Director Idrissa Ouedraogo's sixth feature, The Cry of the Heart, takes us on a journey with strangers to a strange land, and shows us that demons, even if only imagined, can be devastatingly real. Sometimes, love and understanding aren't enough, and there are occasions when it takes the aid of an outsider to fight that single, decisive battle. 　　Moctar was born in France, but it is his "home" in name only. At age five, he and his mother, Saffi, had to move to Africa when Ibrahim, Moctar's father, could no longer afford to feed three mouths. Now, after years of separation, the family is reunited in France. But Moctar is suffering culture shock. He wants to return to Africa; everything about Europe seems wrong. Then he begins seeing a hyena roaming the streets of Paris, appearing in some of the most unexpected places. Since "there are no hyenas in France", everyone thinks he's hallucinating, with one exception: Paulo, a man Moctar meets on the streets, who sees in the boy a chance for atonement. 　　The Cry of the Heart has a tremendous gallery of characters participating in a deceptively simple tale that touches on a universal fear of the unknown. Moctar's hyena in obviously an allegorical figure, and his struggles represent an externalized war against the unfamiliar. Meanwhile, Paulo is battling to redeem himself by proving that isolated incidents in his past do not define the sum of his personality. 　　Ouedraogo handles his principal characters with a deft hand. Rarely is a husband-and-wife relationship portrayed with the genuine sense of affection and passion shown here, and the pair's concern for their troubled son is equally believable. This is toned-down and touching drama, not melodrama, and, along the way, we're treated to enough moments of levity to keep The Cry of the Heart from becoming needlessly somber. 　　Often, simple movies are the most stirring and emotionally-satisfying. Such is the case with The Cry of the Heart. It's an impressive motion picture because it touches on so many issues without appearing to do much at all. It can be enjoyed on many levels, from the deeply symbolic to the strictly realistic. However, regardless of what else an individual gleans from this film, the story of a family struggling to connect and communicate is likely to strike a responsive chord.

步入晚年的女演员被起诉，原因是她毁弃婚约，而她雇用来为她打官司的律师居然是她的旧情人，可她却不知道律师仍然爱着她。此刻他们两都意识到，赢得官司保卫自己财产的唯一方法是自毁名声，他们两该何去何从呢？

本片是有关英国风貌及特征神秘而又有趣的电影三部曲的第三部，由富有创意的电影制作人帕特里克•凯勒创作。《被毁的罗宾逊》沿袭了该系列的前两部电影的风格，在英国一些人迹罕至的地方构建了一系列固定镜头摄影，同时加入了一个天马行空的解说，将这些镜头串在一起。 　　旁白叙述者不是鲁滨逊本人，而是他的遗孀。她将名义上的研究者的神秘命运拼凑在了一起，像鲁滨逊一样试图与非人类智慧力量交流，治愈这个世界的“最严重的疾病”。凯勒那才华横溢、包罗万象的脚本将哲学，艺术，历史，政治，经济，科技，农业，建筑，等等，编排在一起，甚至将超现实的，神秘而美丽的图像也编排了进去，并将对自然世界深深的爱融入其中，提醒我们人类与自然界正面临的严峻危险。

意大利的一个小镇上，Irma（阿莉达·瓦莉 Alida Valli 饰）的在悉尼工作的丈夫去世了，而她也决定和她的情人Aldo（史蒂夫·柯臣 Steve Cochran 饰）分开。Aldo苦苦挽留Irma无果，便带着年纪还小的女儿Rosina离开了小镇。Aldo先是去找了一个一直钟情于他的女子Elvia，Aldo却发现自己无法爱上她，又离开了。漂泊的路上，Aldo到处寻找工作。先是在一个加油站，加油站的寡妇Virginia给了他一份工作，两人之间也产生了感情。但不久后Aldo又离开了，找到了一份短暂的工作，认识了Andreina，一个妓女。警察经过，Aldo只能离开，经过加油站的时候，Virginia告诉他，Irma给他寄了封明信片。Aldo又踏上了回去寻找Irma的路......

意大利的一个小镇上，Irma（阿莉达·瓦莉 Alida Valli 饰）的在悉尼工作的丈夫去世了，而她也决定和她的情人Aldo（史蒂夫·柯臣 Steve Cochran 饰）分开。Aldo苦苦挽留Irma无果，便带着年纪还小的女儿Rosina离开了小镇。Aldo先是去找了一个一直钟情于他的女子Elvia，Aldo却发现自己无法爱上她，又离开了。漂泊的路上，Aldo到处寻找工作。先是在一个加油站，加油站的寡妇Virginia给了他一份工作，两人之间也产生了感情。但不久后Aldo又离开了，找到了一份短暂的工作，认识了Andreina，一个妓女。警察经过，Aldo只能离开，经过加油站的时候，Virginia告诉他，Irma给他寄了封明信片。Aldo又踏上了回去寻找Irma的路。

《呐喊的声音》是一部艺术类探索性影片，探索了挪威标志性艺术家爱德华•蒙克62年间超过4万件艺术作品中普世的永恒本质内涵。 　　导演小传 　　本片导演Dheeraj Akolkar深深地被英格玛•伯格曼与丽芙•乌曼的生平和作品所吸引。他生于印度，现居伦敦。目前他在自己的Vardo电影公司筹备五部故事片和纪录片系列。 　　电影节经历 　　2013年墨西哥城纪录片电影节 　　2013吕贝克北欧电影节 　　2014蒙特利尔国际艺术电影节 　　Let the Scream be Heard is an artistic investigation to reveal and celebrate the essence behind the universality and timelessness of Iconic Norwegian Artist Edvard Munch’s creation, spanning over 62 years and more than 40,000 works of art. 　　Director Bio 　　The life and work of Bergman and Ullmann has fascinated director Dheeraj Akolkar for many years. He comes from India and lives in London. Currently he is working on a slate of five fiction and documentary films under his company Vardo Films. 　　Festivals 　　2013:DOCSDF International Documentary Film Festival of Mexico City 　　2013:Nordic Film Days Lübeck 　　2014:FIFA - International Festival of Films on Art

Banned until very recently, Arteche’s clandestine documentary chronicles a group of students’ movements in Mexico in 1968. 　　On July 22, 1968, two rival groups of male adolescent students fought each other in the Ciudadela neighbourhood of Mexico City; the next day the city government responded by sending policemen to stop the accompanying vandalism and to arrest the perpetrators. These riot police (granaderos) attacked the students so ferociously that protests were lodged. No one could have foreseen that both of these testosterone-driven events were the opening scene of the drama of the 1968 University-State conflict which climaxed in the Tlatelolco massacre.

在一次两个著名的攀登者见面中，一个是颇有经验的登山运动员，另一个是自由登山人，记者伊凡对两个人哪个是最好的攀登者打了赌。罗杰(登山专家)说马丁(自由攀岩人)在真正的攀登路上一天也活不了，虽然他是世界竞技攀岩冠军.他们打算攀爬美国南部巴塔哥尼亚的“瑟拉托里”山。这是一座非常难爬的处女峰……

故事发生在塞内加尔的大型建筑工地附近，晚上工人们与一名男子发生了冲突，男子的哥哥在工地因工伤丧生。

收录内容： 　　【原告】一部由电影节相关人士寄来的一部独立制作电影。虽然制作水平很高，一些评审甚至很喜欢，但它最终无法上映的原因是…。 　　【梦话】一位怀疑自己患有睡眠呼吸暂停症的投稿者设置了摄像机记录自己夜间的睡眠情况。而摄像机捕捉到的，是非常奇怪的景象…。 　　【入室盗窃】一名遭受入室盗窃的女性为了证据而拍摄了室内的录像。在与警察通话的同时拍摄的录像中，出现了令人毛骨悚然的东西…。 　　【桥上的女人】一部被遗弃在汽车内的摄像机。在确认可能是持有者的录像时，里面记录了令人震惊的画面。 　　【废墟之灵】一位自称爱好探索废墟的投稿者，在网络上讨论的废墟中发现了异常景象…。