家辉与KK、ET等人喜好飞车，一次赛事中家辉邂逅少女阿雪。恶少金十二常对阿雪骚扰，家辉出头，与十二少结怨。家辉叔父张铁柱乃巡警，反对家辉动武，又威迫十二少停手，结果遭人袭击至重伤。家辉盛怒，率童党找十二少算帐……

家辉与KK、ET等人喜好飞车，一次赛事中家辉邂逅少女阿雪。恶少金十二常对阿雪骚扰，家辉出头，与十二少结怨。家辉叔父张铁柱乃巡警，反对家辉动武，又威迫十二少停手，结果遭人袭击至重伤。家辉盛怒，率童党找十二少算帐……

Omar Amiralay是叙利亚最著名的纪录片导演，从70年代就开始拍摄纪录片，大多涉及到阿拉伯世界特殊而敏感的政治、宗教和民俗文化，作品多次被禁，本人也曾流亡海外多年。 　　A Flood in Baath Country 　　[TUFAN FI BALAD EL-BA'TH] 　　Directed by Omar Amiralay 　　Syria/France, 2003 　　Color. 46 min. Arabic with English subtitles. 　　In 1970, Omar Amiralay made a short documentary, Film-Essay on the Euphrates Dam, in praise of the ruling Baath party's project to construct an impressive system of dams. Today, after fatal construction flaws have been discovered, his controversial new film, A Flood in Baath Country, explores the metaphorical implications of such weakness. Without commentary or criticism, Amiralay's film exposes Baath party propaganda and its debilitating effects on the people of al-Mashi village, 400 kilometers (250 miles) northeast of Damascus. The camera moves slowly from students to teachers to government officials, with everyone reciting the exact same praises for the president and slogans glorifying the Baath party. The film is the harshest indictment yet of the regime, portraying the devastating effects of 35 years of rigid Baath party rule on Syrian society. 　　"There is nothing enigmatic, by contrast, about Omar Amiralay's documentaries. They're as outspoken as can be--and yet they, too, convey their argument through unforgettably strong images." – Stuart Klawans, The Nation 　　The filmmaker's first film is a short film to the glory of the Euphrates dam, the pride of the ruling Baath party. "I regret this youthful error". 33 years later, he unveils the indoctrination at work in the village classroom. 　　There is nothing enigmatic, by contrast, about Omar Amiralay's documentaries. They're as outspoken as can be--and yet they, too, convey their argument through unforgettably strong images. Among the most forceful of his films is A Flood in Baath Country (2003), which has the added benefit of encapsulating Amiralay's career for you. In 1970, fresh out of film school and fired with enthusiasm for the Baath regime, he made a short titled Film-Essay on the Euphrates Dam. At the beginning of A Flood in Baath Country, you see footage from this early work: brief views of dam construction, shot in expert imitation of Amiralay's beloved Dziga Vertov. Meanwhile, on the soundtrack, the present-day Amiralay speaks of his distress at having made such a film. Construction was shoddy; dams have fatally collapsed. As for the artificial Lake Assad, beneath whose waters stand inundated villages, it now seems to Amiralay to be the perfect symbol of the Baath regime, which seeks to submerge all life in Syria.

Omar Amiralay是叙利亚最著名的纪录片导演，从70年代就开始拍摄纪录片，大多涉及到阿拉伯世界特殊而敏感的政治、宗教和民俗文化，作品多次被禁，本人也曾流亡海外多年。 　　A Flood in Baath Country 　　[TUFAN FI BALAD EL-BA'TH] 　　Directed by Omar Amiralay 　　Syria/France, 2003 　　Color. 46 min. Arabic with English subtitles. 　　In 1970, Omar Amiralay made a short documentary, Film-Essay on the Euphrates Dam, in praise of the ruling Baath party's project to construct an impressive system of dams. Today, after fatal construction flaws have been discovered, his controversial new film, A Flood in Baath Country, explores the metaphorical implications of such weakness. Without commentary or criticism, Amiralay's film exposes Baath party propaganda and its debilitating effects on the people of al-Mashi village, 400 kilometers (250 miles) northeast of Damascus. The camera moves slowly from students to teachers to government officials, with everyone reciting the exact same praises for the president and slogans glorifying the Baath party. The film is the harshest indictment yet of the regime, portraying the devastating effects of 35 years of rigid Baath party rule on Syrian society. 　　"There is nothing enigmatic, by contrast, about Omar Amiralay's documentaries. They're as outspoken as can be--and yet they, too, convey their argument through unforgettably strong images." – Stuart Klawans, The Nation 　　The filmmaker's first film is a short film to the glory of the Euphrates dam, the pride of the ruling Baath party. "I regret this youthful error". 33 years later, he unveils the indoctrination at work in the village classroom. 　　There is nothing enigmatic, by contrast, about Omar Amiralay's documentaries. They're as outspoken as can be--and yet they, too, convey their argument through unforgettably strong images. Among the most forceful of his films is A Flood in Baath Country (2003), which has the added benefit of encapsulating Amiralay's career for you. In 1970, fresh out of film school and fired with enthusiasm for the Baath regime, he made a short titled Film-Essay on the Euphrates Dam. At the beginning of A Flood in Baath Country, you see footage from this early work: brief views of dam construction, shot in expert imitation of Amiralay's beloved Dziga Vertov. Meanwhile, on the soundtrack, the present-day Amiralay speaks of his distress at having made such a film. Construction was shoddy; dams have fatally collapsed. As for the artificial Lake Assad, beneath whose waters stand inundated villages, it now seems to Amiralay to be the perfect symbol of the Baath regime, which seeks to submerge all life in Syria.

不学无术却聪明伶俐的韦小宝（张卫健 饰），自小和母亲在扬州丽春院卖艺来维持生计，与心爱的小金鱼（舒淇 饰）青梅竹马。原本平凡的人生因为一次意外而彻底改变。不仅为天地会的陈近南（郑伊健 饰）收为徒弟，还被康熙帝派下江南的心腹太监海大富强行带回了皇宫来完成自己的打算。进入皇宫的韦小宝在海大富的指引下认识了刁蛮任性的建宁公主（林心如 饰）和阴险恶毒的太后（陈法蓉 饰），还误打误撞的和少年康熙（谭耀文 饰）成了好朋友。一方面韦小宝为反清复明的天地会出谋划策，一方面帮助小玄子扫清他皇帝路上的政治障碍。多次化险为夷死里逃生的小宝却在眼见修成正果前途一片光明的时刻，忠与义的抉择让他陷入了两难的境地，而他选择了放弃了大好的前程，带着自己的七个老婆离开… 　　改编自金庸小说《鹿鼎记》，又名《小宝传奇》《鹿鼎记》。

不学无术却聪明伶俐的韦小宝（张卫健 饰），自小和母亲在扬州丽春院卖艺来维持生计，与心爱的小金鱼（舒淇 饰）青梅竹马。原本平凡的人生因为一次意外而彻底改变。不仅为天地会的陈近南（郑伊健 饰）收为徒弟，还被康熙帝派下江南的心腹太监海大富强行带回了皇宫来完成自己的打算。进入皇宫的韦小宝在海大富的指引下认识了刁蛮任性的建宁公主（林心如 饰）和阴险恶毒的太后（陈法蓉 饰），还误打误撞的和少年康熙（谭耀文 饰）成了好朋友。一方面韦小宝为反清复明的天地会出谋划策，一方面帮助小玄子扫清他皇帝路上的政治障碍。多次化险为夷死里逃生的小宝却在眼见修成正果前途一片光明的时刻，忠与义的抉择让他陷入了两难的境地，而他选择了放弃了大好的前程，带着自己的七个老婆离开… 　　改编自金庸小说《鹿鼎记》，又名《小宝传奇》《鹿鼎记》。

在妓寨丽春院长大的韦小宝不学无术，终日游手好闲，偷奸取巧，是个不折不扣的小无赖。一次，天地会总舵主陈近南刺杀清廷重臣鳌拜不遂，负伤逃入丽春院，得小宝相救。近南见小宝机灵过人，遂收其为徒。康熙派心腹太监海大富和御妹建宁公主南下访寻高手，以歼灭奸臣鳌拜。海公公和建宁以为小宝武功盖世，决意征用他为朝廷效力。小宝入宫后，竟误打误撞建立连串功绩，极得康熙赏识，成为宫中大红人。建宁刁蛮任性，却对小宝情有独钟，但小宝不甘受她管束，反而乐于周旋于双儿、沐剑屏、方怡和阿珂众女之间。

秋原的前任石寨正当大案既破之际，被秋原爱人江城反贪局长童怀以贪污受贿罪拘捕后查无音信，江城市委书记，秋原的老同学郝尚亲自出面劝说秋原不要再查非法集资案，以免重蹈石寨覆辙，秋原出于党的纪委干部的责任和民心所怨所患，和纪委一班人马顶着来自四面八方的各种压力，甚至于冒着生命危险坚决二进兴江公司复查，终于水落石出真相大白，为江城市集资百姓排扰解难，终于把为官不廉，又狡猾奸诈，自以为打擦边球得手的政客郝尚及新贵族钟野送上了审判台并把他们的幕后支持者上告京。

秋原的前任石寨正当大案既破之际，被秋原爱人江城反贪局长童怀以贪污受贿罪拘捕后查无音信，江城市委书记，秋原的老同学郝尚亲自出面劝说秋原不要再查非法集资案，以免重蹈石寨覆辙，秋原出于党的纪委干部的责任和民心所怨所患，和纪委一班人马顶着来自四面八方的各种压力，甚至于冒着生命危险坚决二进兴江公司复查，终于水落石出真相大白，为江城市集资百姓排扰解难，终于把为官不廉，又狡猾奸诈，自以为打擦边球得手的政客郝尚及新贵族钟野送上了审判台并把他们的幕后支持者上告京。

中法合拍纪录电影《康熙与路易十四》，讲述三百多年前中国皇帝康熙与法国国王路易十四展开积极互动，书写了一段东西方两大文明交流互鉴的佳话。本片为庆祝 2024 年中法建交 60 周年而作。