穿越者偷窥真传弟子命运，被流放至云罗别院，激活修炼系统，躺平得经验值升级。他误提剑气诀悟出新境界，修为飙升成代理院主。王之轩仗势欺人，他强势镇压。后别院院主被杀，追凶时林小凡发现劫匪设局引诱气海境修士，这场生死局将颠覆云罗城命运。

穿越者偷窥真传弟子命运，被流放至云罗别院，激活修炼系统，躺平得经验值升级。他误提剑气诀悟出新境界，修为飙升成代理院主。王之轩仗势欺人，他强势镇压。后别院院主被杀，追凶时林小凡发现劫匪设局引诱气海境修士，这场生死局将颠覆云罗城命运。

本剧讲述了步田法律事务所所长步田虎太郎（高杉真宙 饰）继承了父亲的事务所。经过父亲那个拥有众多律师的时代，现在旗下的律师只有虎太郎一人。某天，在法院遇到的可疑女性天童龙美（上白石萌音 饰）突然递给他一个信封。在那个写着“封印者”的信封里，写着对判决结果的预测，而且完全应验了。虽然没有律师经验，但虎太郎和律师助理干利江很欣赏她的远见卓识，决定试着录用龙美为律师。原本就下将棋的龙美，将事件按照将棋的规律去引导解决！?

本作是一部法律剧，讲述能预见百步棋却不懂察言观色的新手律师，与一位只能预见两步棋却过于善良的年轻律师之间的故事。上白石萌音饰演曾被寄予成为首位职业女性棋士厚望，但却转行成为律师的天童竜美，高杉真宙饰演与她搭档的步田虎太郎。继承了父亲律师事务所的律师步田虎太郎在法庭上偶然遇到了天童竜美，对方突然递给他一个写着“封手”的信封。信封内是对判决结果的预测，结果精准命中。虎太郎与他的助理乾利江决定试着雇佣没有律师经验但具备超强预判能力的竜美为律师。竜美将案件比作将棋，通过策略逐一破解谜题。

同作は短編映画プロジェクト「MIRRORLIAR FILMS（ミラーライアーフィルムズ）Season5」の1本。ある日の昼間、誰もいない公園で又吉演じる竜が文庫本を読んでいると、懐かしいにおいが鼻をつくことから物語が展開していく。

同作は短編映画プロジェクト「MIRRORLIAR FILMS（ミラーライアーフィルムズ）Season5」の1本。ある日の昼間、誰もいない公園で又吉演じる竜が文庫本を読んでいると、懐かしいにおいが鼻をつくことから物語が展開していく。

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

インターネットで知り合った昴と香。彼らは心中を図るため、香の故郷である岩手を目指す。ひきこもりの昴は謎の少女、香を前に死に対する自分の思いを再確認していく。

インターネットで知り合った昴と香。彼らは心中を図るため、香の故郷である岩手を目指す。ひきこもりの昴は謎の少女、香を前に死に対する自分の思いを再確認していく。