东京的平凡角落，普普通通的佐藤家兄妹相守度日。初中毕业干起修路工大哥佐藤旭（妻夫木聪 饰）凭一己之力拉扯弟妹长大，因共同的爱好他和美丽善良的盒饭店服务员泽边梓（苍井优 饰）走到一起。当年因诈骗入狱的老二晓（瑛太 饰）重获自由，几经辗转在受害者的女儿屋代多香子（长泽雅美 饰）的田里帮忙。唯一一个女孩阿光（满岛光 饰）担任妇产科护士，与和大哥从小一起长大的医生新城正臣（吉冈秀隆 饰）发展出不伦关系。热爱表演不惜放弃学业的佐藤阳（柄本佑 饰）和弟弟旦（野村周平 饰）同在一个学习班的女孩永原香澄（桥本爱 饰）偶然相逢，他将这个擅长表演的女孩拉入自己的剧团。 　　佐藤家的孩子执拗善良，冲动率真，兄妹们用各自的人生为新世纪的年轻人们写下注脚……

东京的平凡角落，普普通通的佐藤家兄妹相守度日。初中毕业干起修路工大哥佐藤旭（妻夫木聪 饰）凭一己之力拉扯弟妹长大，因共同的爱好他和美丽善良的盒饭店服务员泽边梓（苍井优 饰）走到一起。当年因诈骗入狱的老二晓（瑛太 饰）重获自由，几经辗转在受害者的女儿屋代多香子（长泽雅美 饰）的田里帮忙。唯一一个女孩阿光（满岛光 饰）担任妇产科护士，与和大哥从小一起长大的医生新城正臣（吉冈秀隆 饰）发展出不伦关系。热爱表演不惜放弃学业的佐藤阳（柄本佑 饰）和弟弟旦（野村周平 饰）同在一个学习班的女孩永原香澄（桥本爱 饰）偶然相逢，他将这个擅长表演的女孩拉入自己的剧团。 　　佐藤家的孩子执拗善良，冲动率真，兄妹们用各自的人生为新世纪的年轻人们写下注脚……

内山によるオリジナル脚本をもとに、重くのしかかる家族の問題と自身の人生とのはざまでもがき苦しむ兄弟の姿を描いた本作。主人公は死んだ父の借金返済に追われ、難病の母を介護しながら、昼は工事現場、夜は両親が開いたカラオケバーで働く風間彩人だ。弟の壮平は父の背中を追って始めた総合格闘技の選手として練習に明け暮れる。息の詰まるような生活に蝕まれながらも、恋人とのささやかな幸せを願う彩人。しかし、彼らの日常は、親友の結婚を祝う宴会の夜、思いもよらぬ暴力によって壊れていく。

Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... 　　 　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. 　　 　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. 　　 　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. 　　 　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

本作は東京で生きる若者の“人生最大の恋”、そして何者にもなれぬまま大人になっていくことへの葛藤を描く青春譚。

本作は東京で生きる若者の“人生最大の恋”、そして何者にもなれぬまま大人になっていくことへの葛藤を描く青春譚。

20世纪60年代，从战争阴影中走出的日本进入复苏的第十个年头，而社会也有此进入动荡不安的阶段，各种思潮激烈碰撞，人人都在时代的迷雾中失去方向。在共产主义思想蔚然成风之际，推崇新民主主义的学生持丸博（涉川清彦 饰）、森田必胜（满岛真之介 饰）等人走到一起。以此为契机，他们结识了业已成名的战后日本文学界代表人物三岛由纪夫（井浦新 饰）。三岛推崇“尊皇讨奸”的复古思想，强力鼓吹自卫队重拾大和民族和武士阶级的自豪感。然而他的声音除了其所成立的楯之会热血青年应声附和外，鲜少得到认同。 　　跨越了波澜澎湃的十年，1970年11月25日这天，看不到未来的三岛带着森田、古贺浩靖（岩间天嗣 饰）、小贺正义（永冈佑 饰）、小川正洋（铃之助 饰）等4名年轻人，朝着人生最重要的时刻迈进……

称霸世界最高峰的赛事，就能称霸世界市场。 　　英格兰与爱尔兰间的海上岛屿--马恩岛，这里是世界最难摩托赛事的圣地。 　　一圈60公里 ，219个刁钻的弯道，海上突然刮来的狂风，还有山中的大雾，死者不断。 　　43年前，有一家不自量力挑战这项赛事的小公司，社长是被称为“老爹”的本田宗一郎，站在橘子箱上说，让我们给战败的日本人们梦想吧。 　　第一次挑战，结果惨败，宗一郎哭了。 　　就在那时，有一群年轻人立誓，要成为从井底跃出，在世界上有战斗力的青蛙。 　　这是被托付公司命运，为摩托赌上全部的年轻人们万众一心的大决战。

中国深圳郊外的龙华新区，有一处大型职业介绍所“三和人才市场”。 　　周围小巷内，残破建筑物林立，廉价网吧、旅馆、杂货店等百余家店铺鳞次栉比。众多年轻人或在网吧内瞌睡，或露宿街头。 　　本片在绚丽奢华的中国硅谷-深圳，倾听从社会底层支撑着制造业大国的人们的心声，关注在希望和绝望之间挣扎的年轻打工者们的现实。(kamonka)