全世界对恐怖分子的“战争”持续“高温”，美国对恐怖分子的打击也毫不手软，特别是被称为“罪恶之王”的头号恐怖分子蒙亨。虽然他神秘失踪了几个月，但他的阴影仍然笼罩全球，他的同党仍然无恶不作。蒙亨生死成了关键：如果他被抓，被证实有罪，他就必须被判以死刑，这样一来他将以“殉教者”的形象鼓动另一轮的恐怖行动；如果宣告他无罪，西方国家法律将因他而失效。在这进退两难的情况下，他必须以“透明人”永远不在世界上露面。在参加罗马尼亚召开的西欧会议的名义的掩护下，琼斯和蒙亨在一个与世隔绝的旅店?面进行了秘密的会谈。琼斯的目的就是让蒙亨继续保持“透明”。她仅有的跟随者只是由她私人保镖蓝斯率领的六个人组成的精英队伍。但当他们前往到秘密旅店后，切发现已身陷在一队装备精良的不明武装份子的包围中。蓝斯这一守护者面临著他一生中从未有过的挑战……

全世界对恐怖分子的“战争”持续“高温”，美国对恐怖分子的打击也毫不手软，特别是被称为“罪恶之王”的头号恐怖分子蒙亨。虽然他神秘失踪了几个月，但他的阴影仍然笼罩全球，他的同党仍然无恶不作。蒙亨生死成了关键：如果他被抓，被证实有罪，他就必须被判以死刑，这样一来他将以“殉教者”的形象鼓动另一轮的恐怖行动；如果宣告他无罪，西方国家法律将因他而失效。在这进退两难的情况下，他必须以“透明人”永远不在世界上露面。在参加罗马尼亚召开的西欧会议的名义的掩护下，琼斯和蒙亨在一个与世隔绝的旅店?面进行了秘密的会谈。琼斯的目的就是让蒙亨继续保持“透明”。她仅有的跟随者只是由她私人保镖蓝斯率领的六个人组成的精英队伍。但当他们前往到秘密旅店后，切发现已身陷在一队装备精良的不明武装份子的包围中。蓝斯这一守护者面临著他一生中从未有过的挑战……

华氏企业名下的化工厂借经营化学原料来制造毒品，工厂所抛弃的废料污染了附近的渔场，渔场管理人阿娴(叶德娴)向法庭申请禁制令，禁止其工厂继续生产。华氏企业遂聘请律师阿龙(成龙)负责处理此案，并授权他收购渔场以免纠纷。不明真相的阿龙被人利用，还请了自己的两个好友一起前来帮忙，他们是武艺高强的黄飞鸿(洪金宝)和身手敏捷但头脑不大清楚的阿彪(元彪)，洪金宝故意搬到叶家隔壁以便近水楼台追求叶，元彪则饰演心理变态的夜行偷，因潜入叶家安装偷听器，以力劝她卖掉渔场。阿娴遂与成、洪两人引起连串纠纷。

华氏企业名下的化工厂借经营化学原料来制造毒品，工厂所抛弃的废料污染了附近的渔场，渔场管理人阿娴(叶德娴)向法庭申请禁制令，禁止其工厂继续生产。华氏企业遂聘请律师阿龙(成龙)负责处理此案，并授权他收购渔场以免纠纷。不明真相的阿龙被人利用，还请了自己的两个好友一起前来帮忙，他们是武艺高强的黄飞鸿(洪金宝)和身手敏捷但头脑不大清楚的阿彪(元彪)，洪金宝故意搬到叶家隔壁以便近水楼台追求叶，元彪则饰演心理变态的夜行偷，因潜入叶家安装偷听器，以力劝她卖掉渔场。阿娴遂与成、洪两人引起连串纠纷。

Richard Harris portrays Eitan, yesterday's football hero waiting for tomorrow. A man who has nothing left but guts. He consults the unheroic prospects of having to find a new profession and having to face a loving woman who doesn't understand his problems.

百无聊赖的法国滨海小镇，惊传离奇车祸断头案，悬案背后暗藏两大外星势力——邪恶0帝国与善良1帝国的角力。0帝国武士附身普通渔夫，与人类生下混种小王子，恶魔血脉开枝散叶，宇宙和平岌岌可危；1帝国公主为阻止0帝国耍阴招侵略地球，奉女王之命无差别血刃敌军臣民。在这个无人在意的世界角落，关乎人类未来的宇宙大战一触即发。

克里斯（利亚姆·海姆斯沃斯 Liam Hemsworth 饰）一直希望能够成为一名警察，却在连连遭遇失败后来到了帝国装甲卡车公司，成为了那里的保镖。没过多久，克里斯便发现，公司内的安保布置看似无坚不摧实际上漏洞百出，他将这个秘密告诉了好友艾迪（迈克尔·安格拉诺 Michael Angarano 饰），谁知道自己的无心之谈竟然惹出了之后的一连串大麻烦。 　　克里斯决定和艾迪联手，两人策划了一宗现金抢劫案，打算在得手之后远走高飞。谁知道这个看似一帆风顺的计划，却因为精明的警探詹姆斯（道恩·强森 Dwayne Johnson 饰）的介入而徒增了风险。与此同时，掌控该片区的黑帮老大亦对两人的计划产生了兴趣。

'Empire' was the trailer for the Viennale 2010 and screened in over one hundred cinemas in Austria and during the festival in Vienna.

'Empire' was the trailer for the Viennale 2010 and screened in over one hundred cinemas in Austria and during the festival in Vienna.

Short film Empire is based on a radio drama Sorry, Wrong Number by the American writer Lucille Fletcher. Actually, Sokurov draws on a single theme forming the background for the story of the thriller — the woman's illness… The heroine is bed–ridden and her only means of communication with the outside world is her telephone — until a killer interrupts the conversation… 　　Sokurov removes all the dialogues, leaving us alone with the heroine — “a living skeleton” among the refined, with a touch of Modern–style, furnishings — who is listening to a radio broadcasting of Traviata, with its pleas for mercy and love. An elegant coffin–home is the spatial centre and symbolization of the entire film. And inside the coffin we certainly see the actress — the famous Russian ballerina Alla Osipenko who plays not only the heroine but also her own self. 　　This metaphoric cinema–image bears an allusion to the great “handicapped” Sarah Bernhardt who was reported to sleep in a coffin, as well as to the entire complex of aesthetised Decadence, converting an apology of Death into a lifestyle. Here is the key to the code of the title. Empire is a style that attempted to reanimate the dead ancient harmony. The heroine of Sokurov's film communicates with her phone as the only partner, and sort of interferes with the beyond, attracting this air — intangible yet saturated with danger. It is from the radio air that she accumulates both pleasure and tranquillity — the aria of dying yet beloved Violetta, while the killer's silhouette materializes from the phone air. A chamber pot, overturned and spilt by the killer in haste, remains the only evidence of human activities in this boudoir of Death. Sokurov's metaphor, clad in naturalistic details, produces the effect of ironic disclosure: “a wet spot” is left after a symbol. 　　The film was shot as a study work of a VGIK student S.Sidorov. At that time Sokurov did not have a chance to launch a project of his own, therefore he used this possibility to work. Visual conception of this film anticipates a considerable number of Sokurov's future experiments: light that models the space, levelling of colours, correlation of contrasting textures.