托尔斯泰的名著电影幻想版 A bizarre, fascinating Soviet fairy-tale film It seems that fairy tale films were considered by Soviet filmmakers to be an important genre, as studios devoted large budgets to them, and some directors, like Alexander Row, even specialized in them. This is a film that I happened on at a website devoted to Russian DVDs, videos and CDs. It offered generous clips of most of the films offered, and the look of this particular film really struck my fancy. Even so, when it arrived, I was unprepared for how seriously wacky it turned out to be. It's easily as strange or stranger than `The 5000 Fingers of Dr. T.' `The Adventures of Buratino and the Golden Key' was Alexander Tolstoy's re-telling of the classic story of Pinocchio, which he remembered from his childhood, but had modified and rewrote over the years. Tolstoy's version has since become a classic in its own right in Russia, and this filming of it was apparently made for Soviet TV in 1975. It's in two separate parts, each about an hour long. Buratino (i.e. Pinocchio) is played by a remarkable little actor who's kind of a funny-looking kid to begin with, and is transformed into a manic, almost frighteningly cheerful imp by the bizarre costume and makeup he wears. His high-pitched voice and shrill laughter could very well leave your ears ringing, if you have a low tolerance for it, but his performance is sharp, nuanced, and fascinating to watch. The characterizations overall are very broad and over-the-top, and there are lamentably clumsy attempts at slapstick humor by some of the adult actors. The young kids in the cast, however, are a delight to watch, as their performances are natural and apropos, and their costumes and make-up are strikingly beautiful, as are the sets and locations. Most of the younger cast portray puppets in the guise of various traditional theatre characters, (Pierrot, Harlequin, etc.). A couple of scenes almost remind me of live-action versions of Japanese anime, i.e. cute little kids in strange costumes, performing on bizarre, surreal sets. The overall look of the cinematography seems old-fashioned to me, and most of the time it's hard to guess when this was filmed. Maybe the 1940s, ‘50s, early ‘60s? But the occasional musical set pieces give its vintage away. When a character breaks into song, their voices suddenly and jarringly change into an over-reverberant, highly processed acoustic. The swinging rhythms and accompaniment clearly show signs of being from the latter half of the 20th century. Equally jarring is the old-fashioned look of the cinematography, sets and costumes in contrast to the swinging, commercial jingle-like music. Some of the wackiest elements of the film are in these musical numbers, i.e. a kick-line of frogs (kids in frog outfits) dancing atop a high arched wooden bridge, before jumping into the water one-by-one. Street-cleaners dance joyfully in what appears to be a European town of the late 1700s or early 1800s, except that they are spraying the air with pressurized water hoses as they dance. There are a few actual puppets in the film, including what appears to be a cricket playing a violin and dispensing sage advice, an element left over from the traditional Pinocchio story. The wily fox and cat who continuously try to bamboozle Buratino are played by adult actors as a shabby pair of beggars, their costumes and makeup only subtly suggesting animal characters.

托尔斯泰的名著电影幻想版 A bizarre, fascinating Soviet fairy-tale film It seems that fairy tale films were considered by Soviet filmmakers to be an important genre, as studios devoted large budgets to them, and some directors, like Alexander Row, even specialized in them. This is a film that I happened on at a website devoted to Russian DVDs, videos and CDs. It offered generous clips of most of the films offered, and the look of this particular film really struck my fancy. Even so, when it arrived, I was unprepared for how seriously wacky it turned out to be. It's easily as strange or stranger than 'The 5000 Fingers of Dr. T.' 'The Adventures of Buratino and the Golden Key' was Alexander Tolstoy's re-telling of the classic story of Pinocchio, which he remembered from his childhood, but had modified and rewrote over the years. Tolstoy's version has since become a classic in its own right in Russia, and this filming of it was apparently made for Soviet TV in 1975. It's in two separate parts, each about an hour long. Buratino (i.e. Pinocchio) is played by a remarkable little actor who's kind of a funny-looking kid to begin with, and is transformed into a manic, almost frighteningly cheerful imp by the bizarre costume and makeup he wears. His high-pitched voice and shrill laughter could very well leave your ears ringing, if you have a low tolerance for it, but his performance is sharp, nuanced, and fascinating to watch. The characterizations overall are very broad and over-the-top, and there are lamentably clumsy attempts at slapstick humor by some of the adult actors. The young kids in the cast, however, are a delight to watch, as their performances are natural and apropos, and their costumes and make-up are strikingly beautiful, as are the sets and locations. Most of the younger cast portray puppets in the guise of various traditional theatre characters, (Pierrot, Harlequin, etc.). A couple of scenes almost remind me of live-action versions of Japanese anime, i.e. cute little kids in strange costumes, performing on bizarre, surreal sets. The overall look of the cinematography seems old-fashioned to me, and most of the time it's hard to guess when this was filmed. Maybe the 1940s, ‘50s, early ‘60s? But the occasional musical set pieces give its vintage away. When a character breaks into song, their voices suddenly and jarringly change into an over-reverberant, highly processed acoustic. The swinging rhythms and accompaniment clearly show signs of being from the latter half of the 20th century. Equally jarring is the old-fashioned look of the cinematography, sets and costumes in contrast to the swinging, commercial jingle-like music. Some of the wackiest elements of the film are in these musical numbers, i.e. a kick-line of frogs (kids in frog outfits) dancing atop a high arched wooden bridge, before jumping into the water one-by-one. Street-cleaners dance joyfully in what appears to be a European town of the late 1700s or early 1800s, except that they are spraying the air with pressurized water hoses as they dance. There are a few actual puppets in the film, including what appears to be a cricket playing a violin and dispensing sage advice, an element left over from the traditional Pinocchio story. The wily fox and cat who continuously try to bamboozle Buratino are played by adult actors as a shabby pair of beggars, their costumes and makeup only subtly suggesting animal characters.

以一种新的方式讲述一个古老的童话故事。每个人最喜欢的英雄匹诺曹，他的父亲卡洛和他们的朋友的故事，在现代技术的帮助下讲述。

玛利亚•卡罗是位35岁的单身女性，却想拥有一个特别的孩子。一颗来自宇宙的神奇种子植入她的身体，随即诞下了一个木头男孩—布拉提诺

35岁的单身女性玛利亚•卡罗渴望拥有一个特别的孩子。此时，一颗来自宇宙的神奇种子植入她体内，随后她诞下了一个木头男孩——布拉提诺。

Anpanman dinosaur 'Nessie' adventure. Will Anpanmen really be able to save the land of dinosaurs by defeating Baikinman and Gorongora?

这部电影讲述了三名埃及木乃伊的有趣冒险故事，三人组包括一位公主、一位前战车御手和他的弟弟，以及他们的宠物小鳄鱼。 他们本来生活在隐藏于埃及地下的秘密城市中，但是雄心勃勃的考古学家卡纳比勋爵偷走了一枚本属于王室的戒指。为了寻找这枚戒指，木乃伊来到了今天的伦敦，并踏上了一段滑稽搞笑的旅程……

哈克历险记全集是26集日本动画，改编自马克吐温的同名小说《哈克历险记》。哈克历险记全集主角哈克在一次意外中被家人误以为身亡，却在一座荒岛上展开了多采多姿的探险生活，途中遇到了逃走的黑奴金姆，起初两人在岛上过著原始的生活，说有多快乐就有多快乐，后来哈克发现有人追来了欲对他们不利，於是两人坐著独木舟顺流而下。他们晚上开航，白天将独木舟藏起来后，才休息补眠，日子倒也算过得平静，直到他们碰上了「国王」和「公爵」这两个骗子，四人於是结伴同行。后来金姆被捉，哈克与他的好朋友汤姆会合，共同想出了一连串营救金姆的方法,一段精彩的冒险就此展开。

蜘蛛猴面包的异国历险记，记录最真实的个人旅行体验与在路上的冒险故事。

广袤而炎热的非洲大草原上，蓝色的小鹰阿凯在天空中自由翱翔，他从父亲那里接受了严格的训练，如今羽翼已丰的小家伙渴望成为一个超越父亲的飞行高手。阿凯对贫瘠的卡吐姆峡谷感到厌倦，也不愿意毕生成为只为了生计奔波的蜥蜴猎手，他渴望一场惊险刺激的冒险。这一天，疲劳的鞍嘴鹳果果带着几只刚刚破壳的绿头金织鸟路过阿凯的家门口。阿凯从他们口中得知了飞鸟之城赞比西亚的存在，于是不禁心驰神往。种类繁多的鸟类同伴，保卫赞比西亚的飓风战士，这些都给了阿凯踏上旅程的理由。前行的道路上充满曲折和磨难，但这些都无法阻挡一个孩子成长起来……