在一个带着几分忧愁的清冷雨夜，孤独的男子独自待在家中打发无聊的时光，喂喂鱼、刮刮胡子、眺望窗外，一切枯燥至极。电视里正播放一出警匪片，男子有一搭无一搭地看着。吃完饭他起身出门，准备修理附近损坏的电缆。谁知原本平凡简单的活计，阴差阳错竟使电视中的劫匪跑到现实世界中。一场充满奇幻的大冒险就此展开…… 　　本片荣获1998年安卡拉国际电影节最佳国际动画短片奖、1998年克拉科夫电影节银龙奖、1997年爱丁堡国际电影节最佳英国动画奖、1998年墨尔本国际电影节最佳动画短片奖、1999年波兰国际电影节观众奖最佳短片、1998年萨格勒布世界动画电影节观众奖和第一名。

It’s been roughly 30 years since the desktop computer revolutionized the way the graphic design industry works. For decades before that, it was the hands of industrious workers, and various ingenious machines and tools that brought type and image together on meticulously prepared paste-up boards, before they were sent to the printer. 　　The documentary, Graphic Means, which is now in production, will explore graphic design production of the 1950s through the 1990s—from linecaster to photocomposition, and from paste-up to PDF.

El Planeta is a dark comedy exploring contemporary poverty, female desire, and the always complicated filial relationships of mothers and daughters. A daughter forced to return home after the death of her father, reconnects with her eccentric mother, hustling to maintain the semblances of their middle-class lifestyle in the face of an impending eviction. Over the course of the week we watch as the daughter's hopes are tested as she attempts to use her sexuality as a means of escape. meanwhile the mother grifts her way into definite security -the care of a jail cell.

El Planeta is a dark comedy exploring contemporary poverty, female desire, and the always complicated filial relationships of mothers and daughters. A daughter forced to return home after the death of her father, reconnects with her eccentric mother, hustling to maintain the semblances of their middle-class lifestyle in the face of an impending eviction. Over the course of the week we watch as the daughter's hopes are tested as she attempts to use her sexuality as a means of escape. meanwhile the mother grifts her way into definite security -the care of a jail cell.

关注1848年匈牙利革命中的petőfi 事件，奥地利军队中的一名军官站起来为国家独立而战

极端气候引起海平面上升，一名科学家警告人类一场足以毁灭地球的大洪水将要到来，但惨遭无视。于是他自己建造了一艘方舟。灾难到来时，那些曾经嘲笑科学家的人终于醒悟，向他求助。人们登上他的大船，在陆地被海洋吞噬前寻求求生的最后希望。

一位科学家在发出摧毁地球洪水的警告后，建造了一艘巨大的方舟。当灾难要发生时，那些诋毁科学家的人都绝望地转向他，想要登上方舟，在世界淹没在无尽的海洋之前，寻求生存下来的希望...

The documentary maps more than a hundred years of Czech visual culture, offers stories of well-known and lesser-known brands and shows that top graphic art is still being created in the Czech Republic today. The film is guided by Nicho Lowry, an American native with Czech roots, an avid collector and graphic design lover who embarks on an adventurous journey in the footsteps of the best of Czech visual culture. During his journey, he meets a number of contemporary graphic designers, as well as the legacy of icons who have passed away, many of whom have succeeded abroad. The film will lead Nich to his own roots through the uncovering of Czech identity and will introduce Czech graphic design to those who do not know the Czech Republic.

2003年的北京，赵小桃坐在单轨列车上给过去的男朋友打电话，声称要去印度。小桃的前男友则告诉小桃自己要去乌兰巴托。而实际上，赵小桃所说的印度是北京世界公园微缩景点中的印度，她那里为游人跳舞表演。前男友要去的乌兰巴托则比北京更往北的蒙古国的首都。二人约着相见，一起吃饭，小饭馆里烟雾弥漫，似乎能掩饰这种告别的忧伤。赵小桃又坐在单轨列车上给现在的男朋友成太生打电话，她说她想见他。成太生是世界公园的保安队长，正在微缩的艾菲尔铁塔上执勤。赵小桃与成太生都来自外地，住在公园里，一起工作、吃饭、游荡、……他们在这座城市里幻想、相爱、争吵、和解。北京城喧嚣的噪音，让人兴奋或是沉默。在这座布满微缩景观的公园内，从金字塔到曼哈顿只需十秒钟，世界其实就是角落。

2003年的北京，赵小桃坐在单轨列车上给过去的男朋友打电话，声称要去印度。小桃的前男友则告诉小桃自己要去乌兰巴托。而实际上，赵小桃所说的印度是北京世界公园微缩景点中的印度，她那里为游人跳舞表演。前男友要去的乌兰巴托则比北京更往北的蒙古国的首都。二人约着相见，一起吃饭，小饭馆里烟雾弥漫，似乎能掩饰这种告别的忧伤。赵小桃又坐在单轨列车上给现在的男朋友成太生打电话，她说她想见他。成太生是世界公园的保安队长，正在微缩的艾菲尔铁塔上执勤。赵小桃与成太生都来自外地，住在公园里，一起工作、吃饭、游荡、……他们在这座城市里幻想、相爱、争吵、和解。北京城喧嚣的噪音，让人兴奋或是沉默。在这座布满微缩景观的公园内，从金字塔到曼哈顿只需十秒钟，世界其实就是角落。