「夕阳与～」「夜澄的！预备——」 　　「「高中生广播～！」」 　　碰巧就读同一间高中的好姐妹声优搭档——夕暮夕阳与歌种夜澄将教室里的氛围原封不动地呈现给听众的温馨广播节目开播！ 　　「唉～为何得跟你这种阴沉女一起工作。」 　　「你这猴子还真吵呢。我也不愿意呀。」 　　——但是，两位主持人的真面目跟她们偶像声优的形象恰好相反，是最合不来的辣妹×阴沉低调妹……？ 　　台前好姐妹，幕后吵翻天，录制一结束便互相破口大骂！绝对不可能跟这种家伙搭档，然而广播节目不等人……！拿出职业声优的骨气骗过全世界吧！

「夕阳和~」「安美的！」 「「高中生广播~！」」 「本节目是由碰巧就读于同一所高中、同一个班级的我们，为大家带来教室氛围的节目！」 无论是作为声优还是作为同班同学都关系极好的二人，放松地做声优广播……但这仅仅是「台前」的模样。 夕阳的本性是阴沉的土妹子，而安美则是地道的辣妹。 容貌和性格都正好相反的二人，一开口就要吵架。 「……怎么这么晃眼。你这样跟平时形象的差别真的大到吓人，平时的阴沉都到哪去了？」 「你才是，别用这副模样发出可爱的声音啊」 录音结束后便就地变成修罗场，挖苦和谩骂势如风暴！ 和这种人一起做广播，我绝对办不到！ 但是，节目可不会等人……！ 前途坎坷的声优广播，会持续多久……？！ 靠职业精神欺骗全世界！暴露就要结束的青春声优节目，现已播出!

Back Stage is a 1919 comedy, one of the last films that Buster Keaton would appear with Roscoe "Fatty" Arbuckle before they went their separate ways, Keaton would get his own studio, and Arbuckle got into feature length films. 　　In this film, Keaton, Arbuckle, and others, work as stagehands, backstage of course, in a playhouse trying to help and in some cases, stay far away from the eccentric and diva-like performers. When the performers rebel and refuse to do the show, the stagehands, along with Arbuckle's love interest, the assistant of one of the rebelling performers, perform in their place- including Keaton showing his ability to do butterflies, no handed cartwheels, while in drag.

Well Thailand 剧集

Well Thailand 剧集

多得有妮可（纳嘉·乌尔 Nadja Uhl 饰）家中的那个小阳台，她和邻居兼死党凯琳（英卡·芙德瑞Inka Friedrich 饰）得以互诉心事，消解夏天烦躁，细品人生况味。每个清风习习的傍晚，妮可和凯琳都在阳台上喝可乐和酒。妮可每天都细心照顾独居老人，而未婚妈妈凯琳为儿子的学业爱情操心，没有好工作、好伴侣的两个好姊妹，在这里幻想着新感情的出现。 　　他终于出现了。是一个货车司机，名叫罗纳（安德雷斯·施密特Andreas Schmidt 饰），妮可内心的感情在萌芽。罗纳肯定是一个优秀的专一的伴侣——妮可一度这样认定。罗纳搬到妮可家中住下，也慢慢走近了邻居凯琳的生活，三个人之间的感情纠葛渐渐升级。凯琳和妮可甚至有了争吵，和谐的关系似乎渐渐远去。其实，这个夏天的妮可阳台的风景，还远未结束呢。

Pleasure At Her Majesty's was the name given to the filmed release of A Poke In The Eye (With A Sharp Stick), the first of the Amnesty International comedy benefit galas. The title is a play on the phrase At Her Majesty's Pleasure (the show was performed at Her Majesty's Theatre, London). In America, the film was originally called Monty Python Meets Beyond the Fringe. 　　This show came to be considered part of the Secret Policeman's Ball series of shows that it inspired, although it pre-dated the first show in the series by three years. 　　The event was organized by a team of three: Monty Python member John Cleese, Amnesty's Assistant Director Peter Luff and Transatlantic Records executive Martin Lewis. It featured the cream of Britain's comedic talent of the era, setting a precedent that would inspire many subsequent Amnesty galas, as well as Comic Relief. The concept was also the inspiration of similar events, also in aid of Amnesty International in countries around the world as far away as Australia, in the case of the Stand Up For Your Rights Comedy Galas. 　　The film consists of both on-stage and back-stage footage, taken from all three nights of the run (1–3 April 1976). 　　Luff and Lewis collaborated on producing the successor show - video-taped in 1977 as The Mermaid Frolics. Then Cleese and Lewis teamed up (with Amnesty's new fundraising director Peter Walker) in 1979 to create The Secret Policeman's Ball - the first show to carry what became the iconic Secret Policeman's Ball title. 　　(from wikipedia)

Pleasure At Her Majesty's was the name given to the filmed release of A Poke In The Eye (With A Sharp Stick), the first of the Amnesty International comedy benefit galas. The title is a play on the phrase At Her Majesty's Pleasure (the show was performed at Her Majesty's Theatre, London). In America, the film was originally called Monty Python Meets Beyond the Fringe. 　　This show came to be considered part of the Secret Policeman's Ball series of shows that it inspired, although it pre-dated the first show in the series by three years. 　　The event was organized by a team of three: Monty Python member John Cleese, Amnesty's Assistant Director Peter Luff and Transatlantic Records executive Martin Lewis. It featured the cream of Britain's comedic talent of the era, setting a precedent that would inspire many subsequent Amnesty galas, as well as Comic Relief. The concept was also the inspiration of similar events, also in aid of Amnesty International in countries around the world as far away as Australia, in the case of the Stand Up For Your Rights Comedy Galas. 　　The film consists of both on-stage and back-stage footage, taken from all three nights of the run (1–3 April 1976). 　　Luff and Lewis collaborated on producing the successor show - video-taped in 1977 as The Mermaid Frolics. Then Cleese and Lewis teamed up (with Amnesty's new fundraising director Peter Walker) in 1979 to create The Secret Policeman's Ball - the first show to carry what became the iconic Secret Policeman's Ball title. 　　(from wikipedia)

魔术师回到家中，发现了一个秘密。他试图悄无声息地解决掉这个麻烦，但是却陷入了巨大的道德困境中。魔术，能帮他完成心灵的救赎吗？

当家花旦因为酬劳问题罢演﹐于是上演“霸王别姬”有王无姬﹐班主急着筹募酬金给花旦﹐可是班中台前幕后都不值花旦的所为。前台跑龙套的拼命拖延时间等待﹐可是台前幕后却认为一个人演不了一台戏﹐于是拉着街外卖唱的女孩走马上任。班主本不答允﹐却敌不过大众所迫﹐最终卖唱歌女处女登台﹐观众大呼叫好﹐也气坏了当家花旦。