Anpanman dinosaur 'Nessie' adventure. Will Anpanmen really be able to save the land of dinosaurs by defeating Baikinman and Gorongora?

身穿蓝色超人战衣的小里奥，是勇敢乐观、热爱探索的小小冒险家。他生活在充满奇妙惊喜的世界里，始终怀揣好奇心，奔赴各类未知秘境开启全新探险之旅。在一次次趣味冒险与闯关探索中，里奥不断遇见性格各异的小伙伴，从陌生相识、真诚相处到互帮互助、携手协作。面对途中的困难与挑战，他从不胆怯退缩，始终积极思考、勇敢突破。剧集用轻松欢乐的冒险故事，陪伴孩子解锁勇气、学会社交、懂得团结友爱，在趣味剧情中收获成长，治愈又充满正能量。

一心想成名的年轻科学家夫妇，在非洲丛林深处探险，一只初生小雷龙的闯入，使他们的梦想几乎成真，然而猝来的攻击却粉碎了一切。邪恶的古生物学者不择手段的要捉住小雷龙，以遂其野心。为了挽救恐龙生路，他们只好展开一场激烈的火拼救援行动。

恐龙世界里，除了霸王龙奇奇，还生活着梁龙、滑齿龙、雷利诺龙等许许多多不同种类的恐龙。小猴优优和小恐龙奇奇即将开启一场奇妙的恐龙世界探险之旅，小朋友们快加入他们，和优优奇奇一起认识各种各样的恐龙，了解它们的生活习性吧！

Scientists crash on mysterious island full of stock footage. There is literally nothing you haven't seen before in this cheap Mexican dinosaur picture. The old "plane crashes in unknown area inhabited by prehistoric animals" plot is used to frame a prehistoric romance between a female scientist and a hunk in a bearskin. Their story is built around extensive footage from One Million B.C. Leads Armando Silvestre and Alma Delia Fuentes are even costumed to more or less match Victor Mature and Carol Landis in the stock footage. The producer also throws in some Hollywood gorilla suit shots. The monkey suit used for the gorilla attack in the new material looks like someone's Halloween costume. The only original dinosaur on the island is a papier-maché creature glimpsed behind a log in the river. The story revolves around a scientific expedition to discover the remains of lost Atlantis. The scientists' plane makes a crash landing on an island during a storm. While they repair it, they study the island. It is inhabited by a tribe of cave dwellers led by burly Silvestre. Fuentes is frightened by a dinosaur while swimming and is kidnapped by the caveman, who has been ousted from his position. Despite their cultural differences, they fall in love. This is handled in "me Tarzan, you Jane" fashion. La Isla de los dinosaurios a pretty dull affair despite reasonable production values. The cinematography by award-winner Agustin Jimenez is outstanding. That said, there are better ways to spend 87 minutes.

准噶尔、科奇、娥眉是恐龙的后代，它们从外星球返回地球寻根访祖。在地球人林博士的帮助下，亲历了艰难险阻的寻根访祖过程，并阻止了天霸等人对地球的破坏。同时，该片也展示了恐龙在地球上的诞生、发展、繁盛及灭绝的过程，揭示了恐龙世界一个又一个的未解之迷。

这是一档真人加动画，乐玩哥哥在恐龙世界探险的故事。

托尔斯泰的名著电影幻想版 A bizarre, fascinating Soviet fairy-tale film It seems that fairy tale films were considered by Soviet filmmakers to be an important genre, as studios devoted large budgets to them, and some directors, like Alexander Row, even specialized in them. This is a film that I happened on at a website devoted to Russian DVDs, videos and CDs. It offered generous clips of most of the films offered, and the look of this particular film really struck my fancy. Even so, when it arrived, I was unprepared for how seriously wacky it turned out to be. It's easily as strange or stranger than `The 5000 Fingers of Dr. T.' `The Adventures of Buratino and the Golden Key' was Alexander Tolstoy's re-telling of the classic story of Pinocchio, which he remembered from his childhood, but had modified and rewrote over the years. Tolstoy's version has since become a classic in its own right in Russia, and this filming of it was apparently made for Soviet TV in 1975. It's in two separate parts, each about an hour long. Buratino (i.e. Pinocchio) is played by a remarkable little actor who's kind of a funny-looking kid to begin with, and is transformed into a manic, almost frighteningly cheerful imp by the bizarre costume and makeup he wears. His high-pitched voice and shrill laughter could very well leave your ears ringing, if you have a low tolerance for it, but his performance is sharp, nuanced, and fascinating to watch. The characterizations overall are very broad and over-the-top, and there are lamentably clumsy attempts at slapstick humor by some of the adult actors. The young kids in the cast, however, are a delight to watch, as their performances are natural and apropos, and their costumes and make-up are strikingly beautiful, as are the sets and locations. Most of the younger cast portray puppets in the guise of various traditional theatre characters, (Pierrot, Harlequin, etc.). A couple of scenes almost remind me of live-action versions of Japanese anime, i.e. cute little kids in strange costumes, performing on bizarre, surreal sets. The overall look of the cinematography seems old-fashioned to me, and most of the time it's hard to guess when this was filmed. Maybe the 1940s, ‘50s, early ‘60s? But the occasional musical set pieces give its vintage away. When a character breaks into song, their voices suddenly and jarringly change into an over-reverberant, highly processed acoustic. The swinging rhythms and accompaniment clearly show signs of being from the latter half of the 20th century. Equally jarring is the old-fashioned look of the cinematography, sets and costumes in contrast to the swinging, commercial jingle-like music. Some of the wackiest elements of the film are in these musical numbers, i.e. a kick-line of frogs (kids in frog outfits) dancing atop a high arched wooden bridge, before jumping into the water one-by-one. Street-cleaners dance joyfully in what appears to be a European town of the late 1700s or early 1800s, except that they are spraying the air with pressurized water hoses as they dance. There are a few actual puppets in the film, including what appears to be a cricket playing a violin and dispensing sage advice, an element left over from the traditional Pinocchio story. The wily fox and cat who continuously try to bamboozle Buratino are played by adult actors as a shabby pair of beggars, their costumes and makeup only subtly suggesting animal characters.

托尔斯泰的名著电影幻想版 A bizarre, fascinating Soviet fairy-tale film It seems that fairy tale films were considered by Soviet filmmakers to be an important genre, as studios devoted large budgets to them, and some directors, like Alexander Row, even specialized in them. This is a film that I happened on at a website devoted to Russian DVDs, videos and CDs. It offered generous clips of most of the films offered, and the look of this particular film really struck my fancy. Even so, when it arrived, I was unprepared for how seriously wacky it turned out to be. It's easily as strange or stranger than 'The 5000 Fingers of Dr. T.' 'The Adventures of Buratino and the Golden Key' was Alexander Tolstoy's re-telling of the classic story of Pinocchio, which he remembered from his childhood, but had modified and rewrote over the years. Tolstoy's version has since become a classic in its own right in Russia, and this filming of it was apparently made for Soviet TV in 1975. It's in two separate parts, each about an hour long. Buratino (i.e. Pinocchio) is played by a remarkable little actor who's kind of a funny-looking kid to begin with, and is transformed into a manic, almost frighteningly cheerful imp by the bizarre costume and makeup he wears. His high-pitched voice and shrill laughter could very well leave your ears ringing, if you have a low tolerance for it, but his performance is sharp, nuanced, and fascinating to watch. The characterizations overall are very broad and over-the-top, and there are lamentably clumsy attempts at slapstick humor by some of the adult actors. The young kids in the cast, however, are a delight to watch, as their performances are natural and apropos, and their costumes and make-up are strikingly beautiful, as are the sets and locations. Most of the younger cast portray puppets in the guise of various traditional theatre characters, (Pierrot, Harlequin, etc.). A couple of scenes almost remind me of live-action versions of Japanese anime, i.e. cute little kids in strange costumes, performing on bizarre, surreal sets. The overall look of the cinematography seems old-fashioned to me, and most of the time it's hard to guess when this was filmed. Maybe the 1940s, ‘50s, early ‘60s? But the occasional musical set pieces give its vintage away. When a character breaks into song, their voices suddenly and jarringly change into an over-reverberant, highly processed acoustic. The swinging rhythms and accompaniment clearly show signs of being from the latter half of the 20th century. Equally jarring is the old-fashioned look of the cinematography, sets and costumes in contrast to the swinging, commercial jingle-like music. Some of the wackiest elements of the film are in these musical numbers, i.e. a kick-line of frogs (kids in frog outfits) dancing atop a high arched wooden bridge, before jumping into the water one-by-one. Street-cleaners dance joyfully in what appears to be a European town of the late 1700s or early 1800s, except that they are spraying the air with pressurized water hoses as they dance. There are a few actual puppets in the film, including what appears to be a cricket playing a violin and dispensing sage advice, an element left over from the traditional Pinocchio story. The wily fox and cat who continuously try to bamboozle Buratino are played by adult actors as a shabby pair of beggars, their costumes and makeup only subtly suggesting animal characters.

以一种新的方式讲述一个古老的童话故事。每个人最喜欢的英雄匹诺曹，他的父亲卡洛和他们的朋友的故事，在现代技术的帮助下讲述。