本片是著名商业片导演彼得叶茨执导的好莱坞新派警匪片的先锋之作。本片描述一名忠心的旧金山警探奉命保护一名将出庭作证的黑手党分子。证人所提供的证据大大有助于摧毁黑手党的重要组织，但此人却被暗杀。警探感到事态可疑，于是拼全力追查凶手的底细。

本片是著名商业片导演彼得叶茨执导的好莱坞新派警匪片的先锋之作。本片描述一名忠心的旧金山警探奉命保护一名将出庭作证的黑手党分子。证人所提供的证据大大有助于摧毁黑手党的重要组织，但此人却被暗杀。警探感到事态可疑，于是拼全力追查凶手的底细。

史蒂文·斯皮尔伯格将根据史蒂夫·麦奎因在1968年的动作惊悚片《布利特》中所饰演的旧金山警探弗兰克·布利特一角为蓝本开发一部原创故事片。　　乔希·辛格（《登月第一人》《华盛顿邮报》）将撰写剧本，斯皮尔伯格的固定合作人里斯蒂·麦克斯科·克里格（《西区故事》）一起参与制作。麦奎因的儿子和孙女在麦奎因庄园与制片方进行了漫长的商谈后，将担任执行制片人，以确保角色的版权问题。　　负责发行《布利特》的华纳兄弟将继续参与斯皮尔伯格新片的发行。本片将不会是翻拍，而是关于该角色的原创故事。布利特是史蒂夫·麦奎因最具代表性的角色之一。由彼得·叶茨执导的《布利耶》也贡献了电影史上最刺激难忘的一段追车戏。

史蒂文·斯皮尔伯格将根据史蒂夫·麦奎因在1968年的动作惊悚片《布利特》中所饰演的旧金山警探弗兰克·布利特一角为蓝本开发一部原创故事片。　　乔希·辛格（《登月第一人》《华盛顿邮报》）将撰写剧本，斯皮尔伯格的固定合作人里斯蒂·麦克斯科·克里格（《西区故事》）一起参与制作。麦奎因的儿子和孙女在麦奎因庄园与制片方进行了漫长的商谈后，将担任执行制片人，以确保角色的版权问题。　　负责发行《布利特》的华纳兄弟将继续参与斯皮尔伯格新片的发行。本片将不会是翻拍，而是关于该角色的原创故事。布利特是史蒂夫·麦奎因最具代表性的角色之一。由彼得·叶茨执导的《布利耶》也贡献了电影史上最刺激难忘的一段追车戏。

来自美国的寓教于乐的儿童教育类节目，节目自开播以来，多次获得亚马逊最佳视频奖，受到全世界139个国家孩子的喜欢，全球播放量更是超过20亿！很难想象一个教育类节目能如此受欢迎。节目主人公是Blippi叔叔，他是一个超级幽默风趣的人，极具感染力。他会带领孩子们去游乐场，动物园，农场果园，儿童博物馆等各种好玩的地方亲自去体验，以孩子的视角从玩乐中收获知识！

在遥远的古代，有一座名为瓜拿瓦纳的城堡。每当夜晚来临，一位蒙面女侠便会把从富人家里偷来的钱财散给贫苦百姓。在城堡郊外，小汤姆在父亲留下的一片土地辛苦耕种，但是贫瘠的土地和灾害让他们没有收成。哥哥出去寻宝意外带回一个魔镜，汤姆从魔镜中看到一位美丽的女孩，他决定去寻找她，而此时王宫中也因女巫的魔法而蒙难。汤姆在寻找女孩的路上会发生怎样的奇遇呢？

本剧讲述的是19世纪末叶在位于柏林最大的历史最悠久的医院“夏绿特”里一些著名医师和科学家的丰功伟绩。

At a party, Maryam and Jibril exchange glances. Years later, Maryam happens to meet the same young man again when she is asked to deliver a parcel to someone in prison. The recipient is none other than Jibril, who is serving a sentence of several years. The attraction between this single mother-of-three and the inmate is just as strong as it was when they first met. Maryam plunges enthusiastically into an initially largely platonic romance, which on the one hand may satisfy certain longings on both sides, yet on the other also awakens desire. But having a relationship with someone who isn’t there and who doesn't participate in her life, and who she can’t even really get to know, is a challenge for Maryam. Jibril too finds his situation as a prisoner increasingly difficult to bear. 　　Henrika Kull stages the intimate scenes of her first dramatic feature in impressively naturalistic close-ups and, utilising the particular situation of her two protagonists, raises a big question: when exactly do you really know someone – or do you just fall in love with your dream of being in love?

At a party, Maryam and Jibril exchange glances. Years later, Maryam happens to meet the same young man again when she is asked to deliver a parcel to someone in prison. The recipient is none other than Jibril, who is serving a sentence of several years. The attraction between this single mother-of-three and the inmate is just as strong as it was when they first met. Maryam plunges enthusiastically into an initially largely platonic romance, which on the one hand may satisfy certain longings on both sides, yet on the other also awakens desire. But having a relationship with someone who isn’t there and who doesn't participate in her life, and who she can’t even really get to know, is a challenge for Maryam. Jibril too finds his situation as a prisoner increasingly difficult to bear. 　　Henrika Kull stages the intimate scenes of her first dramatic feature in impressively naturalistic close-ups and, utilising the particular situation of her two protagonists, raises a big question: when exactly do you really know someone – or do you just fall in love with your dream of being in love?

影片没有情节，而是从1970年到1985年间Jarman拍摄的共15小时的家庭录像中选取了一些影像，反映了他患艾滋病之前的生活。其中并没有什么高深的理论，只有爱情和工作中的一些情感素材。也没有音效或对话，只有Brian Eno的音乐。