上海美术电影制片厂 彩色 　　摄影：钟立人 　　背景设计：王昌诚 　　作曲：陈钟驹 　　记录了1966年上海工艺美术展览会上的部分作品

大都会の片隅にひっそりと佇む、ちょっと怪しいこのお店。並んでいるのは、職人の手仕事にこだわった名品ばかり。 　　それもそのはず。おしゃべり店主の曾祖父が19世紀後半にイギリスで興ったアーツ＆クラフツ運動に触発されて立ち上げたのがはじまりだから。 　　“熟練職人による質の高い工芸品の良さを見直し、現在のライフスタイルに取り入れよう” 　　提唱者、ウィリアム・モリスの意思を受け継ぐ店の名は、「アーツ＆クラフツ商會」。 　　さて、今日は暮らしを豊かにしてくれる、どんな名品と出会えるのでしょうか。

Step by step, film maker Paul Molijn traces the life of the famous master Vincent van Gogh. We see the current surroundings of the places where the artist lived and worked, alternated with drawings and paintings he made there. 　　Vincent van Gogh was born in the Dutch village of Zundert on March 30, 1853, The family consisted of three daughters and two sons. Between Vincent and his brother Theo there would always be an exceptionally strong bond. 　　After secondary school, Vincent wanted to study theology. However, he wasn’t accepted and ended up in the poor, dismal mining area of the Borinage. Here, in 1880, he finally decided to embark on a career as a painter. 　　In 1881, after the bleak period in the Borinage, Vincent returned to his birthplace Zundert. In the surrounding countryside he drew and painted still lifes, farm workers and landscapes. 　　He then went to The Hague, to capture the spirit of the age. At the time, the political capital was the centre of Dutch painting. 　　After short stays in the small village of Zweeloo and in Nieuw-Amsterdam, Vincent returned to his parents, who now lived in Nuenen. This is where Vincent painted his best-known work, The Potato Eaters. 　　In November 1885, Vincent rather suddenly left for Antwerp, from where he subsequently made the leap to a really cosmopolitan city: Paris. From one day to the next, he discovered a completely different lifestyle, and also fell under the spell of Japanese art. 　　In 1888, Vincent travelled to Arles in the south of France, in search of the colour and warmth of the Provence. Although he only spent 15 months there, it was an exceptionally productive period. But Vincent began to suffer from severe depressions and hallucinations, and after a voluntary stay in the psychiatric clinic of St. Remy-de-Provence, where he painted, among other works, The Olive Pickers, he returned to the north. He’d been referred to Auvers-sur-Oise, where he could rely on the support of physician and art connoisseur Dr. Gachet. 　　But then fate struck. On July 27, 1890, behind the Castle of Auvers, Vincent injured himself with a firearm. Two days later, in the company of his brother Theo and several acquaintances, at the age of 37, he breathed his last breath. 　　Vincent van Gogh left behind more than 1900 paintings and drawings. The man who is now a world-famous master and considered a genius hardly sold any work during his lifetime. Now his painting are worth millions. This documentary depicts the life of Vincent van Gogh: a life that can be called, mildly put, remarkable.

中国传统手工艺。

为纪念卡拉扬逝世十周年而拍摄的纪录影片，由奥地利电视导演Gernot Friedel执导，获卡拉扬基金会支持。

关于前途sportsmenke，从小在孤儿院和遇到的许多困难的电影，因为 面临很多事情第一次从自己的主要作用是肯定不sabzhevoy年龄或性别。但在影片的一个突出的地方是有趣的孩子兹德涅克立方，落在她的发挥，无论是她的兄弟，或朋友。感谢帮助他了解这部影片描述罗马。

“红色美术”采访了当年的画家、红卫兵以及今天中国和英国的收藏者、研究者，力图呈现文革宣传画的产生、流传及影响。在片中讲述个人故事的有：《毛主席去安源》作者刘春华、广州画家李醒韬、广州老红卫兵周继能等……北京、广州的美术馆主持人、美术评论家、当年将中国宣传画带去英国的记者、教授、研究者等，从不同角度讲述了对文革美术的理解。 　　“红色美术”是本片作者继“为革命画画：户县农民画”之后完成的第二部有关中国文革宣传画的纪录片，丰富的图像资料与文革时代的影像穿插在一起，为人们反思文革与视觉艺术的关系提供了新的思考。

In 1957, the Royal Leerdam Glass Works commissioned Haanstra to make an informative promotional film in black and white. This resulted in the accomplished 25 minute Speaking of Glass. On entering the factory, however, Haanstra noticed that a mechanical stacking machine was malfunctioned because of one broken bottle. Amused by its robot like but futile movements, Haanstra agreed to make the film, but only on condition that he could make a separate short on glass. The film gives an intriguing view of the process of glass blowing and the mechanical way in wich glass objects are made. Glass, his greatest success to date, even won an Oscar, the grand prix of Hollywood and Holland's first Academy Award.

杀手接受了一个任务目标，但没有目标的照片和具体描述，只知道目标会在下午5点出现在死气沉沉小镇的餐厅里。因此餐厅里的任何顾客都可能是目标，而那个神秘的女招待即便不是目标，也足以威胁整个任务，甚至可能危及杀手的生命

杀手接受了一个任务目标，但没有目标的照片和具体描述，只知道目标会在下午5点出现在死气沉沉小镇的餐厅里。因此餐厅里的任何顾客都可能是目标，而那个神秘的女招待即便不是目标，也足以威胁整个任务，甚至可能危及杀手的生命