音乐生李梦舒即将参加钢琴大赛，然而老师张风佑给她选的参赛曲目正是她的失恋阴影，李梦舒在老师的严苛压力下，在练琴过程当中出现幻觉，她最终在自身幻想的引导下，克服了心魔，最终完成了比赛。

香港真的闷透了吗？一个女孩认识了另一个女孩，但却一直不敢相约外出。半年后，在一次的朋友聚会中二人相约去进行一个再认识香港的活动；她们佯装成初来乍到的观光客，用一日的时间用另一角度去感受以为熟识不过的香港。一天过后这个城市外貌依旧，但繁荣急促的城市节奏却阻止不住两颗心的颤动...

香港真的悶透了嗎？一個女孩認識了另一個女孩，但卻一直不敢相約外出。半年後，在一次的朋友聚會中二人相約去進行一個再認識香港的活動；她們佯裝成初來乍到的觀光客，用一日的時間用另一角度去感受以為熟識不過的香港。一天過後這個城市外貌依舊，但繁榮急促的城市節奏卻阻止不住兩顆心的顫動 ….

北方昆曲剧院创排的宫廷风格昆曲《游园·惊梦》，以汤显祖《牡丹亭》为蓝本，以“梦境”为叙事主线，深入挖掘杜丽娘与柳梦梅超越生死的爱情哲思，展现人类对爱与自由的永恒追求。本片是此演出的舞台纪录电影。

10岁的Alexis正在用的他的观鸟望远镜偷窥某阿姨换衣服,这时候,12岁的Juliet走了进来, 他们进行了一场深入的交谈,然后..................他们互相脱掉了对方的衣服......

Produced by Syrian television, this film remains banned in Syria. The inhabitants of Sadad, a village in the Syrian countryside are seduced by promises that chicken farming will make them rich. After they abandon their usual activities, their investment turns to disaster under the watchful gaze of government officials driving Mercedes cars. Under the guise of documenting chicken farms, the filmmaker delivers a scathing critique of his government, and foretells the massive failure of its policies which have brought poverty and hunger to its people. The original print has been restored and digitized, and subtitled in English especially for this program. 　　http://en.wikipedia.org/wiki/Omar_Amiralay 　　http://www.pardo.ch/1996/festival96/present/parunreg.html 　　This short film is a deeply political, intelligent portrait of rural Syrian life under the Ba'athist regime; it remains banned and even if you are not familiar with Syrian politics you'll sense why – what kind of regime would like to have soundtracks from its political rallies and slogans dubbed over shots of chickens relentlessly, mindlessly pecking away at grain! This despite initially being commissioned by Syrian state TV – what were they thinking?! 　　Amiralay does a lot with audio in this – breaking it up, juxtaposing sections, creating eerie silences and interruptions, and the overall machine-like feel of processing that he wants to convey (people as politically manufactured). In that sense, the film is slightly more pessimistic than "Everyday Life…"; Amiralay seems to be despairing at times of people's ability to resist or disrupt the political machinery; everyone is either a small farmer, a big farmer, or a chicken!

Produced by Syrian television, this film remains banned in Syria. The inhabitants of Sadad, a village in the Syrian countryside are seduced by promises that chicken farming will make them rich. After they abandon their usual activities, their investment turns to disaster under the watchful gaze of government officials driving Mercedes cars. Under the guise of documenting chicken farms, the filmmaker delivers a scathing critique of his government, and foretells the massive failure of its policies which have brought poverty and hunger to its people. The original print has been restored and digitized, and subtitled in English especially for this program. 　　http://en.wikipedia.org/wiki/Omar_Amiralay 　　http://www.pardo.ch/1996/festival96/present/parunreg.html 　　This short film is a deeply political, intelligent portrait of rural Syrian life under the Ba'athist regime; it remains banned and even if you are not familiar with Syrian politics you'll sense why – what kind of regime would like to have soundtracks from its political rallies and slogans dubbed over shots of chickens relentlessly, mindlessly pecking away at grain! This despite initially being commissioned by Syrian state TV – what were they thinking?! 　　Amiralay does a lot with audio in this – breaking it up, juxtaposing sections, creating eerie silences and interruptions, and the overall machine-like feel of processing that he wants to convey (people as politically manufactured). In that sense, the film is slightly more pessimistic than "Everyday Life…"; Amiralay seems to be despairing at times of people's ability to resist or disrupt the political machinery; everyone is either a small farmer, a big farmer, or a chicken!

10岁的Alexis正在用的他的观鸟望远镜偷窥某阿姨换衣服,这时候,12岁的Juliet走了进来, 他们进行了一场深入的交谈,然后..................他们互相脱掉了对方的衣服......