电影放映员菅天光暗恋着女教师兰兰，兰兰却嫁给了由父母包办的郭长江。后来，菅天光接受了秀芳的爱，他们定下婚期，秀芳却因病去世。退休前的菅天光放完最后一场电影再次和兰兰相遇……

男子以元神体在神秘空间签到十万年，功德圆满之际，终于得以重返世间。此时，神龙宗已衰落至极，第298代宗主洛璃在运送师傅骨灰途中遭追杀，师姐弟生死未卜，只剩她孤身一人。他出山后，先以神级洗髓丹助洛璃提升，誓要查明追杀神龙宗的背后势力，带领神龙宗强势逆袭，重振昔日辉煌 。

故事发生在华北某山区。遭裁员的笨山（赵本山 饰）巧遇郁郁寡欢的木犊（石国庆 饰），二人在县城贴出广告：山木多功能有限公司承揽婚丧嫁娶、推拿按摩、美容化妆。一时间顾客盈门，可他俩根本不懂广告中所吹项目，被按摩的客人叫声像杀猪，割双眼皮基本靠画，来占卜的人更是被晕得五迷三道。开张第二天，就有人吊着胳膊找他俩算帐，二人落荒而逃。二人逃到乡下，承揽了某乡长为孙子搞的百日庆典，笨山还捎带着接下为张大妈（陈立中 饰）和王二婶（黄素颖 饰）两家结阴亲的活儿。冒充厨师的木犊正为一道广东莱猴脑着急上火，笨山赶忙弄一盘猪脑端上去充数。由于找不到王二婶儿子的坟地，笨山弄一副狗骨头冒充其儿子的遗骨......

故事发生在华北某山区。遭裁员的笨山（赵本山 饰）巧遇郁郁寡欢的木犊（石国庆 饰），二人在县城贴出广告：山木多功能有限公司承揽婚丧嫁娶、推拿按摩、美容化妆。一时间顾客盈门，可他俩根本不懂广告中所吹项目，被按摩的客人叫声像杀猪，割双眼皮基本靠画，来占卜的人更是被晕得五迷三道。开张第二天，就有人吊着胳膊找他俩算帐，二人落荒而逃。二人逃到乡下，承揽了某乡长为孙子搞的百日庆典，笨山还捎带着接下为张大妈（陈立中 饰）和王二婶（黄素颖 饰）两家结阴亲的活儿。冒充厨师的木犊正为一道广东莱猴脑着急上火，笨山赶忙弄一盘猪脑端上去充数。由于找不到王二婶儿子的坟地，笨山弄一副狗骨头冒充其儿子的遗骨......

顾平安来钱塘调查父亲留下的悬案，偶遇正在为缴纳“单身税”发愁的宋诗蕊，二人假扮夫妻开酒楼，在合伙创业的过程里暗生情愫，联手打赢了酒楼商战，还一举挖出了盘踞在钱塘的黑恶势力，帮顾平安父亲的旧案沉冤昭雪。

人生路上，你可否会为谁按下暂停键？这是一趟迫不得已的回乡之旅，北漂的奥利赶回家乡澳门，从小带她长大的奶奶病重，而家人各自忙碌，这让自由职业的奥利成了照顾奶奶的最佳人选。祖孙二人在幸运阁的点滴相处中重拾美好时光，然而事业的停滞让奥利倍感焦虑，似乎奶奶正在成为拖累她的原因……在爱与忍耐等复杂情绪交织下，两代人各自探寻着关于幸福的答案。

由杭州在行影视文化有限公司、陕西西影数码传媒科技有限公司出品，浙江闻道文化创意有限公司、两比特（北京）科技有限公司、南京士多啤梨文化传媒有限公司联合出品，傅闱玮执导，王子妍、陈焱编剧，杨泽、林小宅领衔主演，李泽、杨珺涵主演的古装爱情网剧。

人生路上，你可否会为谁按下暂停键？这是一趟迫不得已的回乡之旅，北漂的奥利赶回家乡澳门，从小带她长大的奶奶病重，而家人各自忙碌，这让自由职业的奥利成了照顾奶奶的最佳人选。祖孙二人在幸运阁的点滴相处中重拾美好时光，然而事业的停滞让奥利倍感焦虑，似乎奶奶正在成为拖累她的原因……在爱与忍耐等复杂情绪交织下，两代人各自探寻着关于幸福的答案。

《阁落》是一部纪录片，透过平实的观察和记录，呈现了两位居住在旺角天桥上的露宿者日常的生活故事。他们每日面临着如何维持生存的重重挑战，但仍然互相交流和帮助。在这纷攘的都市中，他们只能依靠自己的力量来应对困境，并形成了一种特殊而坚韧的生存方式。本纪录片旨在揭示旺角社区内部边缘化的社会底层人物的生活写照，将那些常被人们忽视的人和事置于前景，呼唤社会大众对贫困和无家可归者处境的关注。

Synopsis 　　Bellmaker Seok-seung (Heo Jang-kang), whose most famous handiwork is the legendary bell of Goryeong Temple, is living out his old age at a temple with a young woman named Young-sil (Moon Jeong-suk) as his neighbor. One day, Young-sil hears about Seok-seung's past. 　　The grandson of a famous bellmaker, Seok-seung works as a servant. He promises his lover Ok-bun (Moon Jeong-suk) that he will make a bell with the most beautiful sound in the world, and when Ok-bun suddenly dies, he sets about fulfilling his promise to her. He studies bellmaking for over a decade. Wandering the country following his teacher's death, Seok-seung meets a widow (Moon Jeong-suk) and settles down with her. His grandfather had committed suicide after losing to a rival bellmaker; Seok-seung steals the bell made by the rival artisan along with his grandfather's bell and runs off with them. While he is endeavoring to create the world's finest bell, his wife dies in childbirth. Continuing his pursuit of the perfect bell, Seok-seung finally succeeds in forging the most beautiful-sounding bell in the world by melting his grandfather's bell and the rival artisan's bell together, but he loses his daughter. 　　Meanwhile, as she listens to Seok-seung's tale, Young-sil begins to wonder if he is actually her long-lost father. Growing up as an orphan, she remembers hearing that her father was also a bellmaker. At the time, Japan is fighting in the Second World War and commandeering all the iron in Korea for its military campaign. The bell at Goryeong Temple also comes under threat of seizure. Fearing for its fate, Seok-seung tries to remove the bell and hide it, but falls down a cliff in the attempt and draws his last breath in Young-sil's arms. 　　Notes 　　Alternating between present and past through Seok-seung's and Young-sil's flashbacks, The Bell Tower relies on voice-over narration by each character to tell the story of their lives. This device gives the audience the impression of listening to an old tale. The Bell Tower may well be the first major Korean film to employ a structure that combines voice-over narration with flashback sequences. As revealed in film reviews of the time, The Bell Tower affords glimpses of the considerable effort the filmmakers put into, instilling something "uniquely Korean" in its content and imagery. It is an impressive movie that unostentatiously depicts the premodern artisan's stubborn passion for his work and the realizations and regrets brought about by time. The performances of Heo Jang-kang and Moon Jeong-suk, the latter delivering an impassioned turn in three different roles, also make The Bell Tower a standout. It is the first Korean film to be made for submission to foreign film festivals.