Eric Braeden stars as Dr. Charles Forbin, who has created a supercomputer named Colossus, built solely for the purpose of controlling the nuclear defenses of the Western alliance. It isn't too long after, however, that the Russians announce that they too have built a similar computer for those same purposes on their side--Guardian. And when the two machines begin sharing information at a speed nobody can believe, an attempt is made to disable them. 　　This unfortunately just raises the machines' ire; and in retaliation, they launch their weapons at each other's home nations. The result is a chilling scenario that is potentially becoming all too real these days. 　　COLOSSUS: THE FORBIN PROJECT was not a big hit at the box office for various reasons. One is that its cast wasn't exactly well known. Another reason is that its ending isn't exactly a happy one. Still a third reason is that Universal had trouble trying to promote it in the wake of the huge success of Stanley Kubrick's 2001: A SPACE ODYSSEY. The latter reason is obvious: Colossus and Guardian, like HAL in the Kubrick movie, become central characters here. The difference here is that while HAL malfunctions due to a programming conflict, Colossus and Guardian remain all too stable, convinced beyond a doubt that they know how to protect Mankind better than Man himself. As the computers point out: "One inevitable rule is that Mankind is his own worst enemy." 　　Joseph Sargent's direction is efficient, and the special effects work of Albert Whitlock still manages to work despite its obvious age. An overlooked gem in the sci-fi genre, this should be given a revival.

Nikolai Ispolatov plays the lead character in this story taken from famed Argentine writer Jorge Luis Borges. The visitor is a 33-year-old intellectual who moves into a mansion run by a father, a son, and a daughter. The uneducated trio communicates in their own language of unrecognizable sounds of grunting. The visitor tells the family of the story of the death of Christ and the betrayal of Judas. Soon the misconstrued family believes the visitor may be the Messiah, and they prepare for his crucifixion in hopes they will receive eternal salvation. The feature is filled with allegory, symbolism, and a sense of the bizarre. The film is the first directorial effort by Aleksandr Kaidanovsky, the famous actor and protege of Andrei Tarkovsky.

关于巴宾的出生，有一个预言，那一天阴风怒号，浊浪排空。杂货铺老板夫妇在一起谈论着这几天的怪天气和古老的魔咒，正在此时，巫婆临盆了，在一番痛苦的挣扎与惨厉的号角声中，巴宾呱呱坠地。然而，他患有智障残疾的事实，却让这个家庭分崩离析。而且，镇上发生了奇怪的事情：杂货铺老板在培育萤火虫时引发教堂火灾，而神甫就在里面，结果那里成了一片废墟。当时巴宾在教堂边观望着冰凌，急切渴盼神往沉醉如同往常。发现起火他就拉钟。村里来了新的牧师。蛮横而且非常大意，是一个昏庸的制裁者。一次错怪了巴宾，就公报私仇指罪巴宾是纵火者。在他的恐吓和屈辱下，逼供在全村人面前说自己是纵火者。把巴宾送到绞首台。可是奇迹发生了……

暂无剧情简介

热气腾腾的拖拉机手马特维莫罗佐夫从“不那么遥远”的地方返回家乡。他记得他结婚的故事，他的毁灭性的爱，不可抗拒的背叛和燃烧的“犯罪”，他不后悔。在村里的第一个家伙，马特维莫罗佐夫是一个集体农庄主席真正的头痛。我真的为十个人工作，但戈雷兹是一个虚构的。此外，他爱他的女儿拉里斯。马特维的另一个出口是拖拉机的“赛跑”，与棉花的先进生产商，导致拖拉机坏了。他们几乎把马特维的审判，而不是他和拉里萨结婚。然后我们开始在村里听到马特维的“友谊”与新的动物技术的语气。拉丽莎很嫉妒，她想告诉对手。还有，当地的绯闻女孩和一个赛车手阿廖夫娜奶奶，她往火里点了点油，给马特维和托妮带来了新的信息

在斯德哥尔摩的医院产房里，三个孕育着新生命的女人再次相遇。她们分别是贵族气质且势利的安吉拉（哈里特·安德森 Harriet Andersson 饰）、活泼烂漫的艾格达（古内尔·林德布洛姆 Gunnel Lindblom 饰），以及沉郁忧郁的阿黛勒（尤·佩特雷 Gio Petré 饰）。尽管她们来自不同的成长背景，却因为即将分娩的时刻而再次汇聚在一起。 　　在等待分娩的过程中，她们年少时期的回忆涌上心头。这些回忆让她们回想起爱情的复杂性，婚姻中道德禁锢对个人自由的束缚，以及丈夫的压迫。同时，她们也不禁思考女性在社会中所承担的宿命和被赋予的角色。故事穿梭于当下和回忆之间，时而展现出豪华宅邸中欢快宴席的场景，时而沉浸于待产室里的痛苦与无助。这些场景交织在一起，呈现了婚姻和伴侣关系中所面临的各种困境和挑战。

费多尔·夏里亚宾的故事——他出身农家，却最终闯入辉煌的戏剧世界，征服了前人未及的高度。他赢得了千百万人的爱戴，但他能否获得个人幸福，并在两个挚爱的女人之间做出选择？这部作品讲述了性格和才华如何将一个人推向辉煌，并照亮全世界。

费多尔·夏里亚宾的故事——他出身农家，却最终闯入辉煌的戏剧世界，征服了前人未及的高度。他赢得了千百万人的爱戴，但他能否获得个人幸福，并在两个挚爱的女人之间做出选择？这部作品讲述了性格和才华如何将一个人推向辉煌，并照亮全世界。

商场大亨乐家的儿子乐言在美国留学期间，因为一起误杀罪被判入狱七年。 七年间，自己的初恋情人程真因为种种原因嫁给了乐言的好友凌峰，而自己的哥哥和嫂子也在一起车祸中死去，父亲则因为心脏病离世。重回香港后的乐言面对的就是这样一幅情景，自家的产业被竞争对手洪贵东夺取，幸得父亲好友麦约翰的鼎力支持，乐言能够东山再起。在这个过程中，乐言结识了洪家的二女儿洪芷晴，逐渐和这个善良的女生互生情愫，并且帮助麦叔找到了他流落在外的儿子麦守正，乐言想要把守正培养成为新一代企业家，可无奈却遭人谗言。故事的最终，守正能否明白乐言的苦心，而乐言能否和芷晴走到最后呢？

影片受欧洲真实事件启发而创作，从一起连环杀人案调查展开，导演以独特视角将故事聚焦于病人、医生和警察之间的“三重奏”。在漫长的调查过程中，三人慢慢陷入了复杂的情感连带当中，对“真实”的领悟相互纠缠，最终踏上一段让人意想不到的旅程。