Semiotics of the Kitchen adopts the form of a parodic cooking demonstration in which, Rosler states, "An anti-Julia Child replaces the domesticated 'meaning' of tools with a lexicon of rage and frustration." In this performance-based work, a static camera is focused on a woman in a kitchen. On a counter before her are a variety of utensils, each of which she picks up, names and proceeds to demonstrate, but with gestures that depart from the normal uses of the tool. In an ironic grammatology of sound and gesture, the woman and her implements enter and transgress the familiar system of everyday kitchen meanings — the securely understood signs of domestic industry and food production erupt into anger and violence. In this alphabet of kitchen implements, states Rosler, "when the woman speaks, she names her own oppression."

Semiotics of the Kitchen adopts the form of a parodic cooking demonstration in which, Rosler states, "An anti-Julia Child replaces the domesticated 'meaning' of tools with a lexicon of rage and frustration." In this performance-based work, a static camera is focused on a woman in a kitchen. On a counter before her are a variety of utensils, each of which she picks up, names and proceeds to demonstrate, but with gestures that depart from the normal uses of the tool. In an ironic grammatology of sound and gesture, the woman and her implements enter and transgress the familiar system of everyday kitchen meanings — the securely understood signs of domestic industry and food production erupt into anger and violence. In this alphabet of kitchen implements, states Rosler, "when the woman speaks, she names her own oppression."

2021威尼斯电影节非竞赛展映。

2021威尼斯电影节非竞赛展映。

屡获殊荣的媒体艺术家雷菲克·安纳多尔（Refik Anadol）与意大利珠宝世家BVLGARI宝格丽携手开启一场沉浸式艺术之旅，探索品牌最具标志性的"灵蛇"符号的无限维度。这是一场历时一年的创意实验﹣﹣艺术灵感与数字创新在此交融，匠心工艺与科技未来于此共鸣。本片首次独家记录这一创想过程，揭秘传统与革新如何碰撞共生，最终缔造出时代杰作。

屡获殊荣的媒体艺术家雷菲克·安纳多尔（Refik Anadol）与意大利珠宝世家BVLGARI宝格丽携手开启一场沉浸式艺术之旅，探索品牌最具标志性的"灵蛇"符号的无限维度。这是一场历时一年的创意实验﹣﹣艺术灵感与数字创新在此交融，匠心工艺与科技未来于此共鸣。本片首次独家记录这一创想过程，揭秘传统与革新如何碰撞共生，最终缔造出时代杰作。

为了制作时尚广告而燃烧的创意导演新仓（30岁）正在拍摄发泡酒【PURELIGHT】的CM。负责文宣客户的藤木，被新仓的企划所感动，导演雨宫对能获得广告奖充满了期待，现场充满了明快的气氛。 　　这时，头脑僵化的宣传部长石瓦突然出现，担心新仓的企划与以往的PURELIGHT CM不同，一直不断地修正之后，CM渐渐地与最初的设计内容有所不同。这样的状况让雨宫吃惊，女演员Rinka感到恼火。新仓虽然想要总结客户、艺人、导演、制片…4人的情况，但并不结果，Rinka不满情绪爆发拒绝拍摄，摄影机故障，现场气氛恶劣，暂时休息的现场，藤木来到了沮丧的新仓身边。藤木反省自己没能对石瓦进行反驳，而新仓则认为自己什么都做不了,两人都很失望,为了解闷喝着PURELIGHT，只有喝那个的时候，稍微变得轻松了一下。 　　新仓很开心，意识到自己最重要的商品什么都没被看到，虽然有各式各样的情况，但最重要的还是商品本身。回归原点的新仓，不是为了获得奖项，而是为了让大家看清楚PURELIGHT的亮点，再次站起来制作广告，赢得大家的信赖。

为了制作时尚广告而燃烧的创意导演新仓（30岁）正在拍摄发泡酒【PURELIGHT】的CM。负责文宣客户的藤木，被新仓的企划所感动，导演雨宫对能获得广告奖充满了期待，现场充满了明快的气氛。 　　这时，头脑僵化的宣传部长石瓦突然出现，担心新仓的企划与以往的PURELIGHT CM不同，一直不断地修正之后，CM渐渐地与最初的设计内容有所不同。这样的状况让雨宫吃惊，女演员Rinka感到恼火。新仓虽然想要总结客户、艺人、导演、制片…4人的情况，但并不结果，Rinka不满情绪爆发拒绝拍摄，摄影机故障，现场气氛恶劣，暂时休息的现场，藤木来到了沮丧的新仓身边。藤木反省自己没能对石瓦进行反驳，而新仓则认为自己什么都做不了,两人都很失望,为了解闷喝着PURELIGHT，只有喝那个的时候，稍微变得轻松了一下。 　　新仓很开心，意识到自己最重要的商品什么都没被看到，虽然有各式各样的情况，但最重要的还是商品本身。回归原点的新仓，不是为了获得奖项，而是为了让大家看清楚PURELIGHT的亮点，再次站起来制作广告，赢得大家的信赖。

Georgina Spelvin serves as host and guide to this exploration of the sexual netherworld, which can be accessed through discreet ads placed in "underground" newspapers and on public bulletin boards.