One man's dreams are answered with troubling realities in this downbeat drama from expatriate American filmmaker and activist Robert Kramer. Ben, a man from an unnamed Middle Eastern nation, left his homeland in his youth and went to France in hopes of making a better life for himself. Hardly finding immediate success or an open welcome in his new land, Ben found himself working a series of menial, back-breaking jobs, while trying to send as much money as he could to his family at home. In time, he saved enough to open his own business, and rose to a modest level of success as he watched over his fruit market, got married, and started a family. But Ben's small success is built on shaky ground. When he gets word that his mother has fallen into difficult circumstances, he goes home to visit her. Upon his return, he discovers that his business has collapsed in his absence, and his wife has left him; fate becomes even more cruel when an accident robs him of his sight. Cites de la Plaine was the final feature from Robert Kramer; the film debuted at the 2000 Cannes Film Festival, several months after Kramer passed on while completing the final edit.

One man's dreams are answered with troubling realities in this downbeat drama from expatriate American filmmaker and activist Robert Kramer. Ben, a man from an unnamed Middle Eastern nation, left his homeland in his youth and went to France in hopes of making a better life for himself. Hardly finding immediate success or an open welcome in his new land, Ben found himself working a series of menial, back-breaking jobs, while trying to send as much money as he could to his family at home. In time, he saved enough to open his own business, and rose to a modest level of success as he watched over his fruit market, got married, and started a family. But Ben's small success is built on shaky ground. When he gets word that his mother has fallen into difficult circumstances, he goes home to visit her. Upon his return, he discovers that his business has collapsed in his absence, and his wife has left him; fate becomes even more cruel when an accident robs him of his sight. Cites de la Plaine was the final feature from Robert Kramer; the film debuted at the 2000 Cannes Film Festival, several months after Kramer passed on while completing the final edit.

At 17:00 every day, Andrew, a middle-aged man, drives home from work through Melbourne’s outer suburbs in peak-hour traffic. Occasionally, he offers a lift home to a younger colleague, David. Over a year, their tentative small talk gives way to a warm friendship and open conversation within the confines of the vehicle, incrementally revealing their lives. 　　One may wonder what a three-hour film, set almost entirely in a car and shot with a fixed camera from the back, can deliver? The answer is an unexpectedly engaging and entertaining observation of the rhythms of daily life, and a catalogue of suburban worries. In sensorial terms, The Plains charts the passage of time as the seasons change. The pitter-patter of rain and the familiar cocoon of the car provide a sense of comfort and safety from the outside elements. The car is the liminal space between work and home, as the day is pondered, the night planned. Documentary elements exist beyond the windscreen, as a fiction courses through the vehicle. The Plains is a road movie unlike anything you have seen before.

At 17:00 every day, Andrew, a middle-aged man, drives home from work through Melbourne’s outer suburbs in peak-hour traffic. Occasionally, he offers a lift home to a younger colleague, David. Over a year, their tentative small talk gives way to a warm friendship and open conversation within the confines of the vehicle, incrementally revealing their lives. 　　One may wonder what a three-hour film, set almost entirely in a car and shot with a fixed camera from the back, can deliver? The answer is an unexpectedly engaging and entertaining observation of the rhythms of daily life, and a catalogue of suburban worries. In sensorial terms, The Plains charts the passage of time as the seasons change. The pitter-patter of rain and the familiar cocoon of the car provide a sense of comfort and safety from the outside elements. The car is the liminal space between work and home, as the day is pondered, the night planned. Documentary elements exist beyond the windscreen, as a fiction courses through the vehicle. The Plains is a road movie unlike anything you have seen before.

A troubled man runs away to Mexico and is recruited to join a paramilitary group of teens fighting the drug cartels. He proves himself to the group, but questions their motive.

在大时代的历史变迁下，三位青年从梅陵小镇而来，历经商、政、警界的一生，怀揣着各自的秘密，最终他们又将归向何处?

暂无剧情简介

这是一个描述二战时期的加拿大飞行员比尔（格利高里·派克 Gregory Peck 饰）的故事，他在执行任务期间受到了抑郁症的困扰。随着战争的残酷展开，许多士兵都面临心理创伤，比尔也不例外。为了帮助他治疗，一名随军的医生向他介绍了一位缅甸女孩安娜（Win Min Than 饰）。安娜可能代表了比尔生活中的新的开始和希望，作为一位文化不同的陪伴者，她可能会对比尔的情绪和心理状况产生积极影响。 　　然而，事情变得更加复杂，当他们执行一次运输任务时，飞机出现故障，迫使机组成员不得不进行紧急迫降。这一事件导致比尔和其他两名机组成员被困在日军占领的领土上，而且两名成员还负伤。由于危险的情况，他们只能依靠自己的力量和资源，徒步试图返回到自己的基地。

抗日战争时期冀中平原地区中国共产党领导抗日军民与日寇、汉奸殊死搏杀。年轻的八路军干部马英奉命回到家乡肖家镇，发动群众，组织抗日队伍。汉奸杨百顺…