故事始于二十年代初。军阀营长王占火因闹军饷受通缉，落草浙江剡县、天台一带，抢得小歌班女伶琴姨为妻，从此金盆洗手，安居乐业。生下女儿梅祺后，因日不敷出，只得将环龙戒指典当，后为赎回戒指，欠下刘庄大户钱家巨额债务。不久身份败露，被官兵击毙于剡溪。 　　十八年后。梅祺出落成冰清玉洁的大姑娘，熟读诗书，通晓音律，擅长唱戏。因钱家逼婚，梅祺外逃，入三喜班演戏，与闺兰、金叶、银叶等结成越剧四姐妹。后不断遭钱家追捕，四姐妹经由党部青年干部李江介绍，同去上海发展。梅祺和闺兰经剡溪籍越剧名伶肖凤飞指点，迅速走红，在上海滩有金童玉女之称。 　　张肖凤飞的保护人宣展怀系上海黑帮老大，此人正是二十年前"死去"的王占火，也即梅祺的生身父亲。宣展怀发现闺兰拥有环龙戒指，疑为亲生女儿，将她接到公馆，当作干女儿。梅祺为成全闺兰，将真情隐去。此间，闺兰因名僵利锁，与梅祺、肖凤飞、金叶、银叶等闹翻。肖凤飞遭宣太太暗算，终因"人言可畏"而自杀身亡。 　　梅祺与富商子弟、才华横溢的华克人倾情相爱，却因越剧女小生方雪花的"玫瑰花案件"而分道扬镳。闺兰趁机和华克人结秦晋之好。而回上海后一直对梅祺、闺兰、肖凤飞等演艺界人士关怀有加的李江，终因善良、正直和勇敢的为人而博得梅祺的芳心。 　　一场声势浩大的示威游行，使代号为35号的中统特务李江遭上锋怀疑，遂被中统局本部查明具有双重身分。他匆匆告别梅祺后，在上海滩上消失得无影无踪。在解放上海的隆隆炮声中，华克人抛下闺兰，随家人移居美国。宣展怀逃往香港时，在十六铺码头邂逅来沪的琴姨。琴姨将环龙戒指交还宣展怀，从此天涯海角，永不再见。 　　十里洋场，悲欢离合；戏里戏外，命运嬗变。阴阳交错，角色颠倒；红粉须眉，戏剧人生。鲜花和泪水，梦想与幻灭....由此引发一段感人肺腑的浪漫故事，演绎一个发人深思的永恒主题。

故事始于二十年代初。军阀营长王占火因闹军饷受通缉，落草浙江剡县、天台一带，抢得小歌班女伶琴姨为妻，从此金盆洗手，安居乐业。生下女儿梅祺后，因日不敷出，只得将环龙戒指典当，后为赎回戒指，欠下刘庄大户钱家巨额债务。不久身份败露，被官兵击毙于剡溪。 　　十八年后。梅祺出落成冰清玉洁的大姑娘，熟读诗书，通晓音律，擅长唱戏。因钱家逼婚，梅祺外逃，入三喜班演戏，与闺兰、金叶、银叶等结成越剧四姐妹。后不断遭钱家追捕，四姐妹经由党部青年干部李江介绍，同去上海发展。梅祺和闺兰经剡溪籍越剧名伶肖凤飞指点，迅速走红，在上海滩有金童玉女之称。 　　张肖凤飞的保护人宣展怀系上海黑帮老大，此人正是二十年前"死去"的王占火，也即梅祺的生身父亲。宣展怀发现闺兰拥有环龙戒指，疑为亲生女儿，将她接到公馆，当作干女儿。梅祺为成全闺兰，将真情隐去。此间，闺兰因名僵利锁，与梅祺、肖凤飞、金叶、银叶等闹翻。肖凤飞遭宣太太暗算，终因"人言可畏"而自杀身亡。 　　梅祺与富商子弟、才华横溢的华克人倾情相爱，却因越剧女小生方雪花的"玫瑰花案件"而分道扬镳。闺兰趁机和华克人结秦晋之好。而回上海后一直对梅祺、闺兰、肖凤飞等演艺界人士关怀有加的李江，终因善良、正直和勇敢的为人而博得梅祺的芳心。 　　一场声势浩大的示威游行，使代号为35号的中统特务李江遭上锋怀疑，遂被中统局本部查明具有双重身分。他匆匆告别梅祺后，在上海滩上消失得无影无踪。在解放上海的隆隆炮声中，华克人抛下闺兰，随家人移居美国。宣展怀逃往香港时，在十六铺码头邂逅来沪的琴姨。琴姨将环龙戒指交还宣展怀，从此天涯海角，永不再见。 　　十里洋场，悲欢离合；戏里戏外，命运嬗变。阴阳交错，角色颠倒；红粉须眉，戏剧人生。鲜花和泪水，梦想与幻灭....由此引发一段感人肺腑的浪漫故事，演绎一个发人深思的永恒主题。

新加坡海岸线上的填海工地，工人王必成失踪了。两名警探闻风而至，在工地周围四处探询王必成的踪影。躁郁的氛围、失眠的夜晚，警探在梦里见到王必成身影，而令人不安的真相，也将在虚实难辨的湿热幻境中揭开。 在虚实难辨的故事结构中，揭开新加坡沿海无证移工的生存困境。黑色电影的基底下，萨克斯风音乐、霓虹光线交错，切换视角的叙事方法，打造如梦似幻的空间感。故事背景极度写实，影像风格却忧郁抽离，带领观众远离对新加坡的刻板想象，在破碎消散的时间感中，探向当代新加坡的真实焦虑。

《幻土》属惊悚题材，剧情讲述两位警察追踪一名在本地填海工地工作的外藉劳工时，忽然失联。宏荣扮演前CID探员，在查案及寻找失踪客工的过程中，由于太投…

Hilarion Zabala, a former master sergeant, is tormented by a strange smell. The diagnosis is phantosmia, i.e. olfactory hallucinations, where he perceives smells that do not actually exist. His doctor attributes this to past trauma and recommends that he confront and recall his dark military service period as a solution. Zabala, willing to take on any task, voluntarily visits a military base and is eventually assigned to a remote island penal colony. However, another horrific reality awaits him there. 　　From religious bloodshed to human rights abuses against women, the various forms of violence created by humans are still structurally and routinely pervasive. How can justice and salvation be achieved in an age of violence? Can violence used to prevent violence ever be justified? Deep anguish is reflected through the contemplative black-and-white imagery. (BOO Kyunghwan)

Hilarion Zabala, a former master sergeant, is tormented by a strange smell. The diagnosis is phantosmia, i.e. olfactory hallucinations, where he perceives smells that do not actually exist. His doctor attributes this to past trauma and recommends that he confront and recall his dark military service period as a solution. Zabala, willing to take on any task, voluntarily visits a military base and is eventually assigned to a remote island penal colony. However, another horrific reality awaits him there. 　　From religious bloodshed to human rights abuses against women, the various forms of violence created by humans are still structurally and routinely pervasive. How can justice and salvation be achieved in an age of violence? Can violence used to prevent violence ever be justified? Deep anguish is reflected through the contemplative black-and-white imagery. (BOO Kyunghwan)

Shot in stunning black and white, with scenes that could be outtakes from some surreal haute-couture photo shoot, Phantom Love might just be the most beautiful film of the year. Looks aren't everything, however, and this is no hollow aesthetic exercise. As we follow alienated protagonist Lulu (Marina Shoif) on an impromptu trip into the darkest reaches of her own psyche - seemingly undertaken as a distraction while an unsatisfactory lover labours away on top of her - writer/director Nina Menkes creates a dreamscape of epic imaginative reach. There are shades of Alain Resnais and David Lynch here, but this film's lush mysteries are all its own - and the road that Lulu travels makes Mulholland Drive look like a layby. 　　(source: http://www.edfilmfest.org.uk/films/phantom-love/)

在一片静谧孤寂的山谷中，藏族小伙多吉四处游走，他遇见一位年轻的姑娘，或许那是他故去多年的外婆......他想在这个空间里停留，姑娘却消失了，就像时间消失了一样......

Shot in stunning black and white, with scenes that could be outtakes from some surreal haute-couture photo shoot, Phantom Love might just be the most beautiful film of the year. Looks aren't everything, however, and this is no hollow aesthetic exercise. As we follow alienated protagonist Lulu (Marina Shoif) on an impromptu trip into the darkest reaches of her own psyche - seemingly undertaken as a distraction while an unsatisfactory lover labours away on top of her - writer/director Nina Menkes creates a dreamscape of epic imaginative reach. There are shades of Alain Resnais and David Lynch here, but this film's lush mysteries are all its own - and the road that Lulu travels makes Mulholland Drive look like a layby. 　　(source: http://www.edfilmfest.org.uk/films/phantom-love/)