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    风格 - 电视剧

    2009韩国爱情·喜剧
    导演:吴钟禄
    演员:金惠秀 柳时元 李智雅
    Style是以描述时尚界的华丽职业的世界中隐藏的人类欲望的同名小说为原著,述说主角们的工作和爱情,服装界的激烈竞争,公司内权力关系等
    风格
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    风格 - 电视剧

    2009韩国爱情·喜剧
    演员:金惠秀 柳时元 李智雅
    风格
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    日式风格 - 电视剧

    2022日本剧情
    导演:深川荣洋
    演员:仲野太贺 市川实日子 要润
    テレビ朝日初の本格シットコムとなる本作は、さびれた温泉旅館・虹の屋の玄関とロビー、従業員室、大浴場の入口、エレベーターという限られた空間で繰り広げられる群像劇。主人公は虹の屋の3代目である父親に反発し家を飛び出すも、うだつの上がらない日々を送っていた柿丘哲郎だ。劇中では哲郎が実家の窮地を救うため10年ぶりの帰宅を果たすも、虹の屋は100年の伝統を誇る老舗旅館の品格やサービスが完全に消え失せ、一筋縄ではいかない従業員の吹き溜まりと化していた。
    日式风格
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    摄影风格 - 纪录片

    2007美国纪录片
    导演:Jon Fauer
    CINEMATOGRAPHER STYLE is about the Art and Craft of Cinematography. It is about how everything, from life experiences to technology, influences and shapes an individual's visual style. Because of the powerful impact that the visual style of a movie can have, this documentary may offer contemporaries valuable insights into the dramatic choices Cinematographers make. And, it is expected that the material will have significant historic value as well.
    摄影风格
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    香港风格 - 纪录片

    2006中国大陆·中国香港纪录片
    导演:胡恩威
    胡恩威錄像作品   散步香港城市與建築空間   香港風格是來自胡恩威2005年出版的同名原著為藍本的錄像作品。   一部關於香港都市文化和形象建築風格的書,大戲院、老社區、天橋、霓虹招牌、竹棚建築、街市等等,解讀香港正在消失的獨有都市和建築美學。   我是一九六八年於香港出世,我的父母和當時很多香港人一樣,都是一九四九年從中國跑到香港尋找新生活,建立家庭。我在香港這個城市成長,體會香港這個城市這些年來的變化,看著香港的老房子老社區老店老戲院消失,看著街邊小販大排檔被消滅,看著一幢一幢的高樓,一個一個的大型商場像太空船一樣空降在香港的不同地方。我們說睹物思人,觸景生情,年青時代的香港成了我的記憶,成為了我對香港的情感,它不可能也不能夠像電腦Delete all 指令一樣,在彈指之間消失。   香港風格是一部我的香港影像音樂文字(Image – Music – Text),散步香港空間和情感,不是理性也不是感性,是非常由「我」出發的香港經驗。   胡恩威   香港出生,於香港及倫敦修讀建築設計,相信建築可以改變世界的現代主義精神,在劇場、文字、影像實踐建築精神。1988年加入進念二十面體,劇場作品包括:Looking for Mies、東宮西宮、半生緣、萬曆十五年等等。被台灣《表演藝術》雜誌形容為「用入世精神製造劇場風暴」。2004年,胡恩威聯同雅砌建築設計有限公司所設計的汕頭大學學生活動中心《789》第一期,獲香港建築師學會頒發《2004年度會員香港境外作品獎》。
    香港风格
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    浪漫风格 - 电影

    2022加拿大·美国爱情
    导演:Michael Robison
    演员:Jaicy Elliot Benjamin Hollingsworth Connie Manfredi
    Brooklyn-based Ella Richards does freelance work as a seamstress to pay the bills, but is also a struggling fashion designer, her talent which her friend Max, who often gets her her sewing work, can see. She specializes in designs for plus sized women such as herself in knowing that the high end fashion industry largely ignores this majority segment of the population in she herself having felt that exclusion all her life. Katie, her best friend and roommate, has her own fashion industry aspirations in wanting to be a fashion editor, although she admits the environment at Look, the high end fashion magazine where she works as an assistant, is not a pleasant one in the Editor-in-Chief Claudia Davenport and her assistant Liza, Katie's boss, treating people in general, including staff, like garbage unless it otherwise serves their needs. The first day that Ella helps Katie with an important fashion shoot at the magazine coincides with Derek Colby's first day there, Colby Publishing, his father Roger Colby's company, the magazine's parent company, assigning him to deal with the magazine's declining revenues, both in advertising and subscriptions, work he has done with other magazines under the Colby banner. Derek secretly asks Ella for a crash course in fashion design to assist in this task at the magazine, she his choice of teacher due to her knowledge of fashion in general, and she seemingly not being intimidated by him which most people tend to be in being a Colby in combination with his good looks resulting in he placing number seven of the most eligible bachelors in New York City. In spending time with Ella, Derek can see the revenue potential of the magazine expanding into the plus sized market and seemingly starts to fall for her in the process in wanting to do one of the first articles in this vein on her design career, much against the wishes of both Claudia and Liza. Beyond whether Derek is able to change the magazine's fortunes with this new direction, what happens between Ella and Derek will depend on whether Ella herself is confident enough in herself and Derek, who generally can have any woman he wants on his arm.—Huggo
    浪漫风格
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    浪漫风格 - 电影

    2022加拿大·美国爱情
    导演:Michael Robison
    演员:Jaicy Elliot Benjamin Hollingsworth Connie Manfredi
    Brooklyn-based Ella Richards does freelance work as a seamstress to pay the bills, but is also a struggling fashion designer, her talent which her friend Max, who often gets her her sewing work, can see. She specializes in designs for plus sized women such as herself in knowing that the high end fashion industry largely ignores this majority segment of the population in she herself having felt that exclusion all her life. Katie, her best friend and roommate, has her own fashion industry aspirations in wanting to be a fashion editor, although she admits the environment at Look, the high end fashion magazine where she works as an assistant, is not a pleasant one in the Editor-in-Chief Claudia Davenport and her assistant Liza, Katie's boss, treating people in general, including staff, like garbage unless it otherwise serves their needs. The first day that Ella helps Katie with an important fashion shoot at the magazine coincides with Derek Colby's first day there, Colby Publishing, his father Roger Colby's company, the magazine's parent company, assigning him to deal with the magazine's declining revenues, both in advertising and subscriptions, work he has done with other magazines under the Colby banner. Derek secretly asks Ella for a crash course in fashion design to assist in this task at the magazine, she his choice of teacher due to her knowledge of fashion in general, and she seemingly not being intimidated by him which most people tend to be in being a Colby in combination with his good looks resulting in he placing number seven of the most eligible bachelors in New York City. In spending time with Ella, Derek can see the revenue potential of the magazine expanding into the plus sized market and seemingly starts to fall for her in the process in wanting to do one of the first articles in this vein on her design career, much against the wishes of both Claudia and Liza. Beyond whether Derek is able to change the magazine's fortunes with this new direction, what happens between Ella and Derek will depend on whether Ella herself is confident enough in herself and Derek, who generally can have any woman he wants on his arm.—Huggo
    浪漫风格
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    英国 风格天才 - 纪录片

    2008英国纪录片
    导演:BBC two
    演员:Vivienne Westwood Alexander McQueen John Galiano
    Episode 1: A Fashion Democracy – The High Street Look   "The British do have a style genius. I think we have some of the best designers in the world. We changed the way fashion was in the 1960s. We have some of the best high street stores in the world. And there should be a programme celebrating it." Twiggy, in British Style Genius   British Style Genius begins by telling the story of the story of British High Street Fashion, in which fashion icon Kate Moss makes a rare TV appearance whilst working on her new line of clothes for the British high street.   Moss launched her first clothes collection in 2007 for Topshop. This move was not only a brilliant PR coup for the country's biggest high street fashion retailer, but a perfect example of fashion democracy at work – making top end "supermodel" style at high street prices that are within reach for everyone – something the British have excelled at.   Kate Moss followed in the footsteps of the first British supermodel, Twiggy, who launched her own range of clothes in the late Sixties.   Before then, high fashion was the preserve of the elite and young girls aspired less to look like supermodels and more to look like their mums.   The programme speaks to Mary Quant, the trail-blazing designer who broke the fashion mould by making clothes for young people.   Barbara Hulinicki followed closely behind. In 1964 she founded Biba – a store which went on to offer a complete fashion lifestyle experience, just as Topshop does on the British high street today.   One of the first British "name" designers to work closely with the high street was Ossie Clark. He and his wife Celia Birtwell had become the darlings of "swinging London"; their client list was littered with aristocracy – rock and otherwise. Celia reveals the secrets behind their success and how their designs are still relevant today.   Thanks to chains like M&S and Topshop, the gap between high fashion and high street has never been smaller. And the turnaround from the design room to shop floor is incredibly fast.   British Style Genius shows how, with the help of high profile icons such as Kate Moss, and a slew of designers, the British high street is today the envy of the international fashion industry.   As well as being a hothouse for cutting edge design, it is the fastest moving, most affordable and one of the most vibrant shopping experiences in the world.   Other contributors to the film include: Philip Green; Jane Sheperdson; Jonathan Saunders; Christopher Kane; Paula Reid; Twiggy; Stuart Rose; George Davies; and Anna Wintour.   Episode 2: A Cut Above – The Tailored Look   British tailoring – from Savile Row to Paul Smith and Tommy Nutter to Ozwald Boateng – goes under the fashion-spotlight in the second film of British Style Genius.   A Cut Above delves into the history of tailoring and Savile Row, tracing its roots in military and aristocratic dress, featuring contributions from: Paul Smith; Ozwald Boeteng; Timothy Everest; Michael Caine; Roger Moore; Edward Sexton; John Pearse; Twiggy; Salman Rushdie; and Richard James.   The film shows how tailoring is a story of elegant craftsmanship.   Honed in the workshops of Savile Row, tailors like Henry Poole Anderson & Sheppard and Timothy Everest describe the process of creating a bespoke suit – from the 40 separate measurements that create a blueprint of the wearer's body to the painstaking weeks of cutting, stitching and fitting that go into making a suit unique to the wearer.   Paul Smith is a household name in Japan and British Style Genius traces the growth of his business from its humble beginnings in Nottingham in the early Seventies to the global brand it is today, with over 200 shops in Japan alone.   The film follows Paul Smith on one of his many trips to Japan where he explains the enduring appeal of his "classics with a twist" formula and how an interest in tailoring combined with a love of all things colourful, eccentric and distinctively British is at the heart of his clothing.   High street retailer, Burton, was founded in 1900 and in its heyday clothed a third of the male population of Britain.   British Style Genius meets the company's Brand Director who reveals their plans to revive their classic styles with a Heritage line of clothing.   The programme looks at the some of the greatest style icons in mens fashion – from James Bond in the Sixties and Twiggy's Tommy Nutter suits in the Seventies to "Cool Britannia" young tailors like Ozwald Boateng, Richard James and Timothy Everest in the Nineties.   British tailoring might be better appreciated overseas than at home… but from Paul Smith to Burton; and Hayward to Sexton and Savile Row, there has always been a long and enviable tradition of style and craftsmanship right under our noses.   Episode 3: Breaking The Rules – The Fashion Rebel Look   Breaking The Rules celebrates the 1976 punk fashion revolution instigated by Vivienne Westwood.   In London the unique collision of art schools, nightclubs, street style and multiculturalism forged a microcosm of radical fashion cultures, and a new creative expression in clothing had begun.   Westwood was the trailblazer in the "rebel" look. This episode features key figures associated with that look including Vivienne Westwood; John Galliano; Alexander McQueen; Malcolm McLaren; Siouxsie Sue; and Stephen Jones.   From her design studio, Westwood talks about her controversial ideas and the innovative cutting techniques that have electrified the fashion world ever since she burst onto the scene.   Today, one of the most influential figures in the global fashion industry, Westwood describes her journey from shopkeeper to rule-breaking designer.   Westwood's daring fashion inspired a generation of young designers including John Galliano, whose initial success launched him into an overnight sensation.   In 1996, Galliano was appointed to the prestigious role of Creative Head at Christian Dior.   From his base in Paris, he still looks to London for inspiration, saying: "It's unique. It's on the street. It's in the attitude… it's lovely."   Following in Galliano's footsteps, Alexander McQueen was signed by the couture house Givenchy.   Renowned for his notorious and shocking designs McQueen discusses the headline stealing "Highland Rape" collection and "bumster" trousers which have defined his career.   These fashion rebels, with their revolutionary techniques, are still causing a stir today ensuring Britain remains at the forefront of design innovation.   Episode 4: By Royal Appointment – The Country Look   By Royal Appointment examines the essence of classic country clothing – embodied throughout modern history by the Royal Family. From Queen Victoria to King Edward VIII to our current Head of State, HM Queen Elizabeth II.   As sported by the Royal Family, it is a quintessential British style which continues to influence fashion designers around the globe.   Traditional "country" clothing is full of class connotations but it also transcends them to become a symbol of a certain kind of British spirit.   Garments are practical, durable and perfectly designed to deal with the ever changing British weather.   From the waxed jacket, to tweed and floral – these British staples are constantly being redesigned for modern fashionistas.   As the doyenne of fashion journalists, Suzy Menkes says, "the love of floral is an entirely British thing."   In 2008, as an acknowledgement of her fashion influence, Dolce and Gabbana took the Queen's trademark tartans, tweeds and headscarves, restyling these traditional accessories for the current catwalk.   Featuring a host of "country look" advocates this episode includes Suzy Menkes; designer Christopher Bailey; editor of Vogue Alexandra Shulman; Luella Bartley; Alex James; and tweed-loving Eric Clapton.   Country fashion has moved along way from its "sloaney" tag to play an unassuming yet vital role in defining British fashion.   Episode 5: Loud and Proud – The Street Look   It is often said that British style is restrained and conservative. Over 50 years our street styles have proved that theory to be a cosy myth.   Teds, mods, skinheads, casuals and chavs have created a tradition that is loud, proud and in your face.   The final episode of British Style Genius explores the styles created on the street, for the street.   It explores these extraordinary style sects and their passionate desire to impress, to show off and to self express.   The film considers the emergence of the Ted. The look was edgy, dangerous, disrespectful, brazen and uniquely British; and even though its origins lay in the posh post-war Edwardian revival the style was seized on by some of the poorest kids in Britain and turned into something that oozed sweat and sex.   The next great British style was a subtle, clean cut insurrection – mod.   Mod was mobile and mod had money – it was a stylistic reflection of prosperity and possibility. The super smart, sleek look was a British synthesis of the most glacially cool influences – American Ivy League, Italian tailoring and French Left Bank chic. Mod symbolised everything that was smart, new and exciting about Britain in the Sixties.   The late Sixties were the age of the skinhead, a fiercely neat reaction against "let it all hang out" hippy style – a look that was stripped down and militaristic.   The boots and jeans nodded toward their proletarian roots; Crombies and brogues were smash-and-grab raids on British gentlemen's outfitting and their button down shirts were adopted from wealthy Americans.   In 1977, Liverpool witnessed the first stirrings of a style sect that would shape the way British men dress today.   The casuals revolution saw sportswear take over British style – something initially made possible by the brilliant footballing exploits of Liverpool Football Club and the sharp style sense of their followers, suddenly exposed to Euro-style on away trips to the continent.   Eventually the casual look caught on and lured thousands of young men into an obsession with labels that has never receded.   With some labels, like luxury British brand Burberry, this label infatuation became label "abuse". The upmarket check of Burberry became the symbol of the much maligned chav.   These styles have been worn passionately by many – they are emotionally charged emblems of times, places and class.   The street look is as influential in shaping the world's ideas of British style as the work of the high street retailers, the Savile Row tailors and the fashion house frock makers.   The programme includes contributions from Charlie Watts (Rolling Stones), Robert Elms and Paolo Hewitt plus the original wearers of British street style – Teds, mods, skinheads and casuals.
    英国 风格天才
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    80s风格 - 电影

    1982美国剧情·同性
    导演:John Summers
    演员:Todd Baron Cal Driver 莱昂·福特
    从摄像机后面走进男模特的世界--谁没有在男性杂志和其他光鲜时尚传播中被帅哥性感的男人所吸引?在镜头外探索情欲的这部电影最初分为四部短片:《海选》、《书》、《水彩画》和《彩色》
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    当代风格 - 电影

    1984中国大陆剧情
    导演:孙沙
    演员:朱曼芳 王华英 林强
    两个五六岁的孩子--江月、宋颂在青石门马路上拣树叶玩耍。突然,一辆面包车风驰电掣般地冲向两个孩子。正在疏通下水道的青年班班长古泉见状冲了过去,把手足无措的孩子拖开,自己却被撞成重伤,倒在血泊中。江月的妈妈、市政工程处工程师舒榕闻讯赶到医院。   值班医生宋守仁头一次碰到这种复杂的手术,有些慌乱。舒榕见状立即赶往正在召开医学讨论会的黄海饭店,欲把自己的丈夫--胸外科主治大夫江之扬拉回医院抢救古泉。但当江之扬开完会回到医院时,古泉已因伤势过重抢救无效而去世。古泉的死,在两个孩子的家中引起了很大的震动。宋颂的父亲宋守仁为自己没能救活古泉而悔恨;江月的父亲江之扬,则一直强调自己学术论文的重要,对舒榕的指责不以为然,并在强调争辩中碰伤了前来劝解的小女儿江月。舒榕痛苦的搂过孩子,感到面前的丈夫霎时变的陌生了。自己最厌恶的东西,恰恰出现在自己丈夫的身上!她愤然离家出走,借在于老同学兰莹的宿舍。江之扬与宋守仁把因无法忍受儿媳虐待而被迫自杀的楚奶奶抢救脱险,可他们怎么也没想到:是自己的孩子一直在偷偷用节省下来的面包照料着这位可怜的老人。纯真的小心灵使红之扬领悟到,他不仅需要有一把操作娴熟的手术刀,更需要有一颗关心人、帮助人的火热的心。看到江之扬的转变,舒榕又回到了丈夫和孩子的身边。江之扬激动地望着舒榕,双眼湿润。舒榕改造青石门旧址的规划得到了实施,美丽的街心花园在青石门的旧址处建成。江月和宋颂迎着鲜红的枫叶、斑斓的霞光走来。
    当代风格
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