玛丽是一位美丽而孤独的十六岁少女，居住在丹麦一个偏僻的海边渔村。她的母亲患上了重病，终日坐在轮椅上，神志不清。玛丽的父亲托尔依靠经营一间小型的杂货店来养活全家。从表面上来看，日子过得很寻常，然而玛丽却怀疑在她母亲患病的背后有着不可告人的秘密。via.张咏轩

玛丽是一位美丽而孤独的十六岁少女，居住在丹麦一个偏僻的海边渔村。她的母亲患上了重病，终日坐在轮椅上，神志不清。玛丽的父亲托尔依靠经营一间小型的杂货店来养活全家。从表面上来看，日子过得很寻常，然而玛丽却怀疑在她母亲患病的背后有着不可告人的秘密。via.张咏轩

当身体被构建成科学技术、医疗、生产劳动等多个权力关系的场所，主体性迷失于生命政治的技术控制之时，我们如何实现身体伦理学与生物资本之间的和解？

当身体被构建成科学技术、医疗、生产劳动等多个权力关系的场所，主体性迷失于生命政治的技术控制之时，我们如何实现身体伦理学与生物资本之间的和解？

伊格·佩西斯（丹尼尔·雷德克里夫 Daniel Radcliffe 饰）和梅琳·威廉姆斯（朱诺·坦普尔 Juno Temple 饰）是一对自幼青梅竹马的男女朋友，但在一年前的某天，他们的人生发生了翻天覆地的巨变。两人在森林里约会时，梅琳被人残忍杀害。在此之后伊格作为犯罪嫌疑人遭到警方调查，不过最终他被无罪释放。重获自由身的伊格对梅琳久久无法忘怀，而来自周遭的谴责和质疑更让其痛不欲生。在哀悼梅琳的夜晚，伊格恼羞成怒，做出亵渎神明的举动。次日一早，他惊讶地发现自己长出一对魔鬼的角，而且似乎凡是接近他的人都会变的举止古怪，当彼此接触后更会窥见对方的内心世界。 　　烦恼不已的伊格，很由此发现梅琳遇害背后的隐情和真正凶手……

Extremely autobiographical piece made during an intensely depressive period for the filmmaker after his divorce from Jane, his first wife, and separation from his five children. Brakhage calls it "a true, narrative, dramatic psychodrama". The film's background music is a piece which is a collage of brief phrases from various Stephen Foster songs whose common theme is loss. Brakhage scratches individual words from these songs on the film at intervals, and the shaky letters dance uncertainly across the frame. The primary visual theme is of the 55-year-old filmmaker himself brooding in a lonely apartment, sitting on the floor leaning against a wall, repeatedly rising naked from his bed and falling back. This is intercut with footage made years earlier, in the 70s, when his children were much smaller, as they played happily in the home they once shared. Even at his very lowest point, Brakhage continued to turn his life into art.

Extremely autobiographical piece made during an intensely depressive period for the filmmaker after his divorce from Jane, his first wife, and separation from his five children. Brakhage calls it "a true, narrative, dramatic psychodrama". The film's background music is a piece which is a collage of brief phrases from various Stephen Foster songs whose common theme is loss. Brakhage scratches individual words from these songs on the film at intervals, and the shaky letters dance uncertainly across the frame. The primary visual theme is of the 55-year-old filmmaker himself brooding in a lonely apartment, sitting on the floor leaning against a wall, repeatedly rising naked from his bed and falling back. This is intercut with footage made years earlier, in the 70s, when his children were much smaller, as they played happily in the home they once shared. Even at his very lowest point, Brakhage continued to turn his life into art.

选择一，做一个默默无闻的小喽啰；择二，做一个与天争锋的大反派！杨麟毅然选择后者！脚踩十八路主角，这个世界，我说了算！原来杨麟竟穿书成书中的小反派，穿书后的杨麟觉醒了系统，从此开始靠系统攻略一切困难，从职场小透明到天命大反派，看我力压男主，走上巅峰。

该故事改编自同名漫画。十岁的杰克是个爱做白日梦的孩子，他发现自己能够进入梦境，拯救人们摆脱一个名为“夜音”的邪恶势力。如今，他必须掌握梦想世界的规则，增强自身对抗“夜音”的力量，否则“夜音”会让所有人陷入永眠。