James Williamson's September 1902 catalogue contains a detailed synopsis: 　　First Scene: Policeman on his beat in the early morning finds an unoccupied portion of a building well alight with window burnt out, while the inmates of the adjoining part are apparently asleep and unconscious of their danger. He endeavours to arouse them, and tries to open door, blows his whistle to call assistance and rushes off to call the fire engine and escape. 　　Second Scene: Outside the fire station; policeman rushes in, shakes the door and rings the bell; fireman opens door, policeman excitedly gives particulars of fire, other firemen hurry forward, dressing as they go and quickly rush off with small fire escape. In an incredibly short time a horse is fixed to another escape, and two horses into a manual engine, and the whole gallop off. 　　Third Scene: Shows horsed fire escape and engine coming full gallop past the camera. 　　Fourth Scene: Interior of bedroom full of smoke; man in bed just rousing; discovering room full of smoke he jumps out of bed and throws contents of water jug over the fire, then rushes to the door and opens it, but finds his passage blocked by flame and smoke; he then goes towards the window, but just at that moment the curtains set alight, and overcome by smoke and heat he buries his head in the bedclothes. The window curtains and blind now burnt away disclose a fireman outside with hatchet breaking in the window; he comes in with his hose and quickly extinguishes the fire; he then goes to the relief of the man now helpless on the bed, and puts him across his shoulder, and carries him to the window. 　　Fifth Scene: Shows the outside of the window; fireman with rescued man across his shoulders comes down escape; another fireman runs up and fetches down the hose, throwing out some bedclothes to put round the rescued man; the latter recovering his senses recollects that there are others in the burning building. One fireman, laying a wet cloth over his mouth, breaks into a French window, while others hurry away with the escape to another part of the building. Fireman re-appears through the smoke with a child in his arms, the previously rescued man clutching the child from him hurries away with her, overjoyed at her rescue. Meanwhile the captain has directed another party of firemen to prepare to rescue another inmate, who appears at the window in an exhausted condition; the fire escape being occupied elsewhere, the jumping sheet is brought into requisition, and the man jumps into it and is carried away by the firemen.

滚滚黑烟突然从德国柏林电视塔冲向蓝天，瞬间电视塔被熊熊烈火包围，坍塌、爆炸随处发生，塔内有近百人受困。摩天大厦中燃起熊熊大火，一些人被热浪抛出窗户，被困的人们不堪火烤而跳楼解脱，柏林消防队面对愈演愈烈的大火束手无策。在迅速蔓延的大火面前和救援措施受挫，被困生命面临生死紧急关头，消防队员汤姆决然提出一个大胆的设想：引爆二氧化碳罐，使其充斥整个塔楼以达到灭火的目的。然而，一场突如其来的变故让每个人都面临生死的残忍选择……火场英雄们将如何拯救这一百多位困在大火之中的宾客如何逃出生天呢？

A Letter of Fire: The life of a prosperous family is sent reeling after a tragic and incredible accident involving the 12-year-old boy in a murder. The issue caused a stir, especially since the child's mother, a renowned judge, is in charge of the case. In the bustling city, the boy is hiding in the house of a museum guard, as his mother tries desperately to defend him and his father has withdrawn into himself. As time passes, a strange relationship develops between the mother and the man who hides her son. The tension reaches its highest point when the mother reveals her childhood dream and unloads all her pain in a manner of violence and atonement.The movie depicts a series of psychosexual traumas within an upper middle class Sri Lankan family—a female magistrate, her elderly husband, who is a former High Court judge, and their 12-year-old son (Isham Samzudeen). It explores the questions of incest, rape, murder and other dark secrets within the family and their impact on the young boy.

2019年4月15日下午6:50，成千上万的观众们在现场或在屏幕前，目睹了这起令人难以想象的事件。巴黎圣母院顶部塔楼失火坍塌。一个多小时过去了，这座有800多年历史的教堂，这栋欧洲最受欢迎的古建筑，仍然在火中燃烧着。400多名消防员为了保卫巴黎圣母院，与大火做着斗争。《巴黎圣母院火灾纪实》这部由消防员们和巴黎警察局拍摄的视频，记录了这座世界级文化瑰宝覆灭的全过程。

这是一曲人类文明发展的挽歌，从黎巴嫩的巴尔贝克神庙，到乌克兰被战争摧毁的废墟，再到2023年土耳其7.8级地震的遗迹。俄罗斯电影大师维克多·科萨科夫斯基将镜头对准人类社会的建筑基石，他与意大利建筑师米歇尔·德·卢基共同探讨文明兴衰，当代文明究竟该怎样建设？影片新颖的视角带来前所未有的视觉与情感冲击，入围第74届柏林国际电影节主竞赛单元。导演曾担任第22届上海国际电影节纪录片单元评委会主席。

江文渊的都市造山，如何在不可避免的集居年代，依然不与自然断裂，考验着建筑师对精神向度的追求与技术的突破。 廖伟立的建筑作品，我们发现了驳杂又现代的台湾，为台湾的混乱找到看法，为圣俗共存找到可能性。 在黄声远的带领，我们发现建筑师可以如此具有社会性。他不愿意让建筑沦为商业操作来服务少数人，因此无论是大棚架系列、维管束系列，黄声远都渴望为不同的社会阶层留下各种可能性。 心的宁静与安定，一直是曾志伟长期追寻的方向，因此他具实验性的、挑战常轨的建筑，为的就是期待人们能感受到自然所带来的疗愈及安定。

江文渊的都市造山，如何在不可避免的集居年代，依然不与自然断裂，考验着建筑师对精神向度的追求与技术的突破。 廖伟立的建筑作品，我们发现了驳杂又现代的台湾，为台湾的混乱找到看法，为圣俗共存找到可能性。 在黄声远的带领，我们发现建筑师可以如此具有社会性。他不愿意让建筑沦为商业操作来服务少数人，因此无论是大棚架系列、维管束系列，黄声远都渴望为不同的社会阶层留下各种可能性。 心的宁静与安定，一直是曾志伟长期追寻的方向，因此他具实验性的、挑战常轨的建筑，为的就是期待人们能感受到自然所带来的疗愈及安定。

这部影片的目的不仅仅是为了解释一幢房子的建造过程，并且表达着巴黎最繁华街区的规划理念，由勒.柯布西耶制定规划方案。今日建筑的拍摄是为了新型法式建筑的宣传，这部影片的拍摄目的是为了宣传新颖和现代的建筑主张，但是同时加以建议和评论。