Made in wartime and edited in candlelight, Mikhail Vartanov's rarely-seen masterpiece tells about his friendship with the genius Sergei Parajanov who was imprisoned by KGB "at the peak of his artistic power". Vartanov takes us back with the scenes from his censored 1969 film The Color of Armenian Land where Paradjanov is at work on his suppressed chef-d'oeuvre The Color of Pomegranates - widely regarded as one of the greatest films of all time - and contrasts it with the shocking request Parajanov sent him in unpublished 1974 letters from the Soviet prisons. Vartanov's camera documents Parajanov's striking last day at work in 1990 during the making of the unfinished Confession - the original camera negative of which survives in Parajanov: The Last Spring (1992) - as Parajanov comments on this cherished autobiographical work. A monumental wordless montage - the entire sixth reel - concludes Vartanov's acclaimed documentary, his final film, and his most important work, which, despite the prohibitive conditions it was created in, won the admiration of cinema's greatest artists.

The film shows the unique world of artist Sergei Parajanov, whose brilliant images in films and collages aroused the suspicion of Soviet authorities.

I am Sergei Parajanov! shot a few months after Parajanov's death. Features archive photographs, his collages, the clips from Sayat-Nova (1968), Ashik Kerib (1988), the making of The Legend of the Surami Fortress (1984) and a few views of the house he lived.

The author of the film decides to leave the country where she lives, in connection with the outbreak of the dramatic events, and return home to Armenia in search of a worthy example and solutions on how to live on. Paradjanov’s house becomes a place of inspiration and a point of no return to toxic reality. Through the life and work of Paradjanov, clarifying and interpreting the theme of human freedom in non-free conditions, where freedom is limited both by the borders of the totalitarian state and by the barbed wire of the camp fence.

A webcam dialogue between Berlin and Isfahan: Faraz Fesharaki documents conversations with his family over 10 years. This debut film blends recordings, text and VHS memories into a warm, melancholy intergenerational portrait. Intimacy is also work.

A webcam dialogue between Berlin and Isfahan: Faraz Fesharaki documents conversations with his family over 10 years. This debut film blends recordings, text and VHS memories into a warm, melancholy intergenerational portrait. Intimacy is also work.

Filmen foregår i en liten bygd i Lofoten i Nord-Norge, der Eira lever i skyggen av sin briljante og rebelske eldre søster Vera. Noe er i ferd med å skje med Vera, og for å forstå hva, begynner Eira å lese dagboken hennes. Hun trer inn i Veras univers av intenst lys, glitter, mytologi og et håp om en vakrere verden. Men dagboken avslører også et mørke Eira ikke vet hvordan hun skal håndtere.

一个简单的问题：你一生中爱过几个人？答案究竟是，唯一的一个，还是有几个，每个人都留下了一些东西促成了现在的你？

一个简单的问题：你一生中爱过几个人？答案究竟是，唯一的一个，还是有几个，每个人都留下了一些东西促成了现在的你？

11月，即将到来的全球最大购物活动之一“黑色星期五”前夜，发生了一起快递箱爆炸事件。很快，这起事件演变成了让整个日本陷入恐慌的连续爆炸事件。物流仓库的新任主管·舟渡艾蕾娜（满岛光 饰）和团队经理·梨本孔（冈田将生 饰）一同应对这场前所未有的危机！ 是谁？为什么安放炸弹? 剩下的炸弹还有多少？现在在哪里? 物流是现代社会的生命线，如何才能阻止这个连续爆破事件？当谜题被解开时，这个世界所隐藏真面目将浮出水面。