To save his brother from the hands of narcos in Medellin, Reda gathers a team to raid the kidnappers in Colombia. 　　To save his brother from the hands of narcos in Medellin, Reda gathers a team to raid the kidnappers in Colombia.

To save his brother from the hands of narcos in Medellin, Reda gathers a team to raid the kidnappers in Colombia. 　　To save his brother from the hands of narcos in Medellin, Reda gathers a team to raid the kidnappers in Colombia.

冈拉梅朵是西藏的一朵花、一幅画、一首歌、一间酒吧、一个女人的名字；冈拉梅朵是流传了半个多世纪前的一段凄美动人、寻找与错过的爱情故事。 　　从北京来的美丽孤傲的录音师安羽在拉萨的第一夜阴差阳错地投宿到藏族鼓手阿扎家，引出一段奇异的情缘。曾经因一曲《冈拉梅朵》红遍全国的著名女歌手在突然失声从歌坛悄悄消失后，做了录音师的安羽，从声音的传唱者变成了声音的记录者和聆听者。她被西藏的一个歌声，湖边的一个幻像召唤，执拗地前往遥远的西藏神湖寻找那神秘歌声，沿途录下西藏大地的天籁之音，踏上了一程充满神秘和未知的音乐朝圣之旅。与她结伴而行具有奇幻般魔力的鼓手阿扎一路上不断和她产生冲突和摩擦，俩人怀着各自的梦想和目的，几番分分合合，既难以相处又难舍难分，殊不知两个人的命运在冥冥之中早已被“冈拉梅朵”这个名字系在了一起。 　　女人是旋律，男人是节奏。两个不同民族，不同性格，不同人生，不同梦想的一对现代男女的邂逅和结伴，交织出一部优美动人的乐章，无形中又演绎了与老一代人命运相似的寻找与错过的一幕爱情故事，《冈拉梅朵》的旋律继续在西藏的雪山和草原上回荡…… 　　http://ent.sina.com.cn/m/c/f/glmd/index.html

由克丽缇娜集团出品的首个女性题材创投纪录片

2012 年，安全部队打赢了一场打击毒品贸易的大规模战争。最大的交易方被截获，来自阿富汗和欧洲的供应走廊陷入瘫痪。但仅仅一年后，在欧洲最大地下市场的废墟上，又出现了一个新的地下市场。现在，现代技术和年轻的天才们已经来到这里，将毒品交易变成了高科技工业部门。

2012 年，安全部队打赢了一场打击毒品贸易的大规模战争。最大的交易方被截获，来自阿富汗和欧洲的供应走廊陷入瘫痪。但仅仅一年后，在欧洲最大地下市场的废墟上，又出现了一个新的地下市场。现在，现代技术和年轻的天才们已经来到这里，将毒品交易变成了高科技工业部门。

The unforgettable hero of Les quatre cents coups (The 400 Blows), Jean-Pierre Léaud made a spectacular entrance into the world of cinema at the age of 14. And to this day, it’s fair to say he’s never left. Truffaut, Godard, Eustache, Pasolini but also more recently Assayas, Lvovsky, Kaurismäki, Bertolucci, Tsai Ming-liang, Bonello or Serra... an impressive filmography in which he has invented a new way of being in front of the camera, where everything is true and everything is fiction. So much so that one might almost have a doubt: does Jean-Pierre Léaud really exist off- screen? Or does he belong entirely to cinema?

The unforgettable hero of Les quatre cents coups (The 400 Blows), Jean-Pierre Léaud made a spectacular entrance into the world of cinema at the age of 14. And to this day, it’s fair to say he’s never left. Truffaut, Godard, Eustache, Pasolini but also more recently Assayas, Lvovsky, Kaurismäki, Bertolucci, Tsai Ming-liang, Bonello or Serra... an impressive filmography in which he has invented a new way of being in front of the camera, where everything is true and everything is fiction. So much so that one might almost have a doubt: does Jean-Pierre Léaud really exist off- screen? Or does he belong entirely to cinema?

小男孩埃利奥误打误撞被传送到银河系，被外星人当作地球星际大使。

一位家庭主妇被她富有的丈夫雇佣的私家侦探追踪。