Four centuries before the beginning of our era, Aristofanes wrote the comedy Ornithes . In it, two men leave their birthplace in search of a better life. They arrive in the forest of the birds and meet Hoopoe, the man who has become a bird. 　　This Greek comedy is a reverie, a voyage of discovery, an essay and perhaps also an indictment. The film mixes talking heads with theater, street scenes and beautiful views. The foundation is a desire for freedom but also the obstacles that humanity imposes on itself to find that freedom; walls around a country, social conventions, rules. Children rock to feel the tingling in their belly, that evolutionary reminder of what it was like to whiz through the air. 　　You can go in all directions in the air, says the man who no longer wants to walk but flies. "Gravity is mortality," says another. Meanwhile, two men go looking for bird man Hoopoe. 　　_____________________ 　　A hybrid film, at the edge of documentary, fiction, and political fantasy, by cinematographer Babis Makridis, of “L” (Sundance Film Festival 2012) and “Pity” (Sundance Film Festival 2018, Best Film, Greek Film Academy 2019). 　　The film “The Birds or how to be one” draws its inspiration from the archetypical myth of Aristophanes’s “The Birds,” Nikos Karathanos’s production, and its participants, filming them off stage, in real spaces and natural environments—from lava fields in Iceland to the plateaus of Patagonia, and from Times Square to the Egyptian pyramids. Everything takes place in a universe of fluid “everyday” routine, among theater PEOPLE, ornithologists, and pragmatic recluses who all dream of flying. 　　The film will have its world premiere at the Voices section of the International Film Festival Rotterdam 2020. The section presents "movies driven by powerful stories, captivating subjects and important themes. Each film brings a distinctive view of the world, from filmmakers with a confident voice". The movie was also part of Work in Progress by Les Arc Festival 2019, while in January 2020 it will be presented at Santiago a Mil Festival in Chile, together with the updated edition of "The Birds" performance by Nikos Karathanos.

这部片子围绕着错综复杂的四角关系展开，片名即是主题，四位主人公都在纠结自己究竟该如何选择。安纳德是一位事业有成的商人，他有一位美丽可人的妻子卡维塔和可爱的女儿妮赫，一家三口幸福地生活在一起。他们有一位挚友苏摩，是一位浪漫主义诗人，经常与安纳德一家在一起。苏摩曾在大学期间想要追求卡维塔，但看到卡维塔与安纳德情投意合，便将这份爱深藏于心，通过诗歌抒发。（在印地语中“卡维塔”就是“诗歌”的意思）然而原本美好的生活因一位名叫兰迪塔的女子的到来而打乱。兰迪塔声称自己是妮赫的亲生母亲，因为太过思念女儿而来探望。原来妮赫是卡维塔当初在意外流产后和安纳德从福利院领养的。兰迪塔的真诚善良感染了卡维塔，她未婚生子被迫母女分离的遭遇也让卡维塔十分同情。安纳德出差回家后，卡维塔介绍他认识兰迪塔。岂不料两人刚见面都惊得目瞪口呆。原来安纳德曾在火车上救过兰迪塔，并与她发生了一夜情，妮赫是他们的孩子！此时还蒙在鼓里的卡维塔正在撺掇对兰迪塔有意思的苏摩追求兰迪塔。安纳德陷入了两难抉择，兰迪塔亦是。一次，卡维塔撞见安纳德在安慰兰迪塔，质疑他们过分亲密。安纳德在万分紧急之时将实情全盘托出，不料激起了卡维塔更强的愤怒。得知此事的苏摩将卡维塔接到自己家中，并积极劝说她和安纳德离婚。妮赫成为大家关注的焦点，谁也不愿意失去她。为了维系婚姻，安纳德忍痛答应将妮赫还给兰迪塔。妮赫离开的晚上，安纳德和卡维塔失落地回到家中，承受着失女之痛，然而他们却突然听到了妮赫的声音......

march和sprite（荷尔蒙）是一对情侣，可是交往两个月，连手都没牵过，sprite认为march不开窍，所以想方设法想和march牵手，最终在无意中达成了愿望；而另外一对则是phai（荷尔蒙）一直暗恋着Gae，每天托人给她送石榴汁，就这样gae一直寻找到底是谁送的，后来终究发现确实自己身边的phai送的；另外一对这是比较敏感的同志爱情故事，lek（会更好的）一直偷偷喜欢gui，每天都送蛋烘糕给他吃，一起打球，一起玩游戏，，一起看电影，度过了美好的高中，可是毕业的时候，lek表白了，可是两人终究没在一起，毕业后一个在清迈，一个在曼谷，最终两人会在一起吗？请看完电影。谢谢！

DW记者跟拍了分属三个阶层的代表人物长达6个月的时间，他们分别是代表新贵的Christoph Gröner的富豪，代表中产阶级的Thomas Clauss和代表贵族阶层的“冯先生”。通过他们的经历，向人们揭示了德国社会不平等的现状和思考。 　　Germany is one of the world’s richest countries, but inequality is on the rise. While the power elite are pulling ahead, the poor are falling behind at an ever more rapid rate. Meanwhile, the middle classes is shrinking at an ever-increasing rate too. Hard work no longer leads to advancement. This trend is being reflected across Europe and North America too. Here, the filmmakers interview leading researchers and experts on the topic, and also shadow members of the super class, including the German real estate mogul, Christoph Gröner, who believes that, “Entrepreneurs are more powerful than politicians, because we’re more independent.” This film takes a close look at the lives and mentality of the ultra rich, and evaluates their own narrow worldview, as well as how they view themselves as fit to rule over the rest of the population.

萨冈作为恶之魔术师而被人们所恐惧。笨拙且不会讲话的他，今天也在一边进行魔术研究一边抓领地内的贼。这样的他在地下拍卖会所见到的，是有着绝世美貌的白色奴隶精灵少女涅菲。对她一见钟情的萨冈倾家荡产将涅菲买下，然而不善言辞的他不知道接下来该怎么应对涅菲。就这样，不知道如何传达爱意的魔术师，与倾慕着主人却不知如何传述的奴隶，笨拙的二人的共同生活开始了……

法蒂玛是一个出生在多伦多的现代穆斯林女孩，成长在一个文化混杂、信息混杂的家庭，她在这个世界上扮演着怎样的角色。她被吸进了一个性感的滑稽歌舞表演的赋权世界，并释放了她的勇敢和自信的滑稽身份，“巴比伦”。然后她必须使旧的自己和新的自己和睦相处。

这个故事围绕着居住在邻里社区的小人物，在培训中心和迷你市场工作。这一群来自社会基层的小人物，受的教育不高，有的坐过牢，有的中年转业或老年彷徨病痛，生活中看似毫无希望。期许通过剧中的故事，带出只要不放弃，人生就有希望的信息。 这是一部轻松又温馨的戏剧，人物形形色色，可以展示出不同阶层的新加坡人。剧中人物包括，Ｈｏｐｅ培训中心老板钟灵（潘玲玲）以及“天天来” 迷你市场的老板娘洪大彩（鐘琴），看看她们是如何平衡事业以及复杂的感情生活@HD一条街

在这个世界，男主角「萨冈」作为恶之魔术师而被人们所恐惧。笨拙且不会讲话的他，今天也在一边进行魔术研究，一边扫荡领地内的盗贼。这样的他在地下拍卖会所见到的，是有着绝世美貌的白色奴隶精灵少女「涅菲」。对她一见钟情的萨冈倾家荡产将涅菲买下，然而不善言辞的他不知道接下来该怎么应对涅菲。就这样，不知道如何传达爱意的魔术师，与倾慕着主人却不知如何传述的奴隶，笨拙的两人的共同生活开始了……

范·迪塞尔将主演STX动作喜剧新片[超强实力](Muscle，暂译)，制作人拜伦·菲利普斯欲将其打造成系列电影，目前剧情暂不得知。

范·迪塞尔将主演STX动作喜剧新片[超强实力](Muscle，暂译)，制作人拜伦·菲利普斯欲将其打造成系列电影，目前剧情暂不得知。