Positano is an island of the Amalfi Coast that Neptune would have, according to legend, created for the love of a nymph. And it is of love that this film speaks above all, a total and solar love in which family and friends are seized in the same poetic field. Perched on the rocks of the island, the house of Frédéric Pardo and Tina Aumont became in 1968 a meeting place for the underground community. Pierre Clémenti stays there for a while and makes images of dazzling sensuality. Beyond Pierre Clémenti's intimate love of these faces and bodies often naked in this Mediterranean landscape, the film reveals the moving beauty of a utopia where living together could still be achieved in a territory of sharing and permanent creation. Flow of perceptions of consciousness, visual impressions, physical impregnations, the work of Pierre Clémenti is an ode to sensuality and "life-cinema". For Clémenti, the main purpose of creation was to shake up the usual order of things by rubbing against the unknown. The act of creating would be "to be a virgin before the new, to do everything that one does as for the first time". If Pierre Clémenti has never sounded his films-notebook life, it is because he has often preferred to confront the reality of live sound during his projections. Pierre Clémenti liked to share his works with his musical friends, to make projections of his films moments of life: they were often accompanied by sound performances.

Positano is an island of the Amalfi Coast that Neptune would have, according to legend, created for the love of a nymph. And it is of love that this film speaks above all, a total and solar love in which family and friends are seized in the same poetic field. Perched on the rocks of the island, the house of Frédéric Pardo and Tina Aumont became in 1968 a meeting place for the underground community. Pierre Clémenti stays there for a while and makes images of dazzling sensuality. Beyond Pierre Clémenti's intimate love of these faces and bodies often naked in this Mediterranean landscape, the film reveals the moving beauty of a utopia where living together could still be achieved in a territory of sharing and permanent creation. Flow of perceptions of consciousness, visual impressions, physical impregnations, the work of Pierre Clémenti is an ode to sensuality and "life-cinema". For Clémenti, the main purpose of creation was to shake up the usual order of things by rubbing against the unknown. The act of creating would be "to be a virgin before the new, to do everything that one does as for the first time". If Pierre Clémenti has never sounded his films-notebook life, it is because he has often preferred to confront the reality of live sound during his projections. Pierre Clémenti liked to share his works with his musical friends, to make projections of his films moments of life: they were often accompanied by sound performances.

尼尔·布伦南（Neal Brennan）以幽默的方式谈论让他觉得自己出了问题的情感和文化问题，从毒品和酒精、自由主义到他很难找到真爱的机会。

尼尔·布伦南（Neal Brennan）以幽默的方式谈论让他觉得自己出了问题的情感和文化问题，从毒品和酒精、自由主义到他很难找到真爱的机会。

本纳特和巴不拉夫妇双双决定离婚，因为本纳特对巴不拉不再感兴趣，当他们去办理离婚手续的时候，却意外被告知，本纳特的纽约叔叔给他一笔遗产，数目达到四百多万法郎，得到这笔遗产的前提是：他们必须找到叔叔的儿子吉恩皮尔，最后他们来到巴黎，可万万没有想到，他们置身于一群性自由主义者当中，这里他们经历的是常人无法想象的事，而他们要找的吉恩皮尔更是令他们难以相信...

《情感价值》由提尔跟自己的长期编剧搭档埃斯基尔·沃格特联合撰写，聚焦演员诺亚（雷娜特·赖因斯夫 饰）与自己的姐妹艾格尼丝在母亲去世后的遭遇，她们长时间失联的父亲、曾经赫赫有名的导演古斯塔夫忽然再次闯进自己的生活，将自己复出新片的剧本递给了女儿诺亚，希望她能够出演主角，却遭到诺亚断然拒绝；在法国一次生涯回顾展上，古斯塔夫遇到了自己极其崇拜的好莱坞影星，将原本递给诺亚的角色提供给了她。当电影于挪威开拍时，古斯塔夫抓住机会去跟自己的两位女儿修复关系。

《情感价值》由提尔跟自己的长期编剧搭档埃斯基尔·沃格特联合撰写，聚焦演员诺亚（雷娜特·赖因斯夫 饰）与自己的姐妹艾格尼丝在母亲去世后的遭遇，她们长时间失联的父亲、曾经赫赫有名的导演古斯塔夫忽然再次闯进自己的生活，将自己复出新片的剧本递给了女儿诺亚，希望她能够出演主角，却遭到诺亚断然拒绝；在法国一次生涯回顾展上，古斯塔夫遇到了自己极其崇拜的好莱坞影星，将原本递给诺亚的角色提供给了她。当电影于挪威开拍时，古斯塔夫抓住机会去跟自己的两位女儿修复关系。

在这部单口喜剧特辑中，喜剧演员尼尔·布伦南 (Neal Brennan) 调侃了加密货币、社交媒体炫耀风、性赞美以及伟大和心理健康之间的联系。