改编自是春风呀同名小说 　　苏宁原本是个本本分分的生活助理，却阴差阳错被自己老板的金主娱乐帝国总裁顾凌风拖上了床。 　　不平等条约一签就是五年，这五年里，他见惯了这位金主身边形形色色的情人，口碑极佳的双料影帝，外表清纯一炮而红的X女郎，又或者是有才女称号的美女编剧…… 　　可惜即使他们再出色，也不过是金主身边昙花一现的情人之一。 　　苏宁仰躺在床上泪眼朦胧的看着面前这个熟悉又陌生的俊朗面孔，有点好奇到底是谁才能让这个一刻都不能安分的人停下他寻花问柳的脚步呢 　　想归想，不过这些都不是重点，第二天腰酸背痛但是身体却已经被清理干净的苏宁数了数钱包里的私房钱，生活才是最重要的，自己那点不切实际的小心思嘛……实在是见不了天日。

这一系列的影片，按照巴哈六部无伴奏大提琴组曲的顺序编列，第一部是跟女性的园艺设计大师茱莉摩尔梅瑟薇合作的「音乐花园」。波士顿市政府准备在市中心建造一座花园，但是设计的创意却要用巴哈的音乐来衍生灵感，并且聘请马友友担任顾问。他们为了追寻灵感，跑遍了波士顿与多伦多，我们看到他们相互激荡的全部过程，令人耳目一新。第二部是由「顾尔德的32个短篇」导演法杭梭杰厄德执导的「建筑的声音」。十八世纪的义大利建筑大师乔望尼所设计的城堡，竟然被一片片的拼凑成巨大的版画，透过电脑3D的虚拟动画，完美的呈现於我们眼前，而马友友也洒脱的与这「古老」的建筑合而为一。这部影片，获得了「最杰出特殊视觉效果」的艾美奖。

A 40 year old man who has celebrated his birthday alone by himself invites his four lovers to a dance class that he teaches in order to search for the roots of his own loneliness and by reminiscing the memories of how each of his love affairs were evolved and diminished, he realizes that the more the contemporary world has become sexually oriented the farther it has moved away from love..

A 40 year old man who has celebrated his birthday alone by himself invites his four lovers to a dance class that he teaches in order to search for the roots of his own loneliness and by reminiscing the memories of how each of his love affairs were evolved and diminished, he realizes that the more the contemporary world has become sexually oriented the farther it has moved away from love..

过去的一个世纪中，《约瑟芬·穆岑巴赫》因其大胆的内容而一直备受争议。这部小说虽然最初匿名出版，但通常认为是出自奥地利作家费利克斯·萨尔滕（《小鹿斑比》的作者）之手。尽管曾遭禁，《穆岑巴赫》依然是维也纳文学中的世界名作。纪录片《穆岑巴赫》在一个棺材厂旧址取景，100名男性读者面前摆放着这篇小说的文字节选，同时被要求大声朗读部分段落。

Inspired by true events, this is a story about what happens when two outsiders from opposite corners of the world are thrown together: Brazil and Germany. Marten Brueckling, a retired music teacher from Germany, has inherited an original sheet of music from Bachs son. Marten has to collect the sheet in person in the beautiful Baroque city of Ouro Preto in the heart of Brazil. But Brazil is not for beginners: Funny circumstances drives hm to teach music to the kids of a juvenile detention center. Bachs music and Brazilian instruments mix perfectly. One of the kids is Fernando, a lovable, abandoned boy, who lived on the streets. But Marten discovers that they have more in common as he thought.

Nach dem gleichnamigen Roman von Jean Egen. 　　Die wechselvolle Geschichte einer elsässischen Familie, die nach dem Krieg 1870/71 mal unter deutscher, mal unter französischer Herrschaft lebt und sich trotz der turbulenten Zeitläufte ihre Identität bewahren kann.

欧洲某座城市街头一角，老旧的公寓迎来了一个沉默的身影。男人身着风衣，头戴礼帽，他安静地走进公寓，沿着陈旧朽烂的楼梯一步步迈了上去。最终他走进一间屋子，有条不紊脱掉帽子和风衣，坐到一架风琴前。男人在嘴里塞了一个苹果后，开始演奏大音乐家巴赫创作的狂想曲。伴随激昂、庄重且充满 宗教仪式感的旋律，这座公寓仿佛从沉睡中苏醒了一般，墙砖、石头、墙灰变幻着不同图案，迎合着这穿越时空的演奏。斑驳的壁垒记录着亘古兴衰，生动演绎着时间流动的痕迹…… 　　本片荣获1965年戛纳电影节最佳短片奖。

http://www.douban.com/group/topic/1106460/

“The Silence before Bach” is an approach to music and the trades and subjects that surround it through Bach’s works. 　　A look at the profound dramaturgic relationship between image and music where the latter is not merely conceived as subsidiary to the image but as a subject of the narration in its own right. 　　The film springs from a previously defined musical structure. The soundtrack feeds on works by J.S Bach and two of Felix Mendelssohn’s sonatas to create an architectural vault beneath which the story of the film unfolds ; a promenade through the XVIIIth, XIXth and XXIth centuries led by the hand of J.S. Bach.