《以色列与巴勒斯坦在瑞典电视上的呈现 1958–1989》（来自《黑人民权运动混录带 1967–1975》和《关乎暴力》的制作团队的新片），由或许是世界上最全面的冲突双方影像资料组成，这些独特且视觉震撼的素材来自瑞典电视档案库。该片通过展示一个国家的媒体如何看待全球最漫长的冲突之一，挑战并改变了传统的历史书写方式。

法兰克是一个年轻而富有理想的警察，他从巡警开始做起，后来成为卧底警察，虽然他的破案率很高，但他不愿意象其他警察那样收受贿赂，这使他显得和其他人格格不入。这种做法也使他身陷危机，因为他的同事们都与他为敌，且不时地陷害他。当检察组开始调查警局内部的贪污内幕时，他又出面作证，因此更陷入危险之中……

法兰克是一个年轻而富有理想的警察，他从巡警开始做起，后来成为卧底警察，虽然他的破案率很高，但他不愿意象其他警察那样收受贿赂，这使他显得和其他人格格不入。这种做法也使他身陷危机，因为他的同事们都与他为敌，且不时地陷害他。当检察组开始调查警局内部的贪污内幕时，他又出面作证，因此更陷入危险之中。

The story is set on Midsummer’s Eve, when the mysterious military unit takes over a peaceful seaside town. All data networks are disrupted, and the region falls silent. The motives and the origin of the enemy remain shrouded in mystery, with the whole of Europe being taken by surprise and under shock. Local residents turn into hostages, including 21-year-old Annika Berg, who is doing her military service. In seconds, her military exercise turns into a real crisis, involving actual casualties. Is this an isolated incident, or the first step to push the world into a new global conflict?

The story is set on Midsummer’s Eve, when the mysterious military unit takes over a peaceful seaside town. All data networks are disrupted, and the region falls silent. The motives and the origin of the enemy remain shrouded in mystery, with the whole of Europe being taken by surprise and under shock. Local residents turn into hostages, including 21-year-old Annika Berg, who is doing her military service. In seconds, her military exercise turns into a real crisis, involving actual casualties. Is this an isolated incident, or the first step to push the world into a new global conflict?

Герои фильма — обыкновенные спички. Ссора, вспыхнувшая из-за пустяка, перешла в настоящее сражение, в котором сгорели обе враждовавшие стороны. 　　Animation film of animator Garri Bardin in which there are no protagonists but which brightly shows ourselves. On an example a box of matches the well-known director shows the world 　　画片言及日用之炬也。琐碎事致不和，及至战事，悉其为燃尽。 　　http://www.youtube.com/watch?v=j2mGVerIFNg

芭芭拉·斯坦威克扮演一个玩世不恭的女人，回家与她的弟弟乔生活。乔并不怎么高兴，并希望他的女朋友佩吉不受到她的世俗影响。在没有选择的情况下，她嫁给罐头企业老板杰里。杰里知道她不爱他，但希望她能够爱他。后来他们有了一个孩子，即使这样，斯坦威克仍难改本性，喜欢上杰里的的朋友厄尔。在杰里知道老婆有外遇后，两人起了冲突。

不幸被抢劫并被卖到船上当苦力的查理临终前托付朋友瑞弗到怀俄明州去照顾他的妻子和女儿，并将半座农场送给他。 为了完成对故人的承诺，瑞弗来到怀俄明州，奇怪的发现查理的妻子安认为丈夫两年前就已经去世了，他们的女儿也在一次不幸中丧生了，她正准备与当地的一位绅士结婚，安对瑞弗所说的遗嘱毫不相信，认为他是谋夺家产的骗子。 为了保卫农场，保护安，在朋友们的帮助下瑞弗决定向阴谋的制造者宣战……

Route 181, offers an unusual vision of the inhabitants of Palestine-Israel, a common vision of an Israeli and a Palestinian. 　　In the summer of 2002, for two long months, Eyal Sivan and Michel Khleifi travelled together from the south to the north of their country of birth, traced their trajectory on a map and called it Route 181. This virtual line follows the borders outlined in Resolution 181, which was adopted by the United Nations on November 29th 1947 to partition Palestine into two states. 　　As they travel along this route, they meet women and men, Israeli and Palestinian, young and old, civilians and soldiers, filming them in their everyday lives. Each of these characters has their own way of evoking the frontiers that separate them from their neighbours: concrete, barbed-wire, cynicism, humour, indifference, suspicion, aggression…Frontiers have been built on the hills and in the plains, on mountains and in valleys but above all inside the minds and souls of these two peoples and in the collective unconscious of both societies. 　　Route 181, Fragments of a Journey in Palestine-Israel, takes us on a disorientating journey across this tiny territory with vast ramifications.

本剧以纪实的手法，通过剖析因婚外恋、离异家庭、三角恋爱、非法同居、学生斗殴、三角债、不幸婚姻等日常琐事而导致犯罪的几起真实案例，深刻说明了犯罪往往在于人们的一念之差，提醒人们在日常生活中，时刻要保持清醒、理智，千万不能义气用事。