Under roaring fighter jets and missile strikes, Ukrainian artists Slava, Anya, and Andrey choose to stay behind and fight, contending with the soldiers they have become. Defiantly finding beauty amid destruction, they show that although it’s easy to make people afraid, it’s hard to destroy their passion for living.

Under roaring fighter jets and missile strikes, Ukrainian artists Slava, Anya, and Andrey choose to stay behind and fight, contending with the soldiers they have become. Defiantly finding beauty amid destruction, they show that although it’s easy to make people afraid, it’s hard to destroy their passion for living.

Under roaring fighter jets and missile strikes, Ukrainian artists Slava, Anya, and Andrey choose to stay behind and fight, contending with the soldiers they have become. Defiantly finding beauty amid destruction, they show that although it’s easy to make people afraid, it’s hard to destroy their passion for living.

The elderly owner of a china shop leaves for the night, and the various figurines and decorated mugs come to life. A demonic figure captures an upper-class lady and does battle with her lord, damaging much of the shop. But the demon proves to have a glass jaw and, literally, a yellow streak, and the happy couple is soon reunited. No dialogue, but some signs are in English, particularly the final punch-line.

The elderly owner of a china shop leaves for the night, and the various figurines and decorated mugs come to life. A demonic figure captures an upper-class lady and does battle with her lord, damaging much of the shop. But the demon proves to have a glass jaw and, literally, a yellow streak, and the happy couple is soon reunited. No dialogue, but some signs are in English, particularly the final punch-line.

Horrified by the cruelty of the Turkish society, a beautiful French schoolgirl, sold into white slavery, seizes power within her sultan's kingdom when he is killed. She implements changes to form a more civilized society and leaves her eternal mark before her death. Based on the true story of Aimee Dubucq De Rivery. 　　艾梅.杜贝克.德.薇茜，一个美丽高难度傲的法国姑娘，被作为白人奴隶卖到土耳其。被当时东方最强大的人—土耳其王国稣丹选中，年迈的稣丹无药可救地爱上了这们美丽固执的法国姑娘。艾梅亲眼目睹了土耳其的残暴陋习，被土耳其宫廷的相互倾扎深深震憾。她的纯洁天真一点一点被磨掉，她怀了稣丹的儿子后，老稣丹在一次起义中被杀害，整个国家一片混乱，当新的的稣丹继承王位后，艾梅适时地把握机会，夺得权力，她进行了一系列改革，在历史上留下深远的影响。 　　http://www.tianya.cn/publicforum/Content/filmtv/1/81184.shtml

Horrified by the cruelty of the Turkish society, a beautiful French schoolgirl, sold into white slavery, seizes power within her sultan's kingdom when he is killed. She implements changes to form a more civilized society and leaves her eternal mark before her death. Based on the true story of Aimee Dubucq De Rivery. 　　艾梅.杜贝克.德.薇茜，一个美丽高难度傲的法国姑娘，被作为白人奴隶卖到土耳其。被当时东方最强大的人—土耳其王国稣丹选中，年迈的稣丹无药可救地爱上了这们美丽固执的法国姑娘。艾梅亲眼目睹了土耳其的残暴陋习，被土耳其宫廷的相互倾扎深深震憾。她的纯洁天真一点一点被磨掉，她怀了稣丹的儿子后，老稣丹在一次起义中被杀害，整个国家一片混乱，当新的的稣丹继承王位后，艾梅适时地把握机会，夺得权力，她进行了一系列改革，在历史上留下深远的影响。 　　http://www.tianya.cn/publicforum/Content/filmtv/1/81184.shtml

Filmed in two versions 　　In Europe, quite a few pornographic films from the early 1980s were shot in two versions, hard and soft - partly because the industry wasn't sure where things were heading and partly to keep their feet in two rather separated markets. This film is an example for that. 　　Sadly, it is also an example that shows the fundamental problems of this approach. The soft version suffers from an unprofessional cast that can't act and an over-reliance on sex scenes: it is not wall-to-wall, but comes uncomfortably close, interrupting the narrative and ultimately failing to pick it up again. The hard version enjoys production values modern porn makers can only dream about, but the photography of the coital scenes is unimaginative and rather anonymous, making one wonder how often body doubles were engaged. The smutty dialogue has also badly aged: its novelty value is lost, revealing so much clearer its unsuitability for the historical context in question.

Filmed in two versions 　　In Europe, quite a few pornographic films from the early 1980s were shot in two versions, hard and soft - partly because the industry wasn't sure where things were heading and partly to keep their feet in two rather separated markets. This film is an example for that. 　　Sadly, it is also an example that shows the fundamental problems of this approach. The soft version suffers from an unprofessional cast that can't act and an over-reliance on sex scenes: it is not wall-to-wall, but comes uncomfortably close, interrupting the narrative and ultimately failing to pick it up again. The hard version enjoys production values modern porn makers can only dream about, but the photography of the coital scenes is unimaginative and rather anonymous, making one wonder how often body doubles were engaged. The smutty dialogue has also badly aged: its novelty value is lost, revealing so much clearer its unsuitability for the historical context in question.