穿越修仙界，楚风成为太古仙宗峰主，却因实力低微、收徒失败面临罢免。危急时刻，他激活万倍返还系统——只要赠予弟子宝物，就能触发暴击返还更珍稀的奖励！凭借系统，他收下魔教圣女为徒，疯狂返还顶级功法、神兵丹药，实力暴涨！然而，魔道纠葛、宗门争斗、禁区强敌接踵而至…

是述说以结婚连结的两个家庭内的六名情侣的生活和爱情,结婚以及离婚的故事.并有代表不同世代纠葛的多样夫妻登场, 预计将通过他们克服纠葛来呈现美丽的和睦。

杨凡被富二代王峰羞辱，意外获得怨种系统，只要花钱就会返现，抱着试试的心态遇到王峰的“陪玩女友”，在系统的加持下，杨凡最终取得成功并成功将羞辱过他的人才在脚下，走上人生巅峰。

末世降临后，主角江胜意外激活物资返还系统，只要女性消耗物资，即可触发万倍返还。学霸校花、冰山女神等各类美女为求庇护纷纷投靠，她们每消耗一包方便面、一片药物甚至一点体质，江胜的空间就会堆满万倍物资。凭借无限资源与肉身强化，他在危机四伏的末世中建立势力，最终傲立世界之巅。

末世降临后，主角江胜意外激活物资返还系统，只要女性消耗物资，即可触发万倍返还。学霸校花、冰山女神等各类美女为求庇护纷纷投靠，她们每消耗一包方便面、一片药物甚至一点体质，江胜的空间就会堆满万倍物资。凭借无限资源与肉身强化，他在危机四伏的末世中建立势力，最终傲立世界之巅。

The daily life of a gay couple living together in Tehran is interrupted by an invisible third presence—the spirit of the ex-boyfriend who died six years ago who has returned and wants to live with them.

The daily life of a gay couple living together in Tehran is interrupted by an invisible third presence—the spirit of the ex-boyfriend who died six years ago who has returned and wants to live with them.

The daily life of a gay couple living together in Tehran is interrupted by an invisible third presence—the spirit of the ex-boyfriend who died six years ago who has returned and wants to live with them.

The film sees Dutch artist Renzo Martens travel through the Congo armed with a camera and an enormous neon sign that reads, in English, ‘Enjoy Poverty (please)’, which he erects at various intervals amid desperately poor Congolese villagers. 　　There’s something incredibly uncomfortable about watching someone with his own agenda filming the tragedy of poverty stricken Africa. He befriends the villagers and interviews them about the difficulty of their situation, their malnourished children and the fact that they barely make enough to get by. 　　They put their trust in him, but his own agenda (to put up his signs in their villages) is entirely foreign to them. Even as he explains to them that their situation is unlikely to change, the bewilderment on their faces is clear. He’s here, what can they do? To the audience it verges on a kind of exploitation. 　　Until you realize what’s really going on. 　　http://viewoncanadianart.com/2009/05/07/loved-renzo-martens-enjoy-poverty/

The film sees Dutch artist Renzo Martens travel through the Congo armed with a camera and an enormous neon sign that reads, in English, ‘Enjoy Poverty (please)’, which he erects at various intervals amid desperately poor Congolese villagers. 　　There’s something incredibly uncomfortable about watching someone with his own agenda filming the tragedy of poverty stricken Africa. He befriends the villagers and interviews them about the difficulty of their situation, their malnourished children and the fact that they barely make enough to get by. 　　They put their trust in him, but his own agenda (to put up his signs in their villages) is entirely foreign to them. Even as he explains to them that their situation is unlikely to change, the bewilderment on their faces is clear. He’s here, what can they do? To the audience it verges on a kind of exploitation. 　　Until you realize what’s really going on. 　　http://viewoncanadianart.com/2009/05/07/loved-renzo-martens-enjoy-poverty/