A struggling painter takes a job as a secretary to a female advertising executive. While working to obtain an account from a tobacco company, they end up falling in love

藝術看齊人生？是人生模仿藝術？當電影情節在現實生活裡上演時，又會是怎麼一回事呢？失意的男演員，遇上了西班牙來的女演員。試鏡的時候，女演員拒絕裸露入鏡，溼溼鹹鹹地扮埃及艷后演優酪乳廣告。於是兩人拳腳一揮，砸爛了片廠，也砸出了兩人的鍾意情挑。

孽缘之神苏念雪下凡附身于枉死少女，救下遭刺杀的陆以霆，被迫卷入豪门阴谋。她既要应对苏欣妍的追杀，又要与陆以霆斗嘴合作，却在法力失控时发现彼此竟是命定孽缘。婚礼上苏欣妍施法搅局，月老破咒助其复仇。谢波疯狂反扑，陆以霆舍命相护，苏念雪以法力换他重生。当孽缘石再次指引，她选择为爱放弃任务，最终为陆以霆挡枪濒死，方知这段孽缘早已修成正果。天界重逢月老，苏念雪终得圆满，与陆以霆在人间相守.

讲述了银盛集团为推广集团度假村，准备在度假村的客栈举办为期二十天的“轮值店长”活动，集团从众多报名者中抽取了四人，活动的最终获胜者将获得银盛集团给与的巨额奖励。被抽取到的四人怀着不同的动机，表面上维持着友好共处，背地里却互相利用，勾心斗角。

讲述了银盛集团为推广集团度假村，准备在度假村的客栈举办为期二十天的“轮值店长”活动，集团从众多报名者中抽取了四人，活动的最终获胜者将获得银盛集团给与的巨额奖励。被抽取到的四人怀着不同的动机，表面上维持着友好共处，背地里却互相利用，勾心斗角。

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.