Louis XIV is no newcomer to Albert Serra’s filmography, the hero of his latest opus to date, The Death of Louis XIV (2016). This Sun King features a twin, even though, in the game of differences, it turns out that there are quite a few. Instead of Jean-Pierre Léaud, a non-professionnal actor whom Serra already worked with in his first films. Very different body weight, here in expansion, there in retention; a different way of putting his face in it: there, at the service of an astonished child’s gaze, here, singularly chubby, as if extending without any solution to all of his corpulence; here, the invention of sovereignty constantly reinvented, and there, the kingdom of innocence vaguely struck by idiocy. And the props: if the tale in the first version needed Versailles or an imitation of it, the second one reduces the palace to a luminous halo. True, this time we are stuck between bare walls, white-washed with pink coating (the color of twilight?) under neon lights at the ceiling. Here, for a long time, this king has been left to his own devices, moaning on the floor, with a stomach ache as severe as it is hilarious, with rare trinkets all around. Then we see spectators entering the field to see Her Majesty’s rants, his hair (as wigs were called then) and sumptuous clothes characteristic of that era, and spectators dressed in anorak. So what, then: capturing a performance? If the art gallery really frames the « action », what we find here is calculation, cutting up, montage; in short: a film, and no misunderstanding. And a film whose paths familiar to everyone Serra’s work point to: aristocracy in all its grandeur, its stupidity and its agony, the representation of power, the forces of art. Between the sublime and the grotesque, between derision and the derisive, between Buñuel and Dali, a royal figure engages in a quest for his death mask.

Louis XIV is no newcomer to Albert Serra’s filmography, the hero of his latest opus to date, The Death of Louis XIV (2016). This Sun King features a twin, even though, in the game of differences, it turns out that there are quite a few. Instead of Jean-Pierre Léaud, a non-professionnal actor whom Serra already worked with in his first films. Very different body weight, here in expansion, there in retention; a different way of putting his face in it: there, at the service of an astonished child’s gaze, here, singularly chubby, as if extending without any solution to all of his corpulence; here, the invention of sovereignty constantly reinvented, and there, the kingdom of innocence vaguely struck by idiocy. And the props: if the tale in the first version needed Versailles or an imitation of it, the second one reduces the palace to a luminous halo. True, this time we are stuck between bare walls, white-washed with pink coating (the color of twilight?) under neon lights at the ceiling. Here, for a long time, this king has been left to his own devices, moaning on the floor, with a stomach ache as severe as it is hilarious, with rare trinkets all around. Then we see spectators entering the field to see Her Majesty’s rants, his hair (as wigs were called then) and sumptuous clothes characteristic of that era, and spectators dressed in anorak. So what, then: capturing a performance? If the art gallery really frames the « action », what we find here is calculation, cutting up, montage; in short: a film, and no misunderstanding. And a film whose paths familiar to everyone Serra’s work point to: aristocracy in all its grandeur, its stupidity and its agony, the representation of power, the forces of art. Between the sublime and the grotesque, between derision and the derisive, between Buñuel and Dali, a royal figure engages in a quest for his death mask.

《太阳王》(Le Roi Soleil)是卡梅尔·瓦里(Kamel Ouali)编排，德芙·阿缇娅(Dove Attia)和阿尔伯特·柯恩(Albert Cohen)制作的音乐喜剧。这个音乐剧描述了法王路易十四(Louis XIV)的爱情与生活(“太阳王”是路易十四的绰号)。2005年9月22号，这部戏剧在巴黎体育宫(Palais des Sports de Paris)第一次上映；最近一次上映实在两年以后，2007年7月8日，经过在法国、比利时和瑞士的两次巡演，《太阳王》在贝西体育宫(Palais Omnisports de Paris-Bercy)上演。值得一提的是，2006年和2007年，《太阳王》还两次获得NRJ音乐奖(NRJ Music Awards，NRJ全称National Radio de Jeunes，是法国最受欢迎的广播电台之一，而NRJ Music Awards素有法国“格莱美”之称，“NRJ音乐奖”是法国音乐界里的最高音乐奖项，同样是影响着音乐界的风向标)。 　　太阳王，就是法国全盛时期的国王『路易十四』。故事是以路易十四感情生活为主线。路易十四很小就即位成为国王，但是政权掌握在以残忍出名的红衣主教Mazarin与路易十四的母亲Anne D’autriche的手上。这部音乐剧由人民反对红衣主教Mazarin的LA FRONDE运动为开篇，这场运动在大炮声中结束。年轻的路易出场,在盛宴上路易十四遇见并爱上了Mazarin的侄女---Marie Mancini。一个意大利的没有贵族身份的女子。其后路易十四为了建立威信，他参加了一场战争，身染重病，生命垂危。王室已经开始将他忘却，并转向他的弟弟。但是Marie仍然为他祈祷，最后神奇的路易十四痊愈了，对于Marie他感到深深感动，因此跟她求婚。但是路易十四母亲与Mazarin大力反对，把Marie驱逐並逼迫路易十四娶了西班牙公主。第一幕在离愁中结束，年轻的国王为了自己的责任牺牲了爱情。 第二幕，当主教Mazarin与路易十四的母親去世后，路易十四掌握大权，但他在De Montespan夫人等众多贵族美女的怀抱中迷失了自我，在凡尔赛生活极尽奢华，完全忘记了他的人民为了他的迷梦所需要付出的沉重代价。经过铁面人和投毒事件，路易实现了他当年跟Marie没有实现的事情，他力排众议要迎娶Francoise D'aubigne。是他与De Montespan的私生子们的家庭教师，同时Francoise也是个私生女。最后，路易十四完成他梦想——成为受世人尊敬的太阳王。

西元9世纪以前，辽阔的东欧处於诸侯割据的混乱局面，王室与诸侯的关係非常紧张。老国王的暴毙使得王位的继承权成为了导火索。主持国政的波佩尔亲王则是野心勃勃，而亲王妃更是个毒辣的女人，她一心要把儿子推上王位，却遭到诸侯一致反对。於是波佩尔亲王决定先下杀手……阴謀残害王子，为了防止诸侯反抗，假称病危连夜召集各诸侯集会并进行了屠杀於是波佩尔亲王登基成了国王，他和王妃子成为王储。 　　亲王的暴行激起了诸侯的愤怒，纷纷调集军队组成联军，联合讨伐亲王，大军所到之处摧城拔寨，大破亲王重重防线……为了保住江山，亲王不惜以割地引来了强大兇悍的北欧海盗，使联合军遭到惨重损失，大军处处受阻，驍勇的泽莫维特在关键时刻显出了武士本色，与海盗展开最后的决战……决斗中杀死了海盗首领，使敌军迅速溃败；联军乘胜追击，攻破亲王宫殿……王国恢復了和平……

少年浩士在路上巧遇一个巨大的石人，石人赠给他一把太阳神剑，要他保护村民，这时太阳族人们的最大敌人，冰魔格林瓦和银狼频频来袭，有一天，浩士在追赶银狼时，在中发现一个女孩，她会唱最好听的歌，他把她带回村里，却没有料到，这给村里带来了无尽的灾祸，原来她是魔女。但他们却发现彼此都有了情，太阳神剑与太阳王子将与冰魔决一死战。

随着时光的流逝，最初的巴洛克式花园早已消失不见，如今的凡尔赛宫已经和过去的景象相差甚远。尽管过道的布局未曾改变，但那些曾令来访者惊叹不已的建筑和设施却已不复存在。 我们是否能重现凡尔赛宫原有的面貌？让这座神奇宫殿的原貌重现于世间？现代科学技术人员与历史学家们共同合作，努力复原凡尔赛宫旧貌，探究路易十四时期的工艺与历史文化，带你了解凡尔赛宫的前世今生。

深宫高墙，夜深人静，大清朝第二代皇帝的妃子董鄂刚刚谢世，顺治皇帝依恋在她的画像前通不欲生，茶饭不思，朝政不理，悲痛已极。 　　顺治皇帝决定立三阿哥玄烨为新皇帝，特命索尼、苏克萨哈、遏必隆、鳌拜四大臣为辅政大臣。然后毅然弃世离尘，出家了。 　　在新皇帝登基大典之时，已作了太皇太后的孝庄文特将四辅臣召来训教，然后命具有特殊身份的宫女——苏麻喇姑把小皇帝送至登基。几年过去了，小皇上长大了，索尼为了亲近皇上，听说将要选秀，特将自己的孙女推荐给孝庄文，正中孝庄文之意，她为了巩固皇权，扩充皇族，在三百多名秀女中还是选中索尼辅臣的孙女作为新皇后。16岁康熙在危急关头，大智大勇，真真假假，虚虚实实，调兵遣将，巧引鳌拜入殿，用身边宗室子弟将鳌拜擒获。班布尔善见风使舵。 　　玄烨大智若愚，巧使班布尔善当众揭穿鳌拜，并列其罪状，将鳌拜打入死牢。 　　康熙平息了叛乱，论功行赏。 　　苏麻喇姑因婚姻不能如愿，剪掉秀发，了却尘缘，而伍次友也隐退，浪迹天涯……

林鸿自从在1994年投拍了电视连续剧《康熙大帝》，就开创了中国电视剧市场上经久不衰的“康熙热”.深宫高墙，夜深人静，大清朝第二代皇帝的妃子董鄂刚…

在一次偶然的情况下，大雄与多啦A梦穿过秘密通道时空圈，闯进一个森林中古代文明的国度----（玛雅王国），他们遇上跟大雄长得一模一样的迪奥，迪奥是玛雅王国的王子。迪奥王子的母亲中了魔女娜汀拉的诅咒，正在长眠。为了救母亲，迪奥王子一定要打败娜汀拉。因此在森林中修炼。迪奥王子从大雄口中得知现代日本的事，便对日本产生兴趣，所以迪奥便希望与大雄转换身份，到日本修炼。大雄便成为了王子；王子就成了大雄，各自展开不一样的生活，最后迪奥在日本认识了技安等人，他们一起去对抗娜汀拉，究竟他们能否打败娜汀拉救迪奥的母亲？

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