In his groundbreaking films Sex and Sex #2, Michael Ninn redefined cinematic eroticism and raised the stakes for future filmmakers. Now he meets his own challenge with a cyberpunk tale of a man who can see inside the souls of others - or so he believes. Jon Dough plays Malcolm Stevens, a man incarcerated by a futuristic society and plagued by a 'special gift' for which he never asked. State-of-the-art special effects combine with lavish latex sex in a film that won the AVN Best Picture Award for 1995!

In his groundbreaking films Sex and Sex #2, Michael Ninn redefined cinematic eroticism and raised the stakes for future filmmakers. Now he meets his own challenge with a cyberpunk tale of a man who can see inside the souls of others - or so he believes. Jon Dough plays Malcolm Stevens, a man incarcerated by a futuristic society and plagued by a 'special gift' for which he never asked. State-of-the-art special effects combine with lavish latex sex in a film that won the AVN Best Picture Award for 1995!

Bearded contract employee goes on a "giant bouquet of flowers" planet and prefers friendship with the robot because all inhabitants are creepy psychos.

在以色列并不存在民事婚姻与民事离婚，所有的结婚与离婚必须在犹太教拉比的裁决下才能成为“合法”，然而丈夫一方的权利往往凌驾于第三方的裁决人之上。《诉讼》正是在这样背景下所讲述的故事。故事的主人公薇薇安·阿姆萨勒姆自三年前已经提出结婚，然而她的丈夫伊莱莎并不同意。即使伊莱莎强硬地不肯妥协，薇薇安已经下定决心要争取自己的自由，然而宗教裁决人的态度却是暧昧不清。在三方拉锯的过程中，一幕幕悲剧与荒谬不断上演。

刚刚出狱的钱伯斯，面对来接自己的老友布靴和蛙仔，异常兴奋。三人去找钱伯斯原来的黑社会老大盖兹，表示自己不愿意混黑社会了。盖兹指使手下杀死布靴和蛙仔，并以钱伯斯儿子威胁钱伯斯，必须替自己干最后一票：杀死当地的检察官。当钱伯斯赶到检察官办公室时，果然发现检察官已经倒在地上。钱伯斯妹妹的前夫，一个极具西部牛仔特色的律师接手这个案子，要努力为钱伯斯脱罪。

刚刚出狱的钱伯斯，面对来接自己的老友布靴和蛙仔，异常兴奋。三人去找钱伯斯原来的黑社会老大盖兹，表示自己不愿意混黑社会了。盖兹指使手下杀死布靴和蛙仔，并以钱伯斯儿子威胁钱伯斯，必须替自己干最后一票：杀死当地的检察官。当钱伯斯赶到检察官办公室时，果然发现检察官已经倒在地上。钱伯斯妹妹的前夫，一个极具西部牛仔特色的律师接手这个案子，要努力为钱伯斯脱罪。

In 1936, Ophüls left France for the Netherlands, where he was ironically (or perhaps fittingly) granted an extravagant budget for this parable about the vagaries of capitalism in which a bank courier bounces between economic calamity and monetary bonanza. Not a penny was wasted, though, on the virtuoso camera movement and subjective compositions of renowned cinematographer Eugen Schüfftan.

In 1936, Ophüls left France for the Netherlands, where he was ironically (or perhaps fittingly) granted an extravagant budget for this parable about the vagaries of capitalism in which a bank courier bounces between economic calamity and monetary bonanza. Not a penny was wasted, though, on the virtuoso camera movement and subjective compositions of renowned cinematographer Eugen Schüfftan.

故事发生在一个晴朗的早晨。伴随着公鸡的鸣叫，我们的布鲁托从美梦中醒来。他懒洋洋地活动着僵硬的身体，大口大口呼吸着新鲜的空气。可是清晨的好心情很快就被破坏掉了，一群小鸟抢光了他的口粮，一点都没剩下。颇有些落寞的布鲁托突然听到隔壁传来的呼噜声，他从篱笆上的洞张望过去，发现对面那只凶猛的牛头犬正呼呼大睡，而他的盘子中则放着一根硕大的骨头棒子。一时间布鲁托脑中闪过了坏念头，他挖洞悄悄潜入隔壁，蹑手蹑脚蹭到牛头犬的窝边，想方设法把骨头偷走。 　　当他正在逃跑的时候，牛头犬突然醒了过来。围绕着根骨头，一场激烈的争夺战在所难免……

Eduardo, a snob publicist who lives cranky most of the day and David, a shy student of literature are neighbors in a building under construction. After 6 months of hardly a greeting a scaffold intercedes between them causing unexpected reactions in each.