一部关于小房子的纪录片，澳大利亚制作。苏格拉底说过：幸福的秘诀并不在于获取更多，而在于培养一种享受简单生活的能力。纪录片带我们走进俄勒冈州波特兰四位住在自己小房子里的人。他们究竟是生活所迫，还是为了寻求平和与宁静，追求简简单单自给自足的极简主义幸福？

一部关于小房子的纪录片，澳大利亚制作。苏格拉底说过：幸福的秘诀并不在于获取更多，而在于培养一种享受简单生活的能力。纪录片带我们走进俄勒冈州波特兰四位住在自己小房子里的人。他们究竟是生活所迫，还是为了寻求平和与宁静，追求简简单单自给自足的极简主义幸福？

Mateo Sobode Chiqueno’s Ayoreo ancestors worshiped the sun, which they saw as a superior and generous being. But for him and his generation, the sun has primarily become a threat, turning deforested areas into dry, dusty plains—filmed here beautifully but ominously. 　　Some Ayoreo still live in seclusion in the forests of the Chaco in Paraguay. But many more, among them Sobode Chiqueno, were herded into isolated settlements by missionaries, who took their land and forcibly converted them to Christianity. 　　He started recording Ayoreo conversations, stories, and songs in the 1970s, and is still traveling to Ayoreo communities with his now-antique cassette recorder to interview them and collect their voices for his audio archive. Occasionally the device eats a tape, which he fixes with patient fiddling. The conversations express uncertainty about the loss of identity. Is it a problem that a culture disappears in order to adapt to another?

Mateo Sobode Chiqueno’s Ayoreo ancestors worshiped the sun, which they saw as a superior and generous being. But for him and his generation, the sun has primarily become a threat, turning deforested areas into dry, dusty plains—filmed here beautifully but ominously. 　　Some Ayoreo still live in seclusion in the forests of the Chaco in Paraguay. But many more, among them Sobode Chiqueno, were herded into isolated settlements by missionaries, who took their land and forcibly converted them to Christianity. 　　He started recording Ayoreo conversations, stories, and songs in the 1970s, and is still traveling to Ayoreo communities with his now-antique cassette recorder to interview them and collect their voices for his audio archive. Occasionally the device eats a tape, which he fixes with patient fiddling. The conversations express uncertainty about the loss of identity. Is it a problem that a culture disappears in order to adapt to another?

The film is a global conversation from Iceland to Indonesia between Jeremy Irons and scientists, politicians and ordinary individuals whose health and livelihoods have been fundamentally affected by practices such as landfills and incinerators. Visually and emotionally the film is both horrific and beautiful: an interplay of human stories and ecological disruption. But it ends on a message of hope: showing how the risk to our survival can be averted through sustainable pathways that provide economic solutions while protecting our air, water and food resources.

The film is a global conversation from Iceland to Indonesia between Jeremy Irons and scientists, politicians and ordinary individuals whose health and livelihoods have been fundamentally affected by practices such as landfills and incinerators. Visually and emotionally the film is both horrific and beautiful: an interplay of human stories and ecological disruption. But it ends on a message of hope: showing how the risk to our survival can be averted through sustainable pathways that provide economic solutions while protecting our air, water and food resources.

《我这么可爱》负能量爆发，总让人无可奈何、身不由己，不禁想仰天长啸，我这么可爱，为什么…？纳豆、邦妮联手主持，让累积的负能量，彻底释放！

줄거리 　　실크커텐을 사이에 두고 두남녀가 벌이는 의식의 흐름을 이야기화했다. 자폐증에 가까운 남자와 개방적이며 신경질적인 여자가 벌이는 상황을 시적 이미지를 보강하여 사실적이며 밀도있게 파헤쳐 간다. 두사람 사이에는 두번의 상상이 이루어진다. 남자는 여자에게, 여자는 남자에게 유혹당하는 상상속에서 더 진실한 접근을 시도한다. 결국 이 영화는 인간의 속성은 무엇이며 또 성은 과연 얼마만큼 성스럽고 상스러운 것인지 새로운 시점에서 펼쳐간다. 　　故事 　　随着意识的故事流之间的丝绸窗帘是生气，两人均匀。这种情况是开放的，歇斯底里的女孩抓住最近的人患有自闭症加强诗意的影像如此逼真，去挖掘密度。由虚两次两人之间。男人到女人，女人试图想象一个更真诚的方式在被诱惑男人。毕竟，电影是什么是真正的人的财产，另一座城堡竟把神圣的意义在什么新的时间展开。