STATEMENT 　　Here and now 　　In the film Balkan Baroque, one has the impression that the character invents the past as she speaks, here and now. This past seems to have no reality outside the moment it is evoked with the force that is characteristic of film work. Here, in Balkan Baroque, it has become the present, the present of the film unwinding before the viewer's eyes. 　　What we see on the screen is in the process of happening-it is the very gesture that is given to us and not a report on it. The universe of the film is given in a perpetual present. In other words, this biography of Marina Abramovic, which implies a number of past things, is in process of unfolding before our eyes, here and now, as we watch Balkan Baroque. 'Elsewhere' and 'formerly' do not exist. There is no longer a true reality, inherent and external to the film, so there is no longer anything but the sole reality of the projected images. The film, the universe that it reveals, suffices by itself, at every instant, erasing itself as it goes along, within a loop that is literally never-ending. 　　We are therefore dealing with a subjective, mental unwinding. The work Balkan Baroque is not account of an exterior reality; it is its own reality. The only time to be considered for this biography is the projection time (63'). Balkan Baroque is pure fiction, an imaginary production in which Marina Abramovic plays different roles, including the role of the artist doing performances.

STATEMENT 　　Here and now 　　In the film Balkan Baroque, one has the impression that the character invents the past as she speaks, here and now. This past seems to have no reality outside the moment it is evoked with the force that is characteristic of film work. Here, in Balkan Baroque, it has become the present, the present of the film unwinding before the viewer's eyes. 　　What we see on the screen is in the process of happening-it is the very gesture that is given to us and not a report on it. The universe of the film is given in a perpetual present. In other words, this biography of Marina Abramovic, which implies a number of past things, is in process of unfolding before our eyes, here and now, as we watch Balkan Baroque. 'Elsewhere' and 'formerly' do not exist. There is no longer a true reality, inherent and external to the film, so there is no longer anything but the sole reality of the projected images. The film, the universe that it reveals, suffices by itself, at every instant, erasing itself as it goes along, within a loop that is literally never-ending. 　　We are therefore dealing with a subjective, mental unwinding. The work Balkan Baroque is not account of an exterior reality; it is its own reality. The only time to be considered for this biography is the projection time (63'). Balkan Baroque is pure fiction, an imaginary production in which Marina Abramovic plays different roles, including the role of the artist doing performances.

影片讲述了一个发生在世纪之交的故事。当一支精锐小队被紧急派往一座被武装势力控制的国际机场，他们的任务不仅是阻止大规模冲突升级，更要解救上百名身陷险境的平民。面对重重火力和错综复杂的政治博弈，队员们深入敌阵，每一秒都游走在生死边缘。子弹与爆炸并非唯一的威胁——真正的考验来自于人性的抉择。在职责、情感与道义之间，每一个决定都牵扯着无数生命的重量。主人公与队友们必须在极端环境下协同作战，既要击退凶狠的敌人，也要守护无辜的百姓。

影片讲述了一个发生在世纪之交的故事。当一支精锐小队被紧急派往一座被武装势力控制的国际机场，他们的任务不仅是阻止大规模冲突升级，更要解救上百名身陷险境的平民。面对重重火力和错综复杂的政治博弈，队员们深入敌阵，每一秒都游走在生死边缘。子弹与爆炸并非唯一的威胁——真正的考验来自于人性的抉择。在职责、情感与道义之间，每一个决定都牵扯着无数生命的重量。主人公与队友们必须在极端环境下协同作战，既要击退凶狠的敌人，也要守护无辜的百姓。

本片是一部关于南斯拉夫乐队“无烟地带”的纪录片，由南斯拉夫著名导演埃米尔•库斯图里卡（Emir Kusturica）执导，他作为该乐队的贝斯手也出现在影片中。影片记录了“无烟地带”乐团2000年在欧洲巡演的经历，中间夹杂着乐手们关于成长历程的叙述，以及后台闲谈、排练的片段。影片结构也很有特色，乐队前台表演的画面使用彩色胶片拍摄，而表演后台的花絮以及乐队自述都采用粗糙的黑白影像来表现，形成强烈的对比。乐团一路欢唱，将巴尔干庞克的狂野与疯癫、欢乐与凄苦充分表现在他们的嬉笑欢腾与玩世不恭中。在巡演过程中，他们坚持追寻南斯拉夫的音乐根源，并希冀加入现代的摇滚元素重新构建自己的独特音乐风格。 　　本片获得2001年美国芝加哥国际影展最佳纪录片银盘奖。

Filmmaker Hermann Vaske explores the creative Balkan world in the hopes of understanding the meaning of "Balkan spirit", by interviewing philosopher Slavoj Žižek and various artists. However, the term's complexity very quickly becomes apparent and it seems increasingly difficult, if not impossible, to define the Balkans' geographical location, its people and its culture. Indeed, contradiction, chaos and change is at the Balkans very core.

Filmmaker Hermann Vaske explores the creative Balkan world in the hopes of understanding the meaning of "Balkan spirit", by interviewing philosopher Slavoj Žižek and various artists. However, the term's complexity very quickly becomes apparent and it seems increasingly difficult, if not impossible, to define the Balkans' geographical location, its people and its culture. Indeed, contradiction, chaos and change is at the Balkans very core.

本片是一部关于南斯拉夫乐队“无烟地带”的纪录片，由南斯拉夫著名导演埃米尔•库斯图里卡（Emir Kusturica）执导，他作为该乐队的贝斯手也出现在影…

荒诞喜剧，由著名的大胡子Bata担任主演。 　　一个海龟租下了男猪脚的房子，他的“诡异”行动让男猪脚觉得他是一个企图颠覆国家政权的间谍.....

荒诞喜剧，由著名的大胡子Bata担任主演。 　　一个海龟租下了男猪脚的房子，他的“诡异”行动让男猪脚觉得他是一个企图颠覆国家政权的间谍.....