelphia when she can’t sleep, at night, alone. Even when the group gets together, they often remain apart in the frame with no wider shot to connect them, one face holds forth, another stays silent, are they even in the same place at all? Evelyn wishes it were possible to speak more directly, but perhaps that’s the defining feature of the period, not the classical one, this one. You speak, you listen, there’s nothing in between.

What are a few references among friends? But for Cal and his circle, it’s hardly a few. They barely conduct a single conversation that doesn’t revolve around architecture, literature, theology, history. Each set of ideas leads seamlessly into the next, until the flow they form is endless, there are always more footnotes, theoretical perspectives, cantos, translations to cite, so many ways of keeping everyday life at bay. When Cal, Evelyn, Chris et al. exchange all this absurdly specific knowledge, they do so with such earnest relentlessness that it’s hard to suppress a smile, although melancholy is never far away. Cal is frequently by himself, turning pages in silence in shadowy rooms, while Evelyn paces the streets of Philadelphia when she can’t sleep, at night, alone. Even when the group gets together, they often remain apart in the frame with no wider shot to connect them, one face holds forth, another stays silent, are they even in the same place at all? Evelyn wishes it were possible to speak more directly, but perhaps that’s the defining feature of the period, not the classical one, this one. You speak, you listen, there’s nothing in between.