该短剧改编自番茄小说《母仪天下，从冒充丞相寡嫂开始》，作者：洛春水。 　　孤女冯清岁为追查姐姐冯惜一家灭门真相，冒充已故将军纪长风的寡嫂，潜入丞相纪长卿府中。殊不知，纪长卿实为双胞胎兄弟共用身份 -纪长卿一人分饰将军与丞相两角，隐瞒世人。冯清岁的冒认之举意外打乱纪长卿计划，却也让两人卷入朝堂与后宫的腥风血雨。

该短剧改编自番茄小说《母仪天下，从冒充丞相寡嫂开始》，作者：洛春水。 　　孤女冯清岁为追查姐姐冯惜一家灭门真相，冒充已故将军纪长风的寡嫂，潜入丞相纪长卿府中。殊不知，纪长卿实为双胞胎兄弟共用身份 -纪长卿一人分饰将军与丞相两角，隐瞒世人。冯清岁的冒认之举意外打乱纪长卿计划，却也让两人卷入朝堂与后宫的腥风血雨。

苏念安与顾晏清协议婚姻到期时，因误会顾晏清背叛， 又遇火灾重生三年前，决心离婚。顾晏清也重生，假装破产、瘫痪接近她。顾明泽暗中害两人，苏念安发现其是前世真凶。两人联手揭露阴谋，解开心结相爱。

电影《至暴之年》影片讲述在20世纪80年代的纽约，一名野心勃勃的商人被迫与一家腐败的商业机构打交道的故事。

远离东京的地方小镇，15岁的岩崎银（萩原利久 饰）是一个正就读初三的棒球迷，平日里他经常和辍学的阿敏（影山树生弥 饰）和勇纪（中村圭太郎 饰）混在一起。某天，阿银意外收到了同班同学佐田成美（小川纱良 饰）的告白。令阿敏他们感到奇怪的是，阿银似乎对女孩子根本没半点兴趣。表白落空的成美回到家中，结果被母亲律子（宫地真绪 饰）告知不准升学，随后更被律子男朋友神林（木村知贵 饰）逼迫出卖身体。黑暗无望的家庭，逼迫成美想方设法逃离。与此同时，阿银的性取向被父亲（山本刚史 饰）获知，他也感到无形的压力。当成美决定跑到东京寻找父亲时，阿银亦表达了希望随之而去的想法。 　　两个追求幸福的少男少女，展开了他们15岁的秘密旅行……

远离东京的地方小镇，15岁的岩崎银（萩原利久 饰）是一个正就读初三的棒球迷，平日里他经常和辍学的阿敏（影山树生弥 饰）和勇纪（中村圭太郎 饰）混在一起。某天，阿银意外收到了同班同学佐田成美（小川纱良 饰）的告白。令阿敏他们感到奇怪的是，阿银似乎对女孩子根本没半点兴趣。表白落空的成美回到家中，结果被母亲律子（宫地真绪 饰）告知不准升学，随后更被律子男朋友神林（木村知贵 饰）逼迫出卖身体。黑暗无望的家庭，逼迫成美想方设法逃离。与此同时，阿银的性取向被父亲（山本刚史 饰）获知，他也感到无形的压力。当成美决定跑到东京寻找父亲时，阿银亦表达了希望随之而去的想法。 　　两个追求幸福的少男少女，展开了他们15岁的秘密旅行……

Albert and Bruno are in the red, compulsive consumers, over-indebted, they live between petty schemes for one and a personal life adrift for the other. It is in the associative path, which they both take to get their heads above water, that they will come across young rebellious activists, climate alarmists, lovers of social justice and eco-responsibility. More attracted by beer and free crisps than by their arguments, Albert and Bruno will gradually integrate the movement without conviction, if not that of taking advantage of each action and each rebellion to schem and profit from it. Between ideological or suffered minimalism, between overconsumption and happy sobriety, we face the complex simplicity of our future, the oppositions and paradoxes of our time, in short, everything is fine.

Albert and Bruno are in the red, compulsive consumers, over-indebted, they live between petty schemes for one and a personal life adrift for the other. It is in the associative path, which they both take to get their heads above water, that they will come across young rebellious activists, climate alarmists, lovers of social justice and eco-responsibility. More attracted by beer and free crisps than by their arguments, Albert and Bruno will gradually integrate the movement without conviction, if not that of taking advantage of each action and each rebellion to schem and profit from it. Between ideological or suffered minimalism, between overconsumption and happy sobriety, we face the complex simplicity of our future, the oppositions and paradoxes of our time, in short, everything is fine.