1995年中国电影学会摄制的《武之舞》22集大型纪录片，对当时中国武侠电影文化进行了系统的概括和评述，非常具有收藏性。当时全国数千家电视台反复轮番播放，但鉴于当时的网络传媒不发达，没有人能共享出来，现在想求之而不得。 　　以下为纪录片中著名解说片段： 　　古代侠士，多为善武重义搏命者，浮生于乱世，名噪于道衰；或立捐躯忘亲之志，或结生死与共之情，故以信义显名于天下，以勇武取重于诸侯。 　　遥望古时，先有《汉书》、《史记》为侠列传，后有唐诗百首颂其英姿。时至近代，国人承传侠义小说之正脉，创作出自立于世界影坛的中国武侠电影。其间固有妖孽滋生，神怪泛滥，然而后世来者竟侠电影中发扬华夏志士崇侠尚义之武风，挥写民族英豪彪炳千秋之正气，使中国武侠电影终成世界银海一道璀璨风景！

《孤注一掷》《南京照相馆》导演申奥新作再度聚焦真实题材，影片取材自境外幸存人质真实自救经历。 驻外记者马笑（肖央 饰）和志愿医生潘文佳（齐溪 饰）夫妇，陪同工程师苗峰（郑恺 饰）赴郊区修理基站，当地局势突变。三人一路躲避恐怖组织的无差别袭击，最终还是被绑架沦为人质，并在狱中结识了华侨商人周伟杰（任达华 饰）。面对恐怖分子闻所未闻的屠杀暴行和以命换钱的勒索，他们历经105天，展开了一场惊心动魄的自救逃生。

驻外记者马笑（肖央 饰）和志愿医生潘文佳（齐溪 饰）夫妇，陪同工程师苗峰（郑恺 饰）赴郊区修理基站的途中，当地局势突变，三人被极端组织绑架，并在狱中结识了华侨商人周伟杰（任达华 饰）。为求得一线生机，他们在荒蛮战乱中踏上了逃生之路……

五年前周易因误杀入狱，本是一位普通人物，一场牢狱之灾而命运转折。在狱中，他机缘巧合之下获得了医武传承，这份传承不仅赋予了他高超的医术，还让他掌握了强大的武技。重获自由后，周易坚守誓言，致力于医尽天下不治之症，以医术造福苍生。

新加坡海岸线上的填海工地，工人王必成失踪了。两名警探闻风而至，在工地周围四处探询王必成的踪影。躁郁的氛围、失眠的夜晚，警探在梦里见到王必成身影，而令人不安的真相，也将在虚实难辨的湿热幻境中揭开。 在虚实难辨的故事结构中，揭开新加坡沿海无证移工的生存困境。黑色电影的基底下，萨克斯风音乐、霓虹光线交错，切换视角的叙事方法，打造如梦似幻的空间感。故事背景极度写实，影像风格却忧郁抽离，带领观众远离对新加坡的刻板想象，在破碎消散的时间感中，探向当代新加坡的真实焦虑。

《幻土》属惊悚题材，剧情讲述两位警察追踪一名在本地填海工地工作的外藉劳工时，忽然失联。宏荣扮演前CID探员，在查案及寻找失踪客工的过程中，由于太投…

Hilarion Zabala, a former master sergeant, is tormented by a strange smell. The diagnosis is phantosmia, i.e. olfactory hallucinations, where he perceives smells that do not actually exist. His doctor attributes this to past trauma and recommends that he confront and recall his dark military service period as a solution. Zabala, willing to take on any task, voluntarily visits a military base and is eventually assigned to a remote island penal colony. However, another horrific reality awaits him there. 　　From religious bloodshed to human rights abuses against women, the various forms of violence created by humans are still structurally and routinely pervasive. How can justice and salvation be achieved in an age of violence? Can violence used to prevent violence ever be justified? Deep anguish is reflected through the contemplative black-and-white imagery. (BOO Kyunghwan)

Hilarion Zabala, a former master sergeant, is tormented by a strange smell. The diagnosis is phantosmia, i.e. olfactory hallucinations, where he perceives smells that do not actually exist. His doctor attributes this to past trauma and recommends that he confront and recall his dark military service period as a solution. Zabala, willing to take on any task, voluntarily visits a military base and is eventually assigned to a remote island penal colony. However, another horrific reality awaits him there. 　　From religious bloodshed to human rights abuses against women, the various forms of violence created by humans are still structurally and routinely pervasive. How can justice and salvation be achieved in an age of violence? Can violence used to prevent violence ever be justified? Deep anguish is reflected through the contemplative black-and-white imagery. (BOO Kyunghwan)