Jaydon Martin’s feature directorial debut combines fiction and documentary to present a compassionate portrait of blue-collar life in Australia. Cass Cumerford has borne more than his fair share of setbacks in life. Now in his seventies, he decides to return to his childhood home of Bundaberg, a small city famous for its rum, in Queensland. Through conversations with the strangers he encounters and the friends he makes, Cass gradually reveals the events that have shaped his life – the mistakes he has made, the moments of joy and the grief that weighs him down. 　　Drawing on the lives and past of a rich panoply of characters in Bundaberg, Martin creates an environment that allows those in front of the camera to perform – summoning the fabric of their lives to interact with others, with subjects that range from addiction, race, faith and the forces that bind and repel us. Shot in crisp monochrome, Flathead traverses its landscape in search of a country that rarely appears in the headlines or on screen. In doing so, it becomes a vital, spirited and poignant portrait of community life.

Jaydon Martin’s feature directorial debut combines fiction and documentary to present a compassionate portrait of blue-collar life in Australia. Cass Cumerford has borne more than his fair share of setbacks in life. Now in his seventies, he decides to return to his childhood home of Bundaberg, a small city famous for its rum, in Queensland. Through conversations with the strangers he encounters and the friends he makes, Cass gradually reveals the events that have shaped his life – the mistakes he has made, the moments of joy and the grief that weighs him down. 　　Drawing on the lives and past of a rich panoply of characters in Bundaberg, Martin creates an environment that allows those in front of the camera to perform – summoning the fabric of their lives to interact with others, with subjects that range from addiction, race, faith and the forces that bind and repel us. Shot in crisp monochrome, Flathead traverses its landscape in search of a country that rarely appears in the headlines or on screen. In doing so, it becomes a vital, spirited and poignant portrait of community life.

一只蜜獾和朋友们的沙雕日常。

【影片片商】：青苹果影视公司. 　　范伟平是保险公司销售经理，有一位漂亮且深爱自己的老婆。一天总部给范伟平安排了一位女助手，女助手很有一套，销售业绩蒸蒸日上，范伟平对其刮目相看也产生好感。在女助手的建议下范伟平开始注重衣着打扮，同时也引起了老婆的注意。范伟平和女助手突破男女关系后，女助手就消失了。这使得范伟平魂不守舍，坐立不安。范伟平在女助手家等到女助手，却遭到女助手的一番羞辱。范离开后，女助手被人杀害，范是第一嫌疑人。法庭上因证据不足被无罪释放。 　　一日，范在自己花园翻土时发现一个袋子，打开一看，范惊呆了，里面是自己送给女助手的一套内衣和一张二人合影。

【影片片商】：青苹果影视公司. 　　范伟平是保险公司销售经理，有一位漂亮且深爱自己的老婆。一天总部给范伟平安排了一位女助手，女助手很有一套，销售业绩蒸蒸日上，范伟平对其刮目相看也产生好感。在女助手的建议下范伟平开始注重衣着打扮，同时也引起了老婆的注意。范伟平和女助手突破男女关系后，女助手就消失了。这使得范伟平魂不守舍，坐立不安。范伟平在女助手家等到女助手，却遭到女助手的一番羞辱。范离开后，女助手被人杀害，范是第一嫌疑人。法庭上因证据不足被无罪释放。 　　一日，范在自己花园翻土时发现一个袋子，打开一看，范惊呆了，里面是自己送给女助手的一套内衣和一张二人合影。

1937年秋，上海沦陷前夕，“亚洲第一香”的花城汪公馆陷入前所未有的迷茫与恐惧，汪太太和丈夫汪大酉预感花城将成地狱，要将儿女送出城去。汪家少爷汪立伦和三位妹妹却因种种原因不想出城，一时迷雾重重，凶险四伏。汪立伦对身边的凶险毫不知情，充满幻想，要拍一部爱情电影。为应付汪太太和汪大酉包办的婚姻，他逼御香坊女工黄喜喜当他的契约女友，两人后来假戏成真，由憎生爱。他发现偶像明星王琦儿是汪大酉的“情人”汪太太口里的“狐狸精”，痛苦不堪，大病一场后在喜喜感召下振作起来。不想导演请来的女一号竟是王琦儿，经过种种磨擦后才消除误解。原来王琦儿是中共地下组织的人，接近汪立伦进入汪公馆也是党的任务。汪太太是御香坊传人，深具炼香天赋，曾赴日深造，被卷入日军阴谋。她在霍医生催眠下，可怕的记忆渐渐苏醒，成了她心里的“伤疤”。

《地下香》是旅法导演鹏飞的处女作，导演旅法学习电影八年，曾与洪尚秀、蔡明亮一起工作。 威尼斯电影节的选片人评论道，“影片就像诗一般美丽，难以相信是导演的第一部作品。”《地下香》着眼于都市小人物的生活，把更多的关注点投向了人性中积极的一面，影片旨在向世界呈现出一个现代的正面的中国形象。

为谋求公平并从吃力不讨好的工作中获利，一名工厂工人密谋在雇主眼皮子底下走私奢侈香水。

为谋求公平并从吃力不讨好的工作中获利，一名工厂工人密谋在雇主眼皮子底下走私奢侈香水。