影片概述 . . . . . . 　　公眾瞭解陳翠梅是從她的第一部劇情長片《用愛征服一切》，但是大家卻忘了她是個多產的短片作者，已經在業界獲得了倆個重要獎項. 　　2008年，在籌備她的第二部長片時，陳翠梅決定每個月拍攝一部短片，但最終只拍成了7部短片。她做成了短篇集，叫《我的失敗作》。 　　Synopsis： 　　Tan Chui Mui is known for her successful first feature film Love Conquers All, and many forgot that she is a very productive short filmmaker, who had won big prizes in two prestigious short film festival in the world: Principal Prize in Oberhausen Short Film Festival with A Tree in Tanjung Malim ( 2005), and Grand Prix in Clermont-Ferrand Short film Festival with Everyday Everyday (2009). 　　In 2008, while developing her second feature films, she had this project of making a short film every month. She had only managed to make 7 short films, and she called them All My failed attempts.

袁淮参加家族试炼，却在试炼中被恶人夺走修仙名额，母亲被害死，妹妹被掳走，自己更被打成重伤丢下山崖。在崖底濒死之时，遇到万年前被镇压在五指山下的孙悟空，获得机缘拜师后重获新生，逃出崖底为母报仇，又在孙悟空的帮助下踏入仙门，走上修仙救妹之路。

没有纲领，无法生活。”这是木心先生最后的遗言，在他最后的清醒时刻，“犹叹壮志未酬”。“我曾见的生命，都只是行过，无所谓完成。”我们每个人的余生，都將在未完成的路上继续行走，各自觉悟。适逢木心先生八十八周年诞辰，谨以此片追忆先生，并向陈丹青先生致以深深的敬意。 　　附文： 　　创作阐述http://weibo.com/p/1001603788735262100669 　　纪录片试映会及读者沙龙实录http://weibo.com/p/1001603809875426692710 　　微信公众号：南艺电影馆Cinematheque

袁淮参加家族试炼，却在试炼中被恶人夺走修仙名额，母亲被害死，妹妹被掳走，自己更被打成重伤丢下山崖。在崖底濒死之时，遇到万年前被镇压在五指山下的孙悟空，获得机缘拜师后重获新生，逃出崖底为母报仇，又在孙悟空的帮助下踏入仙门，走上修仙救妹之路。

陈平安渡劫失败附身世家弃子，试图斩断尘缘却陷怪圈， 法庭认罪遭翻案，暴打嫡子被迫同学，陷害反被天屏直播揭丑，救人反被缠更紧。当他借心声外泄曝光联姻阴谋，大闹宴会撕碎伪豪门，却发现每次作死都加深亲情羁绊。仙骨黑化之际，镜中倒影传来天道嘲讽，恭喜达成永恒人间体成就。

陈平安渡劫失败附身世家弃子，试图斩断尘缘却陷怪圈， 法庭认罪遭翻案，暴打嫡子被迫同学，陷害反被天屏直播揭丑，救人反被缠更紧。当他借心声外泄曝光联姻阴谋，大闹宴会撕碎伪豪门，却发现每次作死都加深亲情羁绊。仙骨黑化之际，镜中倒影传来天道嘲讽，恭喜达成永恒人间体成就。

卓久重生为明美丽，睁眼就撞见养母一家要把她“卖掉”。她凭借前世记忆反击，攥住明家账本曝光贪污，还帮少年版的自己逃出生天，可她却被强行许配给董贺。就在明美丽准备和董贺同归于尽时，司辰察觉端倪霸气现身，将她带回无名庄园，一边保护一边试探。司辰占有欲爆棚，明美丽用理性拆解他的控制，两人几番心理对弈，暧昧与危险交织。汪锐假意救她，明美丽一眼识破，反借他之手给司辰制造麻烦，趁机脱身。可她很快发现，少年卓久已被董贺掳走，以此逼她现身。为救卓久，明美丽选择和司辰联手，共同对抗明家、董家与汪家。

陈默本是平凡打工人，某天意外觉醒 “亏钱系统”—— 系统要求他在限定时间内亏掉一个亿，完成即可斩获十倍收益，失败则面临被抹杀的致命惩罚。为保命，陈默开启 “作死式” 亏钱之旅，可怪事接连发生：投资看似必亏的项目竟爆赚，随手帮扶的小众品牌成爆款，钱越亏越多。期间，他阴差阳错结识首富千金林冰雪，其被陈默独特的 “亏钱操作” 与真实品性吸引，主动靠近。最终，陈默不仅轻松完成系统任务，还收获爱情，从普通人逆袭走向人生巅峰。

2018年5月和6月，Jean Gabriel P_Riot与位于Ivry Sur Seine的一所高中的10名电影班学生合作，开展了一项将电影与政治结合起来的项目。学生们在摄像机前和摄像机后工作，重新布置罢工、抵抗和劳资纠纷的场景，这些电影可以追溯到20世纪60年代末到70年代末，包括让-卢克-戈达尔和阿兰-坦纳的电影。nos d_faites汇集了调查结果，并增加了采访，在采访中，导演询问学生他们刚刚表演的场景，关于“阶级”、“工会”和“政治参与”等概念，以及更广泛的社会背景。这是一个简单，但尖锐的设置，让观众一瞥年轻一代如何看待政治和过去的政治电影。这部影片还记录了导演试图激怒学生的企图。在导演和学生似乎处于平等地位的遭遇中，基于从未见过的导演更多类似于老师的提问，以及此时此刻对革命的思考：起义的表现反映了同样的情况。这会导致一个真实的发生吗？ 　　In May and June 2018, Jean-Gabriel Périot collaborated with ten students in a film class at a high school in Ivry-sur-Seine on a project that unites cinema with politics. The students worked both in front of and behind the camera, restaging scenes of strikes, resistance, and labour disputes from films dating from the late 1960s to the late 1970s, including ones by Jean-Luc Godard and Alain Tanner. Nos défaites assembles the results, and adds interviews in which the director queries the students about the scenes they’ve just acted in, about such concepts as “class,” “labour union,” and “political engagement,” about wider social contexts. It’s a simple, yet trenchant setup, affording viewers a glimpse of how a younger generation sees politics and the political cinema of the past. The film also documents the director’s attempts to stir up the students. The conversations vary between encounters in which director and students seem on an equal footing, based on more teacher-like questioning by the never-visible director, and contemplations of revolution in the here and now: the performance of an uprising follows reflection upon the same. Could this lead to one happening for real? 　　回到1968年的电影时代，继续对重放从过去跳出来的电影节选的年轻人进行今天的采访，我们的失败描绘了我们当前与政治的关系。我们的失败，还是我们有足够的力量来面对今天的混乱？ 　　By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of film s jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?

Animation: Lei Lei 　　Music: Li Xingyu 　　One day. I found my naked. Where is my chothes? 　　My...My... 　　Well, my clothes 　　Ah, my pants 　　Give them back, give them back 　　Oh, my hat