一部关于35岁的莫里斯·布利斯的喜剧/剧情片，他在纽约市夹缝中生存，碌碌无为：他想旅行却没钱；他需要一份工作，却看不到未来；他仍和他丧偶的父亲共住一间公寓; 也许最糟糕的是，他母亲的早逝仍然影响着他，并使他在情感上无从排解。 当他卷入一场尴尬的“关系”，而且对方是曾经同学的女儿。莫里斯猛然发现他生活踌躇不前的困境迎刃而解。

来自美国的寓教于乐的儿童教育类节目，节目自开播以来，多次获得亚马逊最佳视频奖，受到全世界139个国家孩子的喜欢，全球播放量更是超过20亿！很难想象一个教育类节目能如此受欢迎。节目主人公是Blippi叔叔，他是一个超级幽默风趣的人，极具感染力。他会带领孩子们去游乐场，动物园，农场果园，儿童博物馆等各种好玩的地方亲自去体验，以孩子的视角从玩乐中收获知识！

本片是著名商业片导演彼得叶茨执导的好莱坞新派警匪片的先锋之作。本片描述一名忠心的旧金山警探奉命保护一名将出庭作证的黑手党分子。证人所提供的证据大大有助于摧毁黑手党的重要组织，但此人却被暗杀。警探感到事态可疑，于是拼全力追查凶手的底细。

本片是著名商业片导演彼得叶茨执导的好莱坞新派警匪片的先锋之作。本片描述一名忠心的旧金山警探奉命保护一名将出庭作证的黑手党分子。证人所提供的证据大大有助于摧毁黑手党的重要组织，但此人却被暗杀。警探感到事态可疑，于是拼全力追查凶手的底细。

史蒂文·斯皮尔伯格将根据史蒂夫·麦奎因在1968年的动作惊悚片《布利特》中所饰演的旧金山警探弗兰克·布利特一角为蓝本开发一部原创故事片。　　乔希·辛格（《登月第一人》《华盛顿邮报》）将撰写剧本，斯皮尔伯格的固定合作人里斯蒂·麦克斯科·克里格（《西区故事》）一起参与制作。麦奎因的儿子和孙女在麦奎因庄园与制片方进行了漫长的商谈后，将担任执行制片人，以确保角色的版权问题。　　负责发行《布利特》的华纳兄弟将继续参与斯皮尔伯格新片的发行。本片将不会是翻拍，而是关于该角色的原创故事。布利特是史蒂夫·麦奎因最具代表性的角色之一。由彼得·叶茨执导的《布利耶》也贡献了电影史上最刺激难忘的一段追车戏。

史蒂文·斯皮尔伯格将根据史蒂夫·麦奎因在1968年的动作惊悚片《布利特》中所饰演的旧金山警探弗兰克·布利特一角为蓝本开发一部原创故事片。　　乔希·辛格（《登月第一人》《华盛顿邮报》）将撰写剧本，斯皮尔伯格的固定合作人里斯蒂·麦克斯科·克里格（《西区故事》）一起参与制作。麦奎因的儿子和孙女在麦奎因庄园与制片方进行了漫长的商谈后，将担任执行制片人，以确保角色的版权问题。　　负责发行《布利特》的华纳兄弟将继续参与斯皮尔伯格新片的发行。本片将不会是翻拍，而是关于该角色的原创故事。布利特是史蒂夫·麦奎因最具代表性的角色之一。由彼得·叶茨执导的《布利耶》也贡献了电影史上最刺激难忘的一段追车戏。

A North Norwegian worker's western with Simon J Berger as a ruthless mine foreman in an epic dramatization of the Sulis uprising of 1907. 　　In the isolated village of Sulitjelma, the mining company rules with an iron fist, and a spirit of rebellion grows among the workers. The young Konrad labors to sort copper ore and dreams of a new life across the Atlantic. When the new Swedish foreman Wennström arrives to increase the mine's production pace, Konrad sees an opportunity to advance. Wennström recruits Konrad as an informant, but Konrad soon realizes he has made a pact with the devil as a workers' revolt looms ever closer. Oscar-nominated Nils Gaup presents a grand drama about the dream of a better life, the cruelty of capitalism, and the fight for justice against the backdrop of one of Norway’s most tumultuous historical events. 　　源自：https://program.goteborgfilmfestival.se/en/program/the-riot

A North Norwegian worker's western with Simon J Berger as a ruthless mine foreman in an epic dramatization of the Sulis uprising of 1907. 　　In the isolated village of Sulitjelma, the mining company rules with an iron fist, and a spirit of rebellion grows among the workers. The young Konrad labors to sort copper ore and dreams of a new life across the Atlantic. When the new Swedish foreman Wennström arrives to increase the mine's production pace, Konrad sees an opportunity to advance. Wennström recruits Konrad as an informant, but Konrad soon realizes he has made a pact with the devil as a workers' revolt looms ever closer. Oscar-nominated Nils Gaup presents a grand drama about the dream of a better life, the cruelty of capitalism, and the fight for justice against the backdrop of one of Norway’s most tumultuous historical events. 　　源自：https://program.goteborgfilmfestival.se/en/program/the-riot

At a party, Maryam and Jibril exchange glances. Years later, Maryam happens to meet the same young man again when she is asked to deliver a parcel to someone in prison. The recipient is none other than Jibril, who is serving a sentence of several years. The attraction between this single mother-of-three and the inmate is just as strong as it was when they first met. Maryam plunges enthusiastically into an initially largely platonic romance, which on the one hand may satisfy certain longings on both sides, yet on the other also awakens desire. But having a relationship with someone who isn’t there and who doesn't participate in her life, and who she can’t even really get to know, is a challenge for Maryam. Jibril too finds his situation as a prisoner increasingly difficult to bear. 　　Henrika Kull stages the intimate scenes of her first dramatic feature in impressively naturalistic close-ups and, utilising the particular situation of her two protagonists, raises a big question: when exactly do you really know someone – or do you just fall in love with your dream of being in love?

At a party, Maryam and Jibril exchange glances. Years later, Maryam happens to meet the same young man again when she is asked to deliver a parcel to someone in prison. The recipient is none other than Jibril, who is serving a sentence of several years. The attraction between this single mother-of-three and the inmate is just as strong as it was when they first met. Maryam plunges enthusiastically into an initially largely platonic romance, which on the one hand may satisfy certain longings on both sides, yet on the other also awakens desire. But having a relationship with someone who isn’t there and who doesn't participate in her life, and who she can’t even really get to know, is a challenge for Maryam. Jibril too finds his situation as a prisoner increasingly difficult to bear. 　　Henrika Kull stages the intimate scenes of her first dramatic feature in impressively naturalistic close-ups and, utilising the particular situation of her two protagonists, raises a big question: when exactly do you really know someone – or do you just fall in love with your dream of being in love?