In his groundbreaking films Sex and Sex #2, Michael Ninn redefined cinematic eroticism and raised the stakes for future filmmakers. Now he meets his own challenge with a cyberpunk tale of a man who can see inside the souls of others - or so he believes. Jon Dough plays Malcolm Stevens, a man incarcerated by a futuristic society and plagued by a 'special gift' for which he never asked. State-of-the-art special effects combine with lavish latex sex in a film that won the AVN Best Picture Award for 1995!

In his groundbreaking films Sex and Sex #2, Michael Ninn redefined cinematic eroticism and raised the stakes for future filmmakers. Now he meets his own challenge with a cyberpunk tale of a man who can see inside the souls of others - or so he believes. Jon Dough plays Malcolm Stevens, a man incarcerated by a futuristic society and plagued by a 'special gift' for which he never asked. State-of-the-art special effects combine with lavish latex sex in a film that won the AVN Best Picture Award for 1995!

Bearded contract employee goes on a "giant bouquet of flowers" planet and prefers friendship with the robot because all inhabitants are creepy psychos.

In 1936, Ophüls left France for the Netherlands, where he was ironically (or perhaps fittingly) granted an extravagant budget for this parable about the vagaries of capitalism in which a bank courier bounces between economic calamity and monetary bonanza. Not a penny was wasted, though, on the virtuoso camera movement and subjective compositions of renowned cinematographer Eugen Schüfftan.

In 1936, Ophüls left France for the Netherlands, where he was ironically (or perhaps fittingly) granted an extravagant budget for this parable about the vagaries of capitalism in which a bank courier bounces between economic calamity and monetary bonanza. Not a penny was wasted, though, on the virtuoso camera movement and subjective compositions of renowned cinematographer Eugen Schüfftan.

故事发生在一个晴朗的早晨。伴随着公鸡的鸣叫，我们的布鲁托从美梦中醒来。他懒洋洋地活动着僵硬的身体，大口大口呼吸着新鲜的空气。可是清晨的好心情很快就被破坏掉了，一群小鸟抢光了他的口粮，一点都没剩下。颇有些落寞的布鲁托突然听到隔壁传来的呼噜声，他从篱笆上的洞张望过去，发现对面那只凶猛的牛头犬正呼呼大睡，而他的盘子中则放着一根硕大的骨头棒子。一时间布鲁托脑中闪过了坏念头，他挖洞悄悄潜入隔壁，蹑手蹑脚蹭到牛头犬的窝边，想方设法把骨头偷走。 　　当他正在逃跑的时候，牛头犬突然醒了过来。围绕着根骨头，一场激烈的争夺战在所难免……

Eduardo, a snob publicist who lives cranky most of the day and David, a shy student of literature are neighbors in a building under construction. After 6 months of hardly a greeting a scaffold intercedes between them causing unexpected reactions in each.

Eduardo, a snob publicist who lives cranky most of the day and David, a shy student of literature are neighbors in a building under construction. After 6 months of hardly a greeting a scaffold intercedes between them causing unexpected reactions in each.

主要呈现兰屿雅美族人的社会价值观、宗教信仰与传统生计活动等，和外界接触后所产生的文化困惑、矛盾、调适及冲突。

胡台丽《兰屿观点》73min 年代1993 中文发音 中\英字幕 彩色影片 　　作为人类学者、中研院研究员，胡台丽导演为台湾民族志纪录像片第一人，她的纪录作品也是第一部上院线作商业放映的纪录片。本片纪录兰屿雅美族人的社会价值观、宗教信仰与传统生计活动等，和外界接触后所产生的文化困惑、矛盾、调适及冲突。为胡导演代表作之一。与郭珍弟导演的《清文不在家》相互参照之下，更可观察出雅美族人（或达悟族人）长期所面临的困境，在经过十年的岁月变迁与文化冲刷之后，似乎并没有减少，只是更深刻、更内化了。