Dark satire in which the token black man on the executive board of an advertising firm is accidentally put in charge. Renaming the business "Truth and Soul, Inc.", he replaces the tight regime of monied white ad men with his militant brothers. Soon afterwards, however, the power that comes with its position takes its toll on Putney... 　　This film had about everything one could wish when viewing it originally, at the end of the 1960's decade. It was immensely entertaining, and provided a contemporary view of the many changes which had occurred during that period - and were still ongoing - in terms of the Black Power movement, Vietnam, and the volatile movement which followed the quieter, preceding postwar 1950's. 　　All of this and one of the funniest films, then or now. 　　Viewing it for the second time recently, I was surprised to find it as engrossing as when seen originally. Its humor is as funny, and its message as strong. 　　And in viewing it now, you get all of this, while at the same time gaining the added enjoyment of its being a "period piece," and a superb chronicling of its this historic, turbulent time. 　　* Robert Downey Sr. redubbed all of Arnold Johnson's lines.

Dark satire in which the token black man on the executive board of an advertising firm is accidentally put in charge. Renaming the business "Truth and Soul, Inc.", he replaces the tight regime of monied white ad men with his militant brothers. Soon afterwards, however, the power that comes with its position takes its toll on Putney... 　　This film had about everything one could wish when viewing it originally, at the end of the 1960's decade. It was immensely entertaining, and provided a contemporary view of the many changes which had occurred during that period - and were still ongoing - in terms of the Black Power movement, Vietnam, and the volatile movement which followed the quieter, preceding postwar 1950's. 　　All of this and one of the funniest films, then or now. 　　Viewing it for the second time recently, I was surprised to find it as engrossing as when seen originally. Its humor is as funny, and its message as strong. 　　And in viewing it now, you get all of this, while at the same time gaining the added enjoyment of its being a "period piece," and a superb chronicling of its this historic, turbulent time. 　　* Robert Downey Sr. redubbed all of Arnold Johnson's lines.

阿尔·帕西诺加盟HBO的乔·帕特诺传记电影，将饰美式足球历史上最功勋卓著的教练之一乔·帕特诺，他执教宾夕法尼亚州立大学46年，而该片聚焦帕特诺的职业生涯晚期，“2011年，他被卷入助手杰里·桑德斯基猥亵男童的性丑闻，帕特诺的传奇执教经历遭受挑战，得站在受害者角度面对制度方面的各种问题。”现实中帕特诺被认为有包庇助教，他和学校校长因此丢掉工作，生涯中的一些荣誉也被剥夺。 　　这部传记片将由《雨人》导演巴瑞·莱文森执导，这也是他和帕西诺的又一次合作，之前两人曾合作《菲尔·斯派特》和《死亡医生》，这两部也都是HBO投拍的电视电影。

Third battle of Panipat which took place on 14 January 1761.Between Marathas and King of Afghanistan, Ahmad Shah Abdali.

Third battle of Panipat which took place on 14 January 1761.Between Marathas and King of Afghanistan, Ahmad Shah Abdali.

2012年，宾夕法尼亚州立大学橄榄球队前助理教练杰里·桑达斯基性侵男童等45项罪名成立。他在15年间性侵10余男童，引发轩然大波。案发后，该球队主教练乔…

因《九月的某一天》获得奥斯卡最佳纪录长片的凯文·麦克唐纳，将与制片人西蒙·秦联合执导描绘惠特尼·休斯顿生平的纪录片。导演表示想通过纪录片把休斯顿生前经历完整展现，望观众走出影院时，想起休斯顿及她音乐上积极的东西，而不是过度关注她生前的负面事件，忘却其成就。

帕特森（亚当·德赖弗 Adam Driver 饰）居住在新泽西州帕特森市，这个和故乡有着相同名字的男人是一名巴士司机，和女友劳拉（歌什菲·法拉哈尼 Golshifteh Farahani 饰）以及一只牛头犬一起过着平淡的同居生活，每天开着巴士重复着相同的路线和波澜不惊的人生。帕特森喜欢写诗，他随身携带着一本笔记本，把脑海中跃动的诗句记录在本子上，但从来都没有想过将自己的诗句出版成册，他的唯一读者只有劳拉。 　　和帕特森截然相反，劳拉是一位天生的艺术家，每天脑袋里都闪现着五花八门的古怪念头，她在窗帘、墙壁甚至自己的衣服上画各种黑白图腾、学吉他、做美味的杯子蛋糕，乐观开朗的她全心全意的热爱着生活。终于，帕特森答应劳拉将自己的作品印刷成册，他的生活是否会因此发生改变呢？

帕特森（亚当·德赖弗 饰）是新泽西州的一名公交车司机，他生活的小镇也叫帕特森。帕特森的日常很简单，每天都重复着相同的路经；相比之下，妻子劳拉（歌什菲·法拉哈尼 饰）的生活充满变化，脑袋里都闪现着五花八门的古怪念头。他们互相深爱，他支持她跳跃的充满活力的主意，她倾听他平凡的工作和不凡的诗作。有一天，帕特森答应劳拉将自己的作品印刷成册，他的生活是否会因此发生改变呢？