伊万洁利亚的纪录片是白日梦般的电影诗篇。《朦胧的巴洛克》记录了一位在巴西颇有影响力的变性人，卢安娜穆尼斯的生活点滴。伊万洁利亚试图描绘一座城市的社会现状，是如何影响个体的追求与改变。笼罩在这座城市上方的是争论不休的极端主义、政治冲突，还有层出不穷的变装嘉年华。而在这片笼罩下的，是行走的变装小丑，是跳着巴西热舞的异装癖者，是夹缝生存的变性者。

STATEMENT 　　Here and now 　　In the film Balkan Baroque, one has the impression that the character invents the past as she speaks, here and now. This past seems to have no reality outside the moment it is evoked with the force that is characteristic of film work. Here, in Balkan Baroque, it has become the present, the present of the film unwinding before the viewer's eyes. 　　What we see on the screen is in the process of happening-it is the very gesture that is given to us and not a report on it. The universe of the film is given in a perpetual present. In other words, this biography of Marina Abramovic, which implies a number of past things, is in process of unfolding before our eyes, here and now, as we watch Balkan Baroque. 'Elsewhere' and 'formerly' do not exist. There is no longer a true reality, inherent and external to the film, so there is no longer anything but the sole reality of the projected images. The film, the universe that it reveals, suffices by itself, at every instant, erasing itself as it goes along, within a loop that is literally never-ending. 　　We are therefore dealing with a subjective, mental unwinding. The work Balkan Baroque is not account of an exterior reality; it is its own reality. The only time to be considered for this biography is the projection time (63'). Balkan Baroque is pure fiction, an imaginary production in which Marina Abramovic plays different roles, including the role of the artist doing performances.

Series in which Waldemar Januszczak re-examines Rococo art and argues that the Rococo was actually the age in which the modern world was born.

Waldemar Januszczak带你领略巴洛克艺术传统。

Following the development of non-secular art in the seventeenth century, the world of art in the eighteenth century assumed a more decorative role with a greater emphasis on pastoral themes. This episode features the work of Watteau, Boucher, Hogarth, Gainsborough and Reynolds.

「アニラとココラ」は、アニラとココラという仲良しラッコ兄弟を描く物語。かつては日本中の水族館や動物園で飼育され、一世を風靡したラッコたちだが、現在では飼育数がどんどん減り、日常の中でラッコに触れ合う機会も激減している。「アニラとココラ」は、愛くるしいラッコの姿を心に刻み、心の中で元気に生きてもらいたいという願いを込めて制作された。

夏洛克·福尔摩斯卷入了一场涉及宿敌莫里亚蒂教授的邪恶阴谋，最终与一位母亲最近被谋杀的年轻美国土著妇女阿米莉亚·罗哈斯联手。在他们合作破案的过程中，阿米莉亚也开始证明这位大侦探就是她失散多年的父亲。

夏洛克·福尔摩斯陷入了一场由宿敌莫里亚蒂教授策划的邪恶阴谋，随后与年轻的美国土著妇女阿米莉亚·罗哈斯联手，这位妇女的母亲最近惨遭谋杀。在携手侦破案件的过程中，阿米莉亚逐渐发现这位大侦探很可能就是她失散多年的父亲。

在涩谷遇到的高中生灯（16岁）和靠父母寄来的生活费维持生计的卖不出去的吉他手雄介（31岁）。灯不公开自己的名字，作为雄介自己的“朋友”的故事，在复…

出租车司机查尔斯接到任务，要送一位90多岁的老太太玛德琳去位于巴黎另一边的疗养院。导演克里斯蒂安·卡里翁曾以《圣诞快乐》入围奥斯卡奖最佳外语片奖而为广大影迷熟知。这部新片由法国知名喜剧演员丹尼·伯恩（《欢迎来北方》）和95岁高龄、优雅依旧的法国著名影视歌三栖明星丽娜·雷诺联合出演，以出租车为引子，带领观众穿梭于美丽的巴黎街头，碰撞出两个时代迥然不同的人生轨迹，体会惺惺相惜的艰辛和与之相伴的美好。