导演可兰毕业做的动画短片，构思这个故事的时候正是杨永信事件闹得沸沸扬扬的时候，这件事给导演带来了极大的震撼，深刻的感受到我们许多的父母所爱的并不是自己孩子“这个人”，而是“我的孩子”这个身份，如果占着“我的孩子”这个身份的那个人他不让我满意，那么将原来的“他”杀死，再换一个能让我满意的“我的孩子”，这对于这些父母来说是一件理所当然的事。 　　基于上面的想法构思了一个学校，父母将自己不满意的孩子送到这个学校来，学校负责造出和孩子一模一样且拥有原来孩子记忆的机器人，他们将原来的孩子杀死由机器人代替他活下去……某天一个男孩勿入了机器人制造车间，遇到了机器人的“自己”，他被追杀，过程中他遇到了同学试图求助，却发现自己同学们早已是被替代的机器了。在最后，他还是被杀死了，但杀死他的“另一个自己”却落下了眼泪，导演知道“明明是机器人却流了泪”这是不合理的设定，但还是想要这么画，这是导演所构思的这个让人窒息的世界观里面唯一的光，“即使全世界都不需要你，但也依然有自己爱着自己，即使这个自己是被别人的期待所创造的自己，也依然会对你的逝去感到动容”希望作品能传达这样的想法，希望带给处于深渊中的人一些自救的思路，哪怕现在的你已不是原来的你，你也是被自己所爱，所在意着的……

15岁的迪亚曼特来自塞内加尔的达喀尔，心中燃烧着成为一名电影制作人的梦想。但是，她的家人却为她设定了截然不同的未来蓝图。对于迪亚曼特来说，这些安排是无论如何也无法接受的。在内心的挣扎和对抗中，她最终陷入了一种深沉而神秘的睡眠，仿佛与世界隔绝，无人能够将她唤醒。

Awakenings is a story about the magical (and not so magical) moments when we wake up. But at the same time the film is about the mental awakening of our protagonists. The story revolves around three couples, who have just began their relationship, are about to end it, or never really neither began nor finished it. Robert (40) has just divorced and moved to his own place. Soon his student and lover Jana (23) moves in with him, although not entirely by his will. Jana quickly establishes her own way at home and Robert finds himself in a situation he doesn't know how to control. An established photographer Marcel (39) finds out that his wife Ula (39) got her pictures screened at a very important festival. As usual, he performs one of his typical cynical/sarcastic tantrums - but Ula doesn't respond to his methods anymore. Slowly (and painfully) the power shift in this relationship is tearing them apart. Jonas (39) and Karmen (39) meet at Marcelo's exhibition after 20 years. Their high-school flames burn once again, so they find themselves in a hotel room. They spend the night talking and sharing their old feelings and resentments. Nevertheless, with the morning comes the moment of sobriety - Karmen returns to her family. In the last couple of scenes, our characters experience a whirlwind of emotions and situations that finally brings them all at the same place. But what is real and what is just a performance?

一名孕妇坠崖后醒来，不记得自己是谁，也不认得身边的朋友甚至自己的丈夫，但在恢复记忆的过程中她开始意识到一切绝非这么简单。。。

春节前的这一天，北方复兴煤矿锣鼓喧天。副市长张弓子的到来，引来了矿山不小的动静。张弓子没有按照事先安排好的路线视察，在途中突然提出改道去下井口看看。意想不到的滑罐事故发生了。

春节前的这一天，北方复兴煤矿锣鼓喧天。副市长张弓子的到来，引来了矿山不小的动静。张弓子没有按照事先安排好的路线视察，在途中突然提出改道去下井口看看。意想不到的滑罐事故发生了。

Awakenings is a story about the magical (and not so magical) moments when we wake up. But at the same time the film is about the mental awakening of our protagonists. The story revolves around three couples, who have just began their relationship, are about to end it, or never really neither began nor finished it. Robert (40) has just divorced and moved to his own place. Soon his student and lover Jana (23) moves in with him, although not entirely by his will. Jana quickly establishes her own way at home and Robert finds himself in a situation he doesn't know how to control. An established photographer Marcel (39) finds out that his wife Ula (39) got her pictures screened at a very important festival. As usual, he performs one of his typical cynical/sarcastic tantrums - but Ula doesn't respond to his methods anymore. Slowly (and painfully) the power shift in this relationship is tearing them apart. Jonas (39) and Karmen (39) meet at Marcelo's exhibition after 20 years. Their high-school flames burn once again, so they find themselves in a hotel room. They spend the night talking and sharing their old feelings and resentments. Nevertheless, with the morning comes the moment of sobriety - Karmen returns to her family. In the last couple of scenes, our characters experience a whirlwind of emotions and situations that finally brings them all at the same place. But what is real and what is just a performance?

一名孕妇坠崖后醒来，不记得自己是谁，也不认得身边的朋友甚至自己的丈夫，但在恢复记忆的过程中她开始意识到一切绝非这么简单。。。

本片通过关治祥在上世纪二十年代初期、在有“无风地带”之称的日本殖民主义统治的大连，从觉醒到反抗再到寻求光明，展示了民族危亡时刻有志青年不畏牺牲选择马列主义，推动中国社会进步的可贵精神。

本片通过关治祥在上世纪二十年代初期、在有“无风地带”之称的日本殖民主义统治的大连，从觉醒到反抗再到寻求光明，展示了民族危亡时刻有志青年不畏牺牲选择马列主义，推动中国社会进步的可贵精神。