大约 30 年前，台式电脑彻底改变了平面设计行业的运作方式。在此之前的几十年里，勤劳的工人用双手以及各种精巧的机器和工具将字体和图像组合在精心准备的拼贴板上，然后送到印刷厂。 　　《Graphic Means》探索了 20 世纪 50 年代到 90 年代的平面设计制作——从线刻机到照相排版，从拼贴到 PDF。

The documentary maps more than a hundred years of Czech visual culture, offers stories of well-known and lesser-known brands and shows that top graphic art is still being created in the Czech Republic today. The film is guided by Nicho Lowry, an American native with Czech roots, an avid collector and graphic design lover who embarks on an adventurous journey in the footsteps of the best of Czech visual culture. During his journey, he meets a number of contemporary graphic designers, as well as the legacy of icons who have passed away, many of whom have succeeded abroad. The film will lead Nich to his own roots through the uncovering of Czech identity and will introduce Czech graphic design to those who do not know the Czech Republic.

It’s been roughly 30 years since the desktop computer revolutionized the way the graphic design industry works. For decades before that, it was the hands of industrious workers, and various ingenious machines and tools that brought type and image together on meticulously prepared paste-up boards, before they were sent to the printer. 　　The documentary, Graphic Means, which is now in production, will explore graphic design production of the 1950s through the 1990s—from linecaster to photocomposition, and from paste-up to PDF.

El Planeta is a dark comedy exploring contemporary poverty, female desire, and the always complicated filial relationships of mothers and daughters. A daughter forced to return home after the death of her father, reconnects with her eccentric mother, hustling to maintain the semblances of their middle-class lifestyle in the face of an impending eviction. Over the course of the week we watch as the daughter's hopes are tested as she attempts to use her sexuality as a means of escape. meanwhile the mother grifts her way into definite security -the care of a jail cell.

El Planeta is a dark comedy exploring contemporary poverty, female desire, and the always complicated filial relationships of mothers and daughters. A daughter forced to return home after the death of her father, reconnects with her eccentric mother, hustling to maintain the semblances of their middle-class lifestyle in the face of an impending eviction. Over the course of the week we watch as the daughter's hopes are tested as she attempts to use her sexuality as a means of escape. meanwhile the mother grifts her way into definite security -the care of a jail cell.

优渥的三人中产家庭，晚餐都在沉默对峙中度过。操场上一次伤人事故，涂伟把受伤同学严硕带进自己的家。神秘、寡言、上进，自少丧母兼遭父虐待的少年，渐成家中常客，更得父母欢心。在原生家庭的权力三角被打破，每人在寻找新平衡点时，压抑情感、落空欲望与隐藏秘密暗被释放，家的意涵须重新定义。影片入围柏林面面观及圣丹斯电影节，新锐导演林见捷首作借悬疑类型片的外壳，将二孩政策对现代家庭的影响置于显微镜下，以敏锐目光细看人际关系的变形。

优渥的三人中产家庭，晚餐都在沉默对峙中度过。操场上一次伤人事故，涂伟把受伤同学严硕带进自己的家。神秘、寡言、上进，自少丧母还遭父虐待的少年，逐渐成为家中常客，更得父母欢心。原生家庭的权力三角被打破，每人在寻找新平衡点时，压抑的情感、落空的欲望与隐藏的秘密被暗暗释放，家的含义须重新定义。

讲述了十几岁的诺拉和她极具魅力的父亲克林特一起住在面包车里长大，两个游牧民族对抗世界的故事。当悲剧发生时，诺拉必须独自面对人生的现实，她需要学会掌控自己的悲伤、她的过去和她的新目的地。

讲述了十几岁的诺拉和她极具魅力的父亲克林特一起住在面包车里长大，两个游牧民族对抗世界的故事。当悲剧发生时，诺拉必须独自面对人生的现实，她需要学会掌控自己的悲伤、她的过去和她的新目的地。