Two friends, one a musician the other constantly depressed wander around Greece and France till they get to Paris without a penny to their name. Here they spend nights in the underground, and squat in houses with the African immigrants. One day they both fall in love with Mathilde a blond dancer and follow her to New York.

A poignant yet understated film which focuses on the everyday hardships of an isolated Iranian community on the border with Afghanistan, Delbaran centres on the story of a 14-year Afghan refugee working in a truck stop in the 'town' which gives its name to the film. The film is unusual in having very little dialogue and offers nothing by way of explanation of the wider context of war and cross-border migration which forms the backdrop to the events that are portrayed. The characters in the film are all too aware of the conflict and the sounds of automatic weapons are always within earshot, but they are so much an accepted part of their lives that they feel no need to comment on them. And that is one of the strengths of the film that makes it so compelling a portrait of life in this remote community. At one level, very little seems to go on in the film which has the feel of a documentary without a voiceover. In fact, a lot happens off camera, as revealed by indirect images and sounds, but the main emphasis of the film is the extraordinary yet humdrum nature of life in a marginalized community. The film has a distinctive look and feel, with an emphasis on images, movement and sound, and, although one would be hard pressed to identify a conventional narrative structure or message, there are aspects that resonate in the mind long after watching it. A recurring image is of three or even four men riding a single motorbike back and forth along a dusty mountain road. An especially poignant moment in a film in which the hardships of life mean that the characters hardly ever show great emotion, is when the central character of the 14-year old boy, Kaim, is offered medical help for an ear infection: his smile lights up the screen at this small act of human kindness. Highly recommended.

Goff in the Desert presents 62 buildings from the American architect Bruce Goff (1904-1982) – from the smallest cottage to an impressive museum pavilion – and is the only cinematographic collection of almost all of his buildings still in existence. Bruce Goff is considered to be one of the ”greatest unknowns“ of American architecture. As a determined experimenter, his works and designs were often in significant contrast to the ”International Style“ movement.

从小就喜爱表演的菲利普·帕特 （ 约瑟夫·高登-莱维特 饰）长大后成为法国杂技名人，他来到纽约，想要在摩天大厦之间走钢索的梦想，在遭遇了一系列的怀疑、误解、受伤之后，在精神导师帕帕·鲁迪 （ 本·金斯利 饰）的协助下，依然坚定地站在了世贸大楼之间的钢索之上。众目睽睽下，垫钢索的木块突然粉碎，在众人的惊呼声中，400多米高空之上的他，是否可以完成自己的梦想 。

从小就喜爱表演的菲利普·帕特 （ 约瑟夫·高登-莱维特 饰）长大后成为法国杂技名人，他来到纽约，想要在摩天大厦之间走钢索的梦想，在遭遇了一系列的怀疑、误解、受伤之后，在精神导师帕帕·鲁迪 （ 本·金斯利 饰）的协助下，依然坚定地站在了世贸大楼之间的钢索之上。众目睽睽下，垫钢索的木块突然粉碎，在众人的惊呼声中，400多米高空之上的他，是否可以完成自己的梦想 。

影片翻拍自2009年获奥斯卡最佳纪录长片大奖的《走钢丝的人》，讲述1974年法国杂技艺术家菲利普-帕特（Philippe Petit）的经历，他在纽约世贸大楼间搭钢索…

本片是西班牙超现实主义电影大师路易斯·布努艾尔的“宗教三部曲”之一。苦行僧西蒙（克劳迪奥·布鲁克 Claudio Brook 饰）为了靠近上帝，来到人烟稀少的沙漠地带，不顾自己母亲（Hortensia Santoveña 饰）的乞求，站到柱子顶端日夜祈祷赎罪。当地民众感谢西蒙的虔诚，特意建了一个更高的柱子送给他。很多民众听说了西蒙的神迹，不远千里赶来向他祈求帮助，一位被截去双手的农民（Enrique del Castillo 饰）果然见证奇迹，双手重生。魔鬼（比那尔·希尔维亚 Silvia Pinal 饰）化作各种形象诱惑西蒙、侮辱他、冤枉他，甚至将他带去了罪恶丛生的大城市，考验他的意志…… 　　本片被提名1965年威尼斯电影节金狮奖，并获评审团大奖及国际影评人费西比奖。

剧情：商人长井（三上博史饰）表面风光无限、事业成功，实则经济上已陷入困境，公司虽已上市，但他却受股东的限制，妻儿的离去使他更雪上加霜，他所渴求的东西正如荒漠之月，完美、苍凉而不可企…… 　　评论：青山真治生于日本战后的60年代，是复苏后的日本电影的代表性人物，他擅于发掘家庭题材的影片，去年凭借《寻获人生》（Eureka）摘取了戛纳评委会奖。《寻获人生》中，青山真治通过表象来阐述了一个现代家庭的幻灭，而在《荒漠之月》中，他是从家庭内部进行解析，进行了更深层面的阐明。

《沙漠中的最后时日》讲述了由伊万·麦克格雷格饰演的耶稣在沙漠中斋戒40天，遭到恶魔蛊惑后，重新找回人性的故事，影片并非源自《圣经》，而是影片导演兼编剧罗德里格·加西亚想象出来的故事。值得一提的是，罗德里格·加西亚是已故文坛巨匠，《百年孤独》作者加西亚·马尔克斯的儿子，曾执导过口碑不俗的影片《雌雄莫辩》。

Not a documentary in the strictest sense of the word. Rather, it is a journey through the world of the artist Jonas Mekas - one of the exponents of independent U.S. movies; founder and director of the New York Anthology Film Archive.