《大侦探之经典主题篇》是《大侦探》节目往季的经典主题的回顾合辑。主要内容为《大侦探》往季中的一些经典系列主题故事，例如NZND、无忧系列、天台公寓系列、冲不上的云霄系列等，带观众重温《大侦探》经典主题高能破案名场景与爆笑互动，唤起观众的回忆。

纪录片通过《世纪长歌》《激流火焰》《孤独巴黎》《正色青春》《风雨早春》《收获桑榆》《怀念萧珊》《时代随想》等八个篇章，采用传统与现代相结合的拍摄手法，运用详实的文献资料与纪实素材，真实客观地展示了巴金先生的儿时过往、求学经历、爱情婚姻、创作道路、人生轨迹，凸显其文学成就、人格高度、道德魅力、人性光辉、爱国情操。在多视角多维度展示人物形象、成就、历史的同时赋以诗意化的表达，力求呈现较高的审美精神和文化品格。

"The Theme" is a film that had to stay on the shelf for almost ten years because of its "theme". Mikhail Ulyanov plays Kim Yesenin, a disillusioned and cynical playwright who uses the system by writing the conformist plays and enjoys the benefits of being the officially recognized and appointed "great Soviet writer" but who in reality has been used by a system and spent all the talent he ever had in writing the plays that had no artistic value whatsoever. Bitter irony lies in the name of the character: Sergei Yesenin was a real life enormously talented, widely popular and beloved Russian poet who committed suicide at the age of 30 in 1925 because he could not fit in the Soviet Russia. Kim Yesenin in the movie suffers the writing block and arrives to the small provincial town with a friend and a young mistress in search of inspiration. He meets an attractive, intelligent and well educated museum guide named Sasha (Inna Churikova never looked so beautiful and sophisticated and I finally understood why Panfilov always had been fascinated by her face, never conventionally pretty) who used to be a big fan of his earlier works but has a lot of unflattering things to say about his officially praised outings. Sasha is in love with a talented historian who had made a very difficult and life changing decision to emigrate from the Soviet Union. He had lost his job by becoming a dissident and had to work as a gravedigger to support himself while waiting for permission to leave the country. Those who never had to emigrate from their country knowing that they might leave forever and never be allowed to go back to see their loved ones and the places dear to their heart again would not fully understand why Panfilov's film had to stay on the shelf for almost ten year after it was completed. It was released only during the "perestroika" in 1987 and I saw it then. I respect Panfilov for his siding with the real artists rejected by the system but his film is not only a courageous statement against the conformity suffocating cultural life under the Brezhnev regime which would be later called "period zastoya" or "stagnation", it is a memorable work of cinema with very good performances from his muse, Inna Churikova, Mikhail Ulyanov, and supporting cast.

"The Theme" is a film that had to stay on the shelf for almost ten years because of its "theme". Mikhail Ulyanov plays Kim Yesenin, a disillusioned and cynical playwright who uses the system by writing the conformist plays and enjoys the benefits of being the officially recognized and appointed "great Soviet writer" but who in reality has been used by a system and spent all the talent he ever had in writing the plays that had no artistic value whatsoever. Bitter irony lies in the name of the character: Sergei Yesenin was a real life enormously talented, widely popular and beloved Russian poet who committed suicide at the age of 30 in 1925 because he could not fit in the Soviet Russia. Kim Yesenin in the movie suffers the writing block and arrives to the small provincial town with a friend and a young mistress in search of inspiration. He meets an attractive, intelligent and well educated museum guide named Sasha (Inna Churikova never looked so beautiful and sophisticated and I finally understood why Panfilov always had been fascinated by her face, never conventionally pretty) who used to be a big fan of his earlier works but has a lot of unflattering things to say about his officially praised outings. Sasha is in love with a talented historian who had made a very difficult and life changing decision to emigrate from the Soviet Union. He had lost his job by becoming a dissident and had to work as a gravedigger to support himself while waiting for permission to leave the country. Those who never had to emigrate from their country knowing that they might leave forever and never be allowed to go back to see their loved ones and the places dear to their heart again would not fully understand why Panfilov's film had to stay on the shelf for almost ten year after it was completed. It was released only during the "perestroika" in 1987 and I saw it then. I respect Panfilov for his siding with the real artists rejected by the system but his film is not only a courageous statement against the conformity suffocating cultural life under the Brezhnev regime which would be later called "period zastoya" or "stagnation", it is a memorable work of cinema with very good performances from his muse, Inna Churikova, Mikhail Ulyanov, and supporting cast.

一名神秘的教师来到了一座外省小镇的学校教书。但这名老师并没有老师的样子，他对事物的看法过于现代和自负。但整座小镇都很喜欢他，喜欢到超乎他的想象。

In Theme Song, Acconci uses video as close-up to establish a perversely intimate relation with the viewer, creating a personal space in which to talk directly to (and manipulate) the spectator. He is face to face with the viewer, his head close against the video screen, lying cozily on the floor. Acconci writes, "The scene is a living room — quiet, private night — the scene for a come-on — I can bring my legs around, wrapping myself around the viewer — I'm playing songs on a tape recorder — I follow the songs up, I'm building a relationship, I'm carrying it through." Smoking cigarettes, he begins a seductive monologue as he plays "theme songs" by the Doors, Bob Dylan, Van Morrison, Kris Kristofferson and others on a tape recorder. The songs are a starting point for his come-ons; the tenor of his monologues shifts with the lyrics. "Of course I can't see your face. I have no idea what your face looks like. You could be anybody out there, but there's gotta be somebody watching me.

《蔡志忠经典动画系列》透露蔡志忠先生对古代先贤智慧清俊而深刻的理解。执笔三十年，蔡志忠作品从早期的戏谑嘲讽，进入中国古代经典的领域，以浅显易懂的白话和漫画形式，超越语言与文字的隔阂，替这些重要经典做了适切的诠释。 《蔡志忠经典动画系列》收集了他的著作有：老子说；庄子说；孔子说；论语 孟子说；大学 中庸；韩非子说；孙子说；列子说；史记；世前新语；六朝怪谈；六祖坛经；禅说；唐诗；宋词；菜根谭。

《蔡志忠经典动画系列》透露蔡志忠先生对古代先贤智慧清俊而深刻的理解。执笔三十年，蔡志忠作品从早期的戏谑嘲讽，进入中国古代经典的领域，以浅显易懂的白话和漫画形式，超越语言与文字的隔阂，替这些重要经典做了适切的诠释。 《蔡志忠经典动画系列》收集了他的著作有：老子说；庄子说；孔子说；论语 孟子说；大学 中庸；韩非子说；孙子说；列子说；史记；世前新语；六朝怪谈；六祖坛经；禅说；唐诗；宋词；菜根谭。

The 'Classic Albums' series document the making of seminal pop albums 　　(Paul Simon's 'Graceland', Bob Marley's 'Catch a Fire', Fleetwood 　　Mac's 'Rumours', to name but a few of the previous releases) through 　　interviews with participants and associates and the playing of master 　　tapes (more on that later). This new 52' feature documents the making 　　of John Lennon's first 'proper' (i.e. accessible to the public at 　　large) studio album, 'John Lennon/Plastic Ono Band', recorded in the 　　fall of 1970 and released in December of that year.