沈长歌在雕花大床上醒来时，脑内信息炸得他头晕 —— 老爹是荒古战力顶点，挥拳可碎星辰；老娘端坐瑶池圣殿，万仙俯首；堂姐掌天下财脉，金山银山只当顽石；堂哥丹炉一动，能炼出起死回生的神药。他翻了个身埋进锦被，打了个哈欠。前世卷到吐血，这辈子有这顶配家世，还争什么？摆烂，必须摆烂！

故事讲述三个年轻人去当地医生家里进行偷窃，意想不到的是，医生提前回到了家中。

故事讲述三个年轻人去当地医生家里进行偷窃，意想不到的是，医生提前回到了家中。

三兄妹被迫離開城市，打算回到村莊裡的老家居住，但區長的酗酒弟弟已在老屋非法住了十年，三兄妹試著取回房屋，但警察不斷騷擾。語言：哈薩克語，俄語 　　 　　25歲的約翰和弟弟厄伯、生病的12歲妹妹艾莉亞相依為命，卻被迫搬離位於阿拉木圖的家，幸好母親還留了一間屋子在鄉下。沒想到，區長的酒鬼弟弟已在老屋非法住了10年，還打算據為己有，警察無所不用其極來騷擾三兄妹。《屋主》透過荒謬的手法，描述在大眾漠視的情況下，經常性的不公義會如何演變成難以預料的殘酷行為

孟凡来到一个怪兽横行的世界，却悲催的觉醒了吸引怪兽的被动能力。在99次被怪兽袭击之后，终于觉醒了被动无敌光环技能。只要不断升级，就能弹开一切攻击！自此，孟凡走上了属于他的无敌之路。

孟凡来到一个怪兽横行的世界，却悲催的觉醒了吸引怪兽的被动能力。在99次被怪兽袭击之后，终于觉醒了被动无敌光环技能。只要不断升级，就能弹开一切攻击！自此，孟凡走上了属于他的无敌之路。

“叮，宿主已开启无敌领域！只要在领域内宿主天下无敌！”　 身为一个死宅的陈长安穿越玄幻世界，面对外界的无数妖魔鬼怪，陈长安决定成仙之前决不离开自己的无敌领域。 闲来无聊，偶尔培养几个可萌可甜乖徒儿，一不小心都培养成了修行界大佬，搅得世界天翻地覆。

主角意外觉醒 “谎话成真系统”—— 该系统的关键能力是：当他人（尤其是骗子）对主角说的谎言，主角可触发系统让其 “真实发生”。这一设定恰好克制 “杀猪盘” 这类靠虚假承诺行骗的骗局，为主角反套路骗子提供了核心金手指。 主角无需被动防骗，而是靠系统将骗子的谎言转化为自身收益，既惩治了诈骗行为，又轻松获利，满足观众对 “恶有恶报、主角开挂” 的爽感需求，同时也隐性提醒了 “杀猪盘” 的常见套路。

当神秘的位面融合发生，全人类被卷入诡异世界。这里危机四伏，恐怖的怪物、未知的陷阱时刻威胁着生命，稍有不慎便会万劫不复。但同时，难以想象的机遇也隐藏其中，稀世珍宝、强大技能等待有缘人发掘。在这绝境中，人类能否利用机遇克服危险，闯出一条求生之路？

They’re the band that everybody has an opinion on, the band that spawned a thousand copyists but combusted too soon to achieve their true potential. In 2004, two years after releasing their first single, The Libertines split. Then in 2010, Carl Barat, Pete Doherty, John Hassall and Gary Powell reunited to play Reading and Leeds, the biggest shows of their career. 　　Frequently described as the UK’s most important music photographer and photojournalist, Roger Sargent was responsible for shooting many iconic photos of this acclaimed British band. His debut feature THE LIBERTINES – THERE ARE NO INNOCENT BYSTANDERS is an all-access music documentary that spans the period of time from the announcement of this reunion to the weekend of Reading and Leeds. With unrivalled access to their inner sanctum, Sargent’s aim was to look beyond tabloid headlines and give an intimate insight into a band reforming and friendships repaired. Rather than taking a strictly linear approach, it’s the spirit that Sargent wanted to capture: stories and moments retold and relived by the band themselves. This includes whimsical, romantic snapshots of the bands history told by band members in locations which resonate with them: for example, a day with Pete in Paris, and Carl giving a guided tour of the “Libertines East End” including a visit to Bethnal Green’s Libertine Alley which is graffiti-scrawled with song lyrics, and Brick Lane’s famous bagel shop. Profiling each band member individually and collectively – something which has never been done before – each of the boys have the chance to put their story in their way. Including access to rehearsals, warm-up gigs at The Forum, and the Reading/Leeds weekend, the film also makes use of Sargent’s unparalleled archive of photos, and altogether it’s as much about the band rediscovering The Libertines as everyone else. 　　Thanks to Roger’s long history with the band, The Libertines goes behind the tabloid headlines to give viewers unrivalled access to the love, laughter, passion and power of a band which united and inspired a generation.” 　　Following a brief sojourn at Melody Maker and ID Magazine, Roger Sargent went to NME, surviving trauma and trends for over a decade. Having worked for Rolling Stone, Mojo, Daily Telegraph, and The Guardian amongst others, he has most recently won critical and popular acclaim for two major exhibitions, The Libertines – Boys In The Band and Future Legends. An exhibition of his photography will run in Spitalfields Market for the duration of East End Film Festival. THE LIBERTINES – THERE ARE NO INNOCENT BYSTANDERS is his debut feature.