At 17:00 every day, Andrew, a middle-aged man, drives home from work through Melbourne’s outer suburbs in peak-hour traffic. Occasionally, he offers a lift home to a younger colleague, David. Over a year, their tentative small talk gives way to a warm friendship and open conversation within the confines of the vehicle, incrementally revealing their lives. 　　One may wonder what a three-hour film, set almost entirely in a car and shot with a fixed camera from the back, can deliver? The answer is an unexpectedly engaging and entertaining observation of the rhythms of daily life, and a catalogue of suburban worries. In sensorial terms, The Plains charts the passage of time as the seasons change. The pitter-patter of rain and the familiar cocoon of the car provide a sense of comfort and safety from the outside elements. The car is the liminal space between work and home, as the day is pondered, the night planned. Documentary elements exist beyond the windscreen, as a fiction courses through the vehicle. The Plains is a road movie unlike anything you have seen before.

At 17:00 every day, Andrew, a middle-aged man, drives home from work through Melbourne’s outer suburbs in peak-hour traffic. Occasionally, he offers a lift home to a younger colleague, David. Over a year, their tentative small talk gives way to a warm friendship and open conversation within the confines of the vehicle, incrementally revealing their lives. 　　One may wonder what a three-hour film, set almost entirely in a car and shot with a fixed camera from the back, can deliver? The answer is an unexpectedly engaging and entertaining observation of the rhythms of daily life, and a catalogue of suburban worries. In sensorial terms, The Plains charts the passage of time as the seasons change. The pitter-patter of rain and the familiar cocoon of the car provide a sense of comfort and safety from the outside elements. The car is the liminal space between work and home, as the day is pondered, the night planned. Documentary elements exist beyond the windscreen, as a fiction courses through the vehicle. The Plains is a road movie unlike anything you have seen before.

A troubled man runs away to Mexico and is recruited to join a paramilitary group of teens fighting the drug cartels. He proves himself to the group, but questions their motive.

在大时代的历史变迁下，三位青年从梅陵小镇而来，历经商、政、警界的一生，怀揣着各自的秘密，最终他们又将归向何处?

暂无剧情简介

一次意外，战友为保护龙战不幸牺牲，龙战也因指挥失误被提前停职退役，带着战友的临终遗言来到了其家乡云南边境做起了邮差，此时的金三角毒品交易不断扩张入境，一起绑架案让龙战挺身而出，没想到也因此卷入了一场惊天密谋。 面对贩毒团伙的威逼利诱，龙战能否保持军人的使命与初心，协助警方侦破大案？

一次意外，战友为保护龙战不幸牺牲，龙战也因指挥失误被提前停职退役，带着战友的临终遗言来到了其家乡云南边境做起了邮差，此时的金三角毒品交易不断扩张入境，一起绑架案让龙战挺身而出，没想到也因此卷入了一场惊天密谋。 面对贩毒团伙的威逼利诱，龙战能否保持军人的使命与初心，协助警方侦破大案？

1948年，解放战争进入战略决战阶段，国民党政权濒临全面崩溃。为挽回败局，加强西南地区的军政部署，蒋介石采用“黔人治黔”的方法，调遣他认为可依赖的原宪兵司令、安顺人谷正伦为贵州省主席兼全省保安司令，原首都警察厅厅长、安顺人韩文焕为保安副司令，原云南省警备总司令、兴义人何绍周为第六编练司令兼四十九军军长，别动队队长、龙里人刘伯龙为八十九军军长，招兵买马，扩充部队，加强反共部署，企图在贵州作最后的挣扎。

1948年，解放战争进入战略决战阶段，国民党政权濒临全面崩溃。为挽回败局，加强西南地区的军政部署，蒋介石采用“黔人治黔”的方法，调遣他认为可依赖的原宪兵司令、安顺人谷正伦为贵州省主席兼全省保安司令，原首都警察厅厅长、安顺人韩文焕为保安副司令，原云南省警备总司令、兴义人何绍周为第六编练司令兼四十九军军长，别动队队长、龙里人刘伯龙为八十九军军长，招兵买马，扩充部队，加强反共部署，企图在贵州作最后的挣扎。