吉田那月（25岁）收到了一张寄信人不明的明信片。明信片上画着珠穆朗玛峰的风景。那月以为明信片的寄信人是2年前在珠穆朗玛峰失踪的哥哥，从东京来到尼泊…

这是一部探索阴谋理论的政治惊悚片，主角马泰是国营石油公司的总裁，被《时代》杂志称为凯撒以来最有权势的意大利人。当他于1962年死于神秘坠机事件后，居然没有人敢发表公开评论。马泰生前曾号召意大利经济摆脱外国垄断集团的控制，他的死亡背后究竟隐藏着什么？实际上在20年代初，墨索里尼已在意大利王国任要职。为进一步扫清政治道路上的障碍，是他密谋暗杀了议会中不断反对他、揭露他的法西斯党真实面貌的社会党议员马泰奥蒂。但由于墨索里尼牢牢控制着当时的政权，以致整个案件最后是不了了之，但它给历史留下了永远的一页。

讲述年轻的美国乒乓球手马蒂·毛瑟追求伟大梦想的故事。

讲述旧时代的乒乓球拍是砂板球拍，美国乒乓高手马蒂·赖斯曼在1952年世乒赛上，输给了使用海绵球拍的日本选手佐藤博治，砂板球拍逐渐退出现代乒乓球的历史。

2002年2月27日，满载着虔诚的印度教徒的萨博马蒂号列车紧急停靠在了古吉拉特邦境内的戈特拉站，随后的几天内，一场数千人伤亡的冲突被引爆。

纪录片关于法国野兽派画家亨利-马蒂斯的色彩。发现他的画搭配萨第的钢琴配乐真是绝配。。。：） 　　The film, recording pictures gathered from all over the world for the London exhibition in 1968, traces the idyllic quality in Henri Matisse's work "When I started to paint I felt transported into a sort of paradise - starting to paint I felt gloriously free, quiet and alone". The paintings are shown chronologically, culminating the large paper cut-outs. 　　A film made, during a 1968 exhibition at the Hayward Gallery, of the paintings and painted paper cut-outs (gouaches découpées) of French artist, Henri Matisse (1869-1954). From the exhibition at the Hayward Gallery London. Directed by Lawrence Gowing and John Jones; with quotations from Matisse and music by Erik Satie. Photography Nic Knowland; Assistant Jim Dibling; Music by Erik Satie; Played by Aldo Ciccolini, Jean-Joel Barbier; Editor John Ralph; Production Manager Judith Marriott; Directed by Lawrence Gowing, John Jones. Produced by Allan King Associates for The Arts Council of Great Britain. Colour by Technicolor.

There was a slew of commemorative films, which sometimes sacrificed formal virtues for an emphasis on ideological interpretations and objectives: Jorge Fraga's 1968 La odisea del General José (The Odyssey of General José), José Massip's 1971 Páginas del diario de José Martí (Pages from the Diary of José Martí) and 1986's Baraguá, Pineda Barnet's Mella (1975) and Aquella larga noche (That Long Night) from 1979, and more. Some suffered from concepts divorced from their plots, suggesting that great themes do not always make for great films, or can promise depth while not penetrating beneath the surface. There were also films about the colonial past, of a type which popular wit dubbed negrometrajes (black subjects), of which the most outstanding were 1974's El otro Francisco (The Other Francisco), Rancheador (1976), Maluala (1979) and Plácido (1986) by Sergio Giral. This director's work, dedicated to the study of the African roots of the Cuban nationality from slavery days to those Africans' mulatto descendants, was interrupted after María Antonia by his 1990 emigration to the United States. 　　One of the most valuable parts of the Festival will be the tributes that, this year, will be dedicated to the professor, ideologist and filmmaker José Massip and to the distinguished producer Tomas Piard, who historically have been linked to the Plaza Cinema, assured Morales. 　　Cinema 23 y 12 is the chosen place for the ceremony that will be held the 4 of October with a photographic exhibition, allegorical to Massip and the projection of his movie Páginas del diario de José Martí (Pages of the Diary of Jose Marti), the 5 of October will be recognized Piard and will be showed his movie Espectros.

1991年1月16日，美国首枚炸弹轰进巴格达，驻守当地的记者大都已离开，但CNN摄影队却豁出生命，留守战场，24小时报道战况，为CNN打赢漂亮的一仗。他们是如何舍命拍摄？多少次在死亡的边缘徘徊？

一个会妖术的奸相贾法，用阴谋诡计把巴格达城的阿麦王拘禁起来，然后自号为王。阿麦后来得到同牢的小神阿菩相助而逃走。贾法为了得到公主，把阿麦变成瞎子，并把阿菩变成一条狗。最后得巨人相助，终于射杀贾法，让阿麦重新成为巴格达城的国王。导演手法相当统一流畅，而且对光影的运用别有一手。此外，本片有很多建筑宏伟的布景和模型，运用起来都很恰当，交互剪接之后也没有什么明显的破绽。

已过哺乳期却仍未断奶的央金（央金拉姆 饰），在妈妈第二次怀胎后被强行断奶，这无意间对央金内心造成了一些疑惑，感到父母对她的宠爱渐渐丧失，这使她感到万分不安。央金的爸爸格日（格日才旦 饰）因为父亲出家修行，从小缺乏父爱，性格非常孤僻，不善于爱的表达和沟通，他无法察觉到央金内心的危机和焦虑。一家人各自内心互相深爱，又因缺乏沟通与表达，央金内心的创伤在大人的世界无所察觉。父亲的人生追求成为了格日内心的伤口，妻子也无法理解格日的苦衷。于是一家人各自沉陷在自己内心的阴影中，互相隐瞒和诉说谎言变成了唯一的出路。三代人的世界被一条河水隔开，越显冷落。他们各自在成长、各自在解脱、各自在面对自己。